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This groundbreaking book offers a step-by-step approach for drummers of all styles to learn and apply the concept of open-handed playing on the modern drumset. Based on concepts developed by teaching great Jim Chapin and fusion legend Billy Cobham, Open-Handed Playing not only outlines all the benefits of avoiding the crossing of hands when playing the drumset, but provides an incredibly detailed, complete and approachable method for learning this technique. "There is a wealth of ideas and exercises that offer students inspiration to develop their own approaches and applications." Tom Morgan, Percussive Notes
This book and CD set includes transcriptions of Billy Hart's playing with supportive commentary on each performance. The recording features two mixes of each composition, one mix for listening and one play-along track without drums. Sidemen include John Abercrombie (guitar), Richie Beirach or Bill Dobbins (piano), Jimmy Knepper (trombone), David Liebman (soprano & tenor saxophone), Ron McClure or Rufus Reid (bass), Louis Smith (fl�gelhorn), and Bobby Watson (alto saxophone).
Percussion music is both the oldest and most recent of musical genres and exists in diverse forms throughout the world. This Companion explores percussion and rhythm from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. Topics covered include percussion in symphony orchestras from the nineteenth century to today and the development of percussion instruments in chapters on the marimba revolution, the percussion industry, drum machines, and the effect of acoustics. Chapters also investigate drum set playing and the influences of world music on Western percussion, and outline the roles of percussionists as composers, conductors, soloists, chamber musicians, and theatrical performers. Developments in scientific research are explored in chapters on the perception of sound and the evolution of musical rhythm. This book will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.
Portraits of several drummers as informed by the drummers themselves and their contemporaries. It is also Burt Korall's memoir of nearly fifty years in the jazz world.
"Die Pauke hats leicht, denn sie spielt nur zwei Töne 5-1, 1-5 bumm-bumm-bumm-bumm-bumm". Schlagzeug und Percussionsinstrumente gelten als leichter Einstieg in die Musik. Weit gefehlt! Für viele Anfänger ist es nicht einfach, die vielfältigen Möglichkeiten des Schlagzeugs zu meistern. Selbst Ringo Starr, der wohl berühmteste Schlagzeuger der Welt, hatte ab und an seine Probleme mit dem Instrument. Jeff Strong zeigt den Lesern, welche Instrumente zu einem Schlagzeug gehören und welche als Percussionsinstrumente eingesetzt werden. Vom einfachen Rhythmus über lateinamerikanischen Musik, Jazz, Blues und Funk bis hin zum Rhythmus, bei dem jeder mit muss, erfährt der Einsteiger grundlegende Beats und Tempi. Kauf, Aufbau und das Stimmen des Instruments - oft eine der ersten Hürden des angehenden Drummers - werden ausführlich beschrieben. Da Papier geduldig ist und Übung den Meister macht, sind alle Rhythmen, die im Buch vorgestellt werden, auf einer Übungs-CD zu finden.

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