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Originally published: Woodstock, N.Y.: Overlook Press, 1994.
This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasizes his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, while remaining fully aware of the dangers of such a journey.
The freewheeling life and career of this activist independent filmmaker is chronicled here, with details about his drug use, his art school experience at the Slade, his sexual life, and his groundbreaking work as the director of Caravaggio, Sebastiane, and other great films. Reprint.
Sexuality; life in the sex and drug-filled sixties and seventies; his early work as a painter and designer for Ken Russell's groundbreaking films; and debut as a director.

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