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The first of its kind, A Companion to Ancient Aestheticspresents a synoptic view of the arts, which crosses traditionalboundaries and explores the aesthetic experience of the ancientsacross a range of media—oral, aural, visual, andliterary. Investigates the many ways in which the arts were experiencedand conceptualized in the ancient world Explores the aesthetic experience of the ancients across arange of media, treating literary, oral, aural, and visual artstogether in a single volume Presents an integrated perspective on the major themes ofancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences betweenancient and modern ways of thinking about the place of art insociety
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion to Ancient Epigram offers the first ever full-scale treatment of the genre from a broad international perspective. The book is divided into six parts, the first of which covers certain typical characteristics of the genre, examines aspects that are central to our understanding of epigram, and discusses its relation to other literary genres. The subsequent four parts present a diachronic history of epigram, from archaic Greece, Hellenistic Greece, and Latin and Greek epigrams at Rome, all the way up to late antiquity, with a concluding section looking at the heritage of ancient epigram from the Middle Ages up to modern times. Provides a comprehensive overview of the history of the epigram The first single-volume book to examine the entire history of the genre Scholarly interest in Greek and Roman epigram has steadily increased over the past fifty years Looks at not only the origins of the epigram but at the later literary tradition A Companion to Ancient Epigram will be of great interest to scholars and students of literature, world literature, and ancient and general history. It will also be an excellent addition to the shelf of any public and university library.
This publication presents an interdisciplinary, methodologically-based collection of essays on the study of women in the ancient world. It explores a broad range of topics relating to women in antiquity, including: mother-goddess theory; women in Homer, pre-Roman Italy, the Near East, women and the family, the state, and religion; Dress and adornment; female patronage; Hellenistic Queens; imperial women; women in late Antiquity; early women saints; and many more. PART I Women outside Athens and Rome 5; Case study I: The mother goddess in prehistory: debates and perspectives / Lauren Talalay; 1. Women in ancient Mesopotamia 11 / Amy R. Gansell; 2. Hidden voices: unveiling women in ancient Egypt / Kasia Szpakowska; 3. Looking for Minoan and Mycenaean women: paths of feminist scholarship towards the Aegean Bronze Age / Marianna Nikolaïdou; 4. Women in Homer / Cristiana Franco; 5. Etruscan women: towards a reappraisal / Vedia Izzet; PART II The archaic and classical periods; Case study II: Sex and the single girl: the Cologne fragment of Archilochus / Sharon L. James; 6. Woman, city, state: theories, ideologies, and concepts in the Archaic and classical Periods / Madeleine M. Henry and Sharon L. James; 7. Women and law / Barbara Levick; 8. Women and medicine / Holt Parker; 9. Reading the bones: interpreting the skeletal evidence for women's lives in ancient Greece / Maria A. Liston; 10. Approaches to reading attic vases / Kathryn Topper; 11. Spartan girls and the Athenian Gaze / Jenifer Neils; 12.Interpreting Women in Archaic and Classical Greek Sculpture / A. A. Donohue; 13. Dress and adornment in archaic and classical Greece / Mireille M. Lee; 14. Women and religion in Greece / Eva Stehle; 15. Women and Roman religion / Lora L. Holland; 16. Women in Magna Graecia / Gillian Shepherd; PART III Women in a cosmopolitan world: the Hellenistic and late republican periods / Case study III: Hellenistic Tanagra figurines / Sheila Dillon; Case Study IV: Domestic female slaves in Roman comedy / Sharon L. James; 17. Female patronage in the Greek Hellenistic and Roman republican periods / Anne Bielman; 18. Women on Hellenistic grave Stelai: reading images and texts / Christina A. Salowey; 19. Female portraiture in the Hellenistic period / Sheila Dillon; 20. Women and family in Menander / Cheryl A. Cox; 21. Gender and space, 'public' and 'Private' / Monika Trümper; 22. Oikos Keeping: women and monarchy in the Macedonian tradition / Elizabeth D. Carney; 23. The women of Ptolemaic Egypt: the view from Papyrology / Maryline Parca; 24. Jewish women: texts and contexts / Laura S. Lieber; 25. Women, education, and philosophy / Marguerite Deslauriers; 26. Perceptions of women's power in the late Republic: Terentia, Fulvia, and the generation of 63 BCE / T. Corey Brennan; PART IV The beginnings of empire; Case Study V: Vergil's Dido / Sharon L. James; 27. Women in Augustan Rome / Judith P. Hallett; 28. Women in Augustan literature / Alison Keith; 29. Women on the Bay of Naples / Eve D'Ambra; 30. Early imperial female portraiture / Elizabeth Bartman; 31. Portraits, prestige, piety: images of women in Roman Egypt / Christina Riggs; PART V From empire to christianity; Case study VI: Female portraiture in Palmyra / Maura K. Heyn; 32. Women in imperial Roman literature / Rhiannon Ash; 33. Female portraiture and female patronage in the high imperial period / Rachel Meyers; 34. Women in Roman Britain / Lindsay Allason-Jones; 35. Public roles for women in the cities of the Latin West / Emily A. Hemelrijk; 36. Rari exempli femina: female virtues on Roman funerary inscriptions / Werner Riess; 37. Women in Late Antique Egypt / Jennifer Sheridan Moss; 38. Representations of women in late Antiquity and early Byzantium / Ioli Kalavrezou; 39. Becoming christian / Ross S. Kraemer; Appendix: Women in Late Antiquity (Apart from Egypt): A bibliography.
Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies. Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classics Brings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices Combines close readings of key receptions with wider contextualization and discussion Explores the impact of Greek and Roman culture worldwide, including crucial new areas in Arabic literature, South African drama, the history of photography, and contemporary ethics
"Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies. Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classics Brings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices Combines close readings of key receptions with wider contextualization and discussion Explores the impact of Greek and Roman culture worldwide, including crucial new areas in Arabic literature, South African drama, the history of photography, and contemporary ethics" http://www.loc.gov/catdir/enhancements/fy0805/2007022246-d.html.
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.

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