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Includes Rebecca and My Cousin Rachel. Rebecca, Daphne du Maurier's best-known and bestselling novel, is the classic tale of a young woman who marries handsome widower Maxim de Winter and moves to his great house at Manderley in Cornwall, only to find that all is not as it first seems . . . In My Cousin Rachel, Philip Ashley, an orphan raised by his benevolent cousin Ambrose, is drawn into the orbit of Ambrose's beautiful, mysterious new wife Rachel.
Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet . . . might she have had a hand in Ambrose's death?
Following the death of their young daughter, John and Laura visit Venice to try and escape their grief. But when the couple meet two aged sisters, one of whom claims to have psychic visions of the dead girl, strange things start to happen. Filmed in 1973 with Julie Christie and Donald Sutherland, Daphne du Maurier's classic thriller starts as a moving examination of grief but gradually becomes a chilling tale with a dark and terrifying climax. This adaptation of Don't Look Now premiered in 2007 at the Sheffield Lyceum with a transfer to the Lyric Hammersmith.
"A remarkable book...brilliant comic writing." --The Times (UK) Sir Gerald du Maurier was the preeminent actor-manager of his day, knighted in 1922 for his services to the theater. Published within six months of her father's death, Daphne du Maurier's frank portrait was considered shocking by many of his admirers-but it was a huge success, winning her critical acclaim and launching her career. Here, Daphne captures the spirit and charm of the charismatic actor who played the original Captain Hook, amusingly recounting his eccentricities, his humor, as well as his darker side.
The compelling companion to Daphne du Maurier’s celebrated classic, Rebecca, Sally Beauman’s Rebecca’s Tale begins more than 20 years after the death of Rebecca de Winter, and 20 years since Manderley, the de Winter family estate, was destroyed by fire. But Rebecca’s tale is just beginning…
"The Glass-Blowers consistently entertains." --New York Times The world of the glass-blowers has its own traditions, it's own language - and its own rules. 'If you marry into glass' Pierre Labbe warns his daughter, 'you will say goodbye to everything familiar, and enter a closed world'. But crashing into this world comes the violence and terror of the French Revolution, against which the family struggles to survive. Years later, Sophie Duval reveals to her long-lost nephew the tragic story of a family of master craftsmen in eighteenth-century France. Drawing on her own family's tale of tradition and sorrow, Daphne du Maurier weaves an unforgettable saga of beauty, war, and family.
"In du Maurier's fiction, she unflinchingly exposed hard truths." --Times (UK) As a young guide for Sunshine Tours, Armino Fabbio leads a pleasant, if humdrum life -- until he becomes circumstantially involved in the murder of an old peasant woman in Rome. The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames in '43. Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident.

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