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Gillian Flynn says, "Karin Slaughter is simply one of the best thriller writers working today." A small Georgia town erupts in panic when a young college professor is found brutally mutilated in the local diner. But it's only when town pediatrician and coroner Sara Linton does the autopsy that the full extent of the killer's twisted work becomes clear. Sara's ex-husband, police chief Jeffrey Tolliver, leads the investigation—a trail of terror that grows increasingly macabre when another local woman is found crucified a few days later. But he's got more than a sadistic serial killer on his hands, for the county's sole female detective, Lena Adams—the first victim's sister—want to serve her own justice. But it is Sara who holds the key to finding the killer. A secret from her past could unmask the brilliantly malevolent psychopath .. or mean her death.
When the charred body of a woman is found, and Detective Lena Adams is charged with homicide, Grant County's medical examiner/pediatrician Sara Linton joins forces with her husband, police chief Jeffrey Tolliver to uncover the truth.
There’s been a revolution in American popular fiction. The writers who dominated the bestseller lists a generation ago with blockbuster novels about movie stars and exotic foreign lands have been replaced by a new generation writing a new kind of bestseller, one that hooks readers with crime, suspense, and ever-increasing violence. Patrick Anderson, The Washington Post’s man on the thriller beat, calls this revolution “the triumph of the thriller,” and lists among its stars Thomas Harris, Michael Connelly, George Pelecanos, Dennis Lehane, Sue Grafton, and Elmore Leonard. In his provocative, caustic, and often hilarious survey of today’s popular fiction, Anderson shows us who the best thriller writers are–and the worst. He shows how Michael Connelly was inspired by Raymond Chandler, how George Pelecanos toiled in obscurity while he mastered his craft, how Sue Grafton created the first great woman private eye, and how Thomas Harris transformed an insane cannibal into the charming man of the world who made FBI agent Clarice Starling his lover. Anderson shows Scott Turow inventing the modern legal thriller and John Grisham translating it into a stunning series of bestsellers. He casts a cold eye on Tom Clancy’s militaristic techno-thrillers, and praises Alan Furst and Robert Littell as world-class spy novelists. He examines the pioneering role of Lawrence Sanders, the offbeat appeal of Dean Koontz, the unprecedented success of The Da Vinci Code, and the emergence of the literary thriller. Most of all, Anderson demands that the best of these novelists be given their due–not as genre writers, but as some of the most talented men and women at work in American fiction. Don’t trust the literary elites to tell you what to read, he warns–make up you own minds. The Triumph of the Thriller will convince many readers that we’ve entered an important new era in popular fiction. This book can be your guide to it. From the Hardcover edition.
Grant County medical examiner Sara Linton and Georgia Bureau of Investigation Special Agent Will Trent have their work cut out for them when the prime suspect in a shoreside murder winds up dead in his holding cell.
1975. In the blistering heat of an Atlanta summer, a killer prowls the street, searching for the weak, the vulnerable and the lost. Almost 40 years later, a young woman is found brutally murdered in a sordid high-rise apartment.
A standalone thriller by the best-selling author of Unseen is set in 1974 Atlanta and finds reluctant rookie cop Kate Murphy teamed with agenda-seeking Maggie Lawson in a manhunt for a cop killer. (suspense). Simultaneous.
Sisters. Strangers. Survivors. More than twenty years ago, Claire and Lydia's teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of

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