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"Using a comparative approach, a detailed study of captive-taking in small-scale societies and exploration of the profound impacts that captives had on the societies they joined. Opens new avenues of research about captives as significant sources of culture change"--
"Borderlands are complex spaces that can involve military, religious, economic, political, and cultural interactions--all of which may vary by region and over time. John W.I. Lee and Michael North bring together interdisciplinary scholars to analyze a wide range of border issues and to encourage a nuanced dialogue addressing the concepts and processes of borderlands. Gathering the voices of a diverse range of international scholars, Globalizing Borderlands Studies in Europe and North America presents case studies from ancient to modern times, highlighting topics ranging from religious conflicts to medical frontiers to petty trade. Spanning geographical regions of Europe, the Baltics, North Africa, the American West, and Mexico, these essays shed new light on the complex processes of boundary construction, maintenance, and crossing, as well as on the importance of economic, political, social, ethnic, and religious interactions in the borderlands. Globalizing Borderlands Studies in Europe and North America not only forges links between past and present scholarship but also paves the way for new models and approaches in future borderlands research"--
How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the eighteenth and nineteenth centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples. Bernstein explores the cartographic creation of the Trans-Mississippi West through an interdisciplinary methodology in geography and history. He shows how the Pawnees and the Iowas—wedged between powerful Osages, Sioux, the horse- and captive-rich Comanche Empire, French fur traders, Spanish merchants, and American Indian agents and explorers—devised strategies of survivance and diplomacy to retain autonomy during this era. The Pawnees and the Iowas developed a strategy of cartographic resistance to predations by both Euro-American imperial powers and strong indigenous empires, navigating the volatile and rapidly changing world of the Great Plains by brokering their spatial and territorial knowledge either to stronger indigenous nations or to much weaker and conquerable American and European powers. How the West Was Drawn is a revisionist and interdisciplinary understanding of the global imperial contest for North America’s Great Plains that illuminates in fine detail the strategies of survival of the Pawnees, the Iowas, and the Lakotas amid accommodation to predatory Euro-American and Native empires.
Seit Ende des europäischen Kolonialprojekts und mit den aktuellen Auswirkungen der Globalisierung ist die eurozentrische und nationalstaatlich orientierte Konzeption von »Kulturerbe« in eine konfliktgeladene Schieflage geraten, die auch die institutionalisierte Denkmalpflege vor neue Herausforderungen stellt. Dieser Band stellt mit Fallbeispielen aus aller Welt die kulturwissenschaftliche Denkfigur der »Transkulturalität« vor, mit der sich neue Zugangsformen zu Kulturerbe ergeben: mit einer Wertschätzung grenzüberschreitender Kontaktzonen, flüchtig-bildhafter Erscheinungsformen, hybrid-ephemerer Materialität und heterogener Identitätskonstruktionen.
Ein karibischer Roman vom Strand der Zukunft – und die uralte Frage, brennend wie der Kuss einer Seeanemone: Wer ist Ich? "Tentakel" tankt den magischen Treibstoff lateinamerikanischer und karibischer Traditionen, um deren Grenzen lustvoll hinter sich zu lassen. Ein Roman, der unsere Fragen nach Identität, Sex und Gender auf unkonventionelle Weise verhandelt – und eine so bemerkenswerte wie befreiende Antwort findet. Ein kompromissloses, schnelles, unverschämtes Buch, an dem sich nicht nur die Voodoo-Geister scheiden – wie immer, wenn Literatur etwas wagt.

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