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Based on events from the film Alice Through the Looking Glass, this unique illustrated novel allows readers to follow Alice, the Mad Hatter, the Red Queen and the White Queen as the characters journey through time. Each of the four characters have their own new, distinct art style to accompany their unpredictable adventures. As the readers travel along, they will be faced with choices that may turn the world upside down.
When Alice returns to Underland in this sequel to Tim Burton's Alice in Wonderland, she must go on an action-packed adventure to help save her friends!
When Alice returns to Underland in this sequel to Tim Burton's Alice in Wonderland, she must go on an action-packed adventure to help save her friends!
'Alice's Adventures in Wonderland' and 'Through the Looking-Glass' with new illustrations by Gavin L. O'Keefe.
In this sequel to "Alice in Wonderland" Alice goes through the mirror to find a strange world where curious adventures await her.
Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.
Marie kept gazing at the dear little man, whom she had loved at first sight, and she saw what a kind face he had. His pale-green, slightly protuberant eyes expressed nothing but friendliness and goodwill. And the neat white cotton-wool beard on his chin suited the little man very well, setting off the sweet smile of his bright-red mouth. The Nutcracker and the Mouse King is well-loved by many as the inspiration for Tchaikovsky's famous ballet, performed as a Christmas spectacle the world over. The ballet was based on a French retelling of the story, and Hoffmann's German original is rarely translated in its entirety. In addition to telling the familiar tale of the gentle young girl and her love for the enchanted Nutcracker, who leads the toy soldiers in a battle against the wicked Mouse King and whisks her away to the Land of Toys, the original text also includes the story of the cursed Princess Pirlipat and the hard nut, which explains the background of how the poor Nutcracker came to be. This sumptuous volume, published to celebrate the bicentenary of the tale's first publication, brings together the complete, unabridged German classic, in a new translation by the eminent translator Anthea Bell, with more than 70 breathtaking illustrations by the award-winning artist Robert Ingpen. Endlessly imaginative, deliciously quirky and funny, Hoffmann's story will delight and enthrall adults and children alike.

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