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The premier anthology of contemporary American poetry continues—guest edited this year by award-winning poet Edward Hirsch, a Chancellor of the Academy of American Poets and the president of The John Simon Guggenheim Memorial Foundation. The Best American Poetry series is “a vivid snapshot of what a distinguished poet finds exciting, fresh and memorable” (Robert Pinsky); a guiding light for the mood and shape of modern American poetry. Each year, this series presents essential American verse and the poets who create it. Truly the “best” American poetry has appeared in this venerable collection for over twenty-five years. A poet of decided brilliance since his 1981 debut collection, For the Sleepwalkers, Edward Hirsch curates a thoughtful selection of poetry for 2016 and an Introduction to be savored. Jumpha Lahiri said of Hirsch, “The trademarks of his poems are…to be intimate but restrained, to be tender without being sentimental, to witness life without flinching, and above all, to isolate and preserve those details of our existence so often overlooked, so easily forgotten, so essential to our souls.” Hirsch’s choices for this collection reflect the soul of poetry in America. As ever, series editor David Lehman opens this year’s edition with an insider’s guide and a thoughtful contemplation of poetry today.
An anthology of contemporary poets presents works that reflect the diversity in American poetry
Überleben ist das große Thema von milk and honey - milch und honig. Die lyrischen und prosaischen Texte im Mega-Bestseller aus den USA drehen sich um die Erfahrungen, die Frauen mit Gewalt, Verlust, Missbrauch, Liebe und Feminismus gemacht haben. Jedes der vier Kapitel dient einem anderen Zweck, beschäftigt sich mit einem anderen Schmerz, heilt eine andere Wunde. milk and honey - milch und honig führt seine Leser durch die bittersten Momente im Leben einer Frau und gibt Trost. Denn Trost lässt sich überall finden, wenn man es nur zulässt.
Celebrating thirty years, the 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia. In a review of Best American Poetry 2017, The Washington Post said, “The poems, ordered alphabetically by author, have a wonderful cohesion and flow, as if each contributes to a larger narrative about life today.” The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.
Edited by Pulitzer Prize-winner and nineteenth US Poet Laureate Natasha Trethewey, The Best American Poetry 2017 brings together the most notable poems of the year in the series that offers “a vivid snapshot of what a distinguished poet finds exciting, fresh, and memorable” (Robert Pinsky). Librarian of Congress James Billington says Natasha Trethewey “consistently and dramatically expanded the power” of the role of US Poet Laureate, holding office hours with the public, traveling the country, and reaching millions through her innovative PBS NewsHour segment “Where Poetry Lives.” Marilyn Nelson says “the wide scope of Trethewey’s interests and her adept handling of form have created an opus of classics both elegant and necessary.” With her selections and introductory essay for The Best American Poetry 2017, Trethewey will be highlighting even more “elegant and necessary” poems and poets, adding to the national conversation of verse and its role in our culture. The Best American Poetry is not just another anthology; it serves as a guide to who’s who and what’s happening in American poetry and is an eagerly awaited publishing event each year. With Trethewey’s insightful touch and genius for plumbing the depths of history and personal experience to shape striking verse, The Best American Poetry 2017 is another brilliant addition to the series.
Vier Männer und eine Frau verschlägt es in die Katastrophen eines grausamen Dschungelkrieges. Denis Johnson zeichnet ein erschütterndes Porträt ihrer Verzweiflung und ihrer Einsamkeit, der sie zu entkommen suchen. Ein großartiges, bewegendes, sprachgewaltiges Epos über menschliche Getrieben- und Verlorenheit. Ausgezeichnet mit dem National Book Award 2007. «Der Gott, an den ich glauben möchte, hat eine Stimme und einen Humor wie Denis Johnson.» (Jonathan Franzen) «Geistige Wellness hat Johnson nicht zu bieten. Doch großartige, beunruhigende, brisante, wunderbar wüste Literatur. ... Ein grandioser Wurf.» (Zeit) «Das Opus magnum eines der wichtigsten Schriftsteller seiner Generation.» (Spiegel) «Unter Nobelpreisverdacht.» (Die Weltwoche) «Einen wichtigeren, kühneren Roman als diesen hat es zwischen Los Angeles und New York lange nicht gegeben.» (Deutschlandfunk)

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