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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Academy Award-winning director William Friedkin, long recognised for his technical brilliance, has had a career marked by extreme successes and failures. Among his successes are the two highly popular and highly regarded films, 'The French Connection' and 'The Exorcist', both now considered classics of their respective genres. This well-written, insightful study of Friedkin's films, which pays particular attention to the evolution of his cinematic style and choice of subject material, is based on nearly 100 interviews with Friedkin and his colleagues. New to this second edition are three chapters covering the last five years of his work (which include 'Rules of Engagement' and the much-publicised re-release of the director's cut of 'The Exorcist').
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes they were "fictionized" versions of film scripts, recast in narrative form. Here is an annotated checklist of over 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. In an introductory essay the author reflects on the attractions of assembling such a collection, analyzes the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisement, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories.

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