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Charlotte Bront� famously lived her entire life in an isolated parsonage on a remote English moor with a demanding father and with siblings whose astonishing creativity was a closely held secret. The genius of Claire Harman's biography is that it transcends these melancholy facts to reveal a woman for whom duty and piety gave way to quiet rebellion and fierce ambition. Drawing on letters unavailable to previous biographers, Harman depicts Charlotte's inner life with absorbing intensity. Bront�'s blazingly intelligent female characters brimming with hidden passions transformed English literature, even as a heartrending series of personal losses followed the author's literary success. Charlotte Bront�: A Fiery Heart is a groundbreaking view of the beloved writer as a young woman ahead of her time.
Nach dem Tod seiner Eltern geht der etwas naive junge Professor William Crimsworth nach Brüssel, um dort sein Glück zu machen. Er tritt eine Stelle als Lehrer an der von Mademoiselle Reuter geführten Mädchenschule an. Obwohl die Dame älter ist als er, verliebt er sich in sie und schmiedet bereits Pläne für eine gemeinsame Zukunft – bis er ein Gespräch belauscht, das ihre Verlobung mit einem anderen Mann offenbart. Ernüchtert wendet William sich von ihr ab. Doch als er einige Zeit später für die junge Lehrerin Frances Henri entflammt, schürt dies den Unmut von Mademoiselle Reuter, die gekränkt versucht, einen Keil zwischen die Liebenden zu treiben ... Der erste Roman Charlotte Brontës in bibliophiler Ausstattung zum 200. Geburtstag der Weltautorin am 21. April 2016.
Chronik einer Liebe Charlotte Brontë mag den neuen Hilfspfarrer ihres Vaters gar nicht. Da hilft es nichts, dass er ihrem alten Vater wirklich ein tatkräftiger Unterstützer ist. Auch wenn sie es vor ihren Geschwister Emily, Anne und Branwell zu verbergen versucht, alle ahnen, dass sie immer noch in Prof. Héger, den Direktor des Brüssler Pensionats verliebt ist, wo sie und Emily ein Jahr Schülerinnen waren und Charlotte danach noch ein Jahr unterrichtet hat. Es muss viel geschehen, bis Charlotte endlich darüber nachdenkt, seinen Heiratsantrag anzunehmen. Rückblickend erzählt die Autorin von „Jane Eyre“ in einem Tagebuch die Geschichte ihrer zweiten Liebe, die zugleich die Geschichte der Familie Brontë ist. “Äußerst charmant und bemerkenswert authentisch.” Deborah Crombie
The literary output of the Brontë sisters was small, but their novels remain immensely popular more than 150 years after their deaths. Each sister wrote a novel that challenged the ideas of the day on what was fit to print: Charlotte’s Jane Eyre by examining the interior life of a young girl; Emily’s Wuthering Heights by overturning the conventions of the novel, even while making use of traditional literary forms; Anne’s The Tenant of Wildfell Hall by depicting a husband’s alcoholism and debauchery. This guide, which roots the writers’ work in their unusual upbringing and describes and challenges the so-called Brontë myth, aims to provide both first-time readers and long-time Brontë enthusiasts with a deeper understanding of their work and the reasons it continues to engross readers today.
Relying on the author’s established expertise in rhetorical theory and political communication, this book re-contextualizes Romantic rhetorical theory in the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about many Romantic writers. The methodology of the early chapters uses a dialectical approach to trace Romanticism and its opposition, the Enlightenment, back through Humanism and its opposition, Scholasticism, to St. Augustine. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in the academic world. The study also re-conceptualizes Jean-Jacques Rousseau, David Hume, and Edmund Burke as bridge figures to the Romantic Era instead of as Enlightenment figures. This move throws new light on the major artists of the Romantic Era, who are examined in chapters seven and eight. Chapter nine focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter ten uses the foregoing to analyse and reconceptualize the rhetorical theories of Hugh Blair and Thomas De Quincey. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, this book links the Romantics’ love of nature to the current environmental crisis.

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