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This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mit dem Ancien Régime, das 1789 zu Ende gegangen war, und der 3. Republik nach 1871 hatte Frankreich im Verlaufe von noch nicht einmal hundert Jahren drei Königreiche, zwei Kaiserreiche und zwei Republiken hinter sich. Es war dies ein durch die Umbrüche und seine Gewaltsamkeiten von drei Revolutionen durchpflügter Boden für Gipfelleistungen der Weltliteratur, die der Historiker und Kunstwissenschaftler Horst Althaus in diesem Band untersucht. Es geht hier während des Verlaufs beständiger politischer Machtwechsel um hohe Gefühle, große Leidenschaften, Besessenheiten von Liebe, Religion und Ambitionen, um "Geld als Triebfeder des modernen Lebens", Illusionen und ihren Verlust, Verbrechen von perfekter Ausführung - durch die Kunst der Sprache der vier großen Romanciers zur Darstellung gebracht.

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