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Editing is a tricky business. It requires analytical flair and creative panache, the patience of a saint and the vision of a writer. Transforming a manuscript into a book that edifies, inspires, and sells? That’s the job of the developmental editor, whose desk is the first stop for many manuscripts on the road to bookdom—a route ably mapped out in the pages of Developmental Editing. Author Scott Norton has worked with a diverse range of authors, editors, and publishers, and his handbook provides an approach to developmental editing that is logical, collaborative, humorous, and realistic. He starts with the core tasks of shaping the proposal, finding the hook, and building the narrative or argument, and then turns to the hard work of executing the plan and establishing a style. Developmental Editing includes detailed case studies featuring a variety of nonfiction books—election-year polemic, popular science, memoir, travel guide—and authors ranging from first-timer to veteran, journalist to scholar. Handy sidebars offer advice on how to become a developmental editor, create effective illustration programs, and adapt sophisticated fiction techniques (such as point of view, suspense, plotting, character, and setting) to nonfiction writing. Norton’s book also provides freelance copyeditors with a way to earn higher fees while introducing more creativity into their work lives. It gives acquisitions, marketing, and production staff a vocabulary for diagnosing a manuscript’s flaws and techniques for transforming it into a bestseller. And perhaps most importantly, Developmental Editing equips authors with the concrete tools they need to reach their audiences.
For more than a decade, writers have turned to William Germano for his insider’s take on navigating the world of scholarly publishing. A professor, author, and thirty-year veteran of the book industry, Germano knows what editors want and what writers need to know to get their work published. Today there are more ways to publish than ever, and more challenges to traditional publishing. This ever-evolving landscape brings more confusion for authors trying to understand their options. The third edition of Getting It Published offers the clear, practicable guidance on choosing the best path to publication that has made it a trusted resource, now updated to include discussions of current best practices for submitting a proposal, of the advantages and drawbacks of digital publishing, and tips for authors publishing textbooks and in open-access environments. Germano argues that it’s not enough for authors to write well—they also need to write with an audience in mind. He provides valuable guidance on developing a compelling book proposal, finding the right publisher, evaluating a contract, negotiating the production process, and, finally, emerging as a published author. “This endlessly useful and expansive guide is every academic’s pocket Wikipedia: a timely, relevant, and ready resource on scholarly publishing, from the traditional monograph to the digital e-book. I regularly share it, teach it, and consult it myself, whenever I have a question on titling a chapter, securing a permission, or negotiating a contract. Professional advice simply does not get any savvier than this pitch-perfect manual on how to think like a publisher.”—Diana Fuss, Princeton University
The publishing industry is rapidly evolving and jobs in the business are changing as well. This book introduces readers to the variety of fields in electronic publishing. Readers learn about the education required to enter the business, including the technical and computer skills necessary. They learn about the basic concepts in publishing electronically, such as editing, production, and distribution, as well as copyright, piracy, and changing business models. The book outlines the various jobs, among them writers, editors, production editors, designers, and marketing and distribution professionals. Tools for electronic publishing, such as Photoshop and InDesign are introduced. Content platforms such as XML and ePub are also explained along with new promotion tools including social media. Finally, the book takes a look at what the future of electronic publishing may be. It serves as a great resource for those who are interested in publishing the written word in the digital age.
Whether you are a graduate student seeking to publish your first article, a new Ph.D. revising your dissertation for publication, or an experienced author working on a new monograph, textbook, or digital publication, Handbook for Academic Authors provides reliable, concise advice about selecting the best publisher for your work, maintaining an optimal relationship with your publisher, submitting manuscripts to book and journal publishers, working with editors, navigating the production process, and helping to market your book. It also offers information about illustrations, indexes, permissions, and contracts and includes a chapter on revising dissertations and one on the financial aspects of publishing. The book covers not only scholarly monographs but also textbooks, anthologies, multiauthor books, and trade books. This fifth edition has been revised and updated to align with new technological and financial realities, taking into account the impact of digital technology and the changes it has made in authorship and publishing.
„Was liest du gerade?“ So beginnt das Gespräch zwischen Will Schwalbe und seiner Mutter Mary Anne. Sie ist todkrank, doch anstatt zu verzweifeln, widmet sie sich ihrer großen Leidenschaft, dem Lesen. Über ein Jahr begleitet Will seine Mutter bis zum Ende ihres Lebens – und durch eine Welt von Büchern, die sie gemeinsam erkunden: Joseph und seine Brüder, Die Eleganz des Igels, Der Vorleser ... Am Ende erkennt Will: Lesen ist nicht das Gegenteil von handeln – es ist das Gegenteil von sterben. Will Schwalbe erzählt die Geschichte jenes Jahres. Er erzählt von den Büchern, die ihrer beider Leben geprägt haben. Und er erzählt von Trauer, Angst und der Erkenntnis, dass das Glück ganz unerwartet aus dem Moment heraus entsteht.

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