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In this biography -- translated for the first time into English -- German theologian Oswald Bayer describes the life and work of journalist-theologian Johann Georg Hamann (1730 1788). At a time when it seemed that the forces of secularization were attempting to claim the future, Hamann churned out small publications aimed at undermining the Enlightenment zeitgeist, turning its assumptions upside down and skewering its pretensions. Although largely forgotten until recent times, Hamann as radical dissenter -- whom Goethe called the "brightest man of his age" -- remains relevant today, as Bayer shows in this book.
Disagreement is inevitable, particularly in our current context, marked by the close coexistence of conflicting values and perspectives in politics, religion, and ethics. How can we deal with disagreement ethically and constructively in our pluralistic world? In Disagreeing Virtuously Olli-Pekka Vainio presents a valuable interdisciplinary approach to that question, drawing on insights from intellectual history, the cognitive sciences, philosophy of religion, and virtue theory. After mapping the current discussion on disagreement among various disciplines, Vainio offers fresh ways to understand the complicated nature of human disagreement and recommends ways to manage our interpersonal and intercommunal conflicts in ethically sustainable ways.
The Oxford Handbook to European Romanticism is a guide to European Romanticism written for an English-speaking audience. It finishes with a chapter on the European Romantic attitude to Britain. The authors are all expert in the original languages of the writers and topics which they discuss. European Romanticism sits in an epochal period full of historical excitement, beginning with the French Revolution and extending to the uprisings of 1848 acrossEurope. It witnessed what was arguably the first world war, against Napoleon, and the post-Napoleonic settlement at the Congress of Vienna which shaped the Europe which lasted until the Great War. Germany'sgreatest writer, Goethe, and Russia's, Pushkin, lived during this time. Other writers from different countries are comparably important - Mme de Staël, the founder of the sociology of literature and the original cultural commentator in her book On Germany; Giacomo Leopardi, the second greatest Italian poet after Dante; Victor Hugo, greates French writer of the 19th century, hélas, and many others.
As celebrations of the five-hundredth anniversary of Martin Luther's initiation of the most dramatic reform movement in the history of Christianity approach, 47 essays by historians and theologians from 15 countries provide insight into the background and context, the content, and the impact of his way of thought. Nineteenth-century Chinese educational reformers, twentieth-century African and Indian social reformers, German philosophers and Christians of many traditions on every continent have found in Luther's writings stimulation and provocation for addressing modern problems. This volume offers studies of the late medieval intellectual milieus in which his thought was formed, the hermeneutical principles that guided his reading and application of the Bible, the content of his formulations of Christian teaching on specific topics, his social and ethic thought, the ways in which his contemporaries, both supporters and opponents, helped shape his ideas, the role of specific genre in developing his positions on issues of the day, and the influences he has exercised in the past and continues to exercise today in various parts of the world and the Christian church. Authors synthesize the scholarly debates and analysis of Luther's thinking and point to future areas of research and exploration of his thought.
Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.

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