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Drawing inspiration from Guy Debord's Society of the Spectacle and a wide range of other free thinkers and intellectuals, Brad Evans and Henry A. Giroux analyze how today's dominant economic system?neoliberalism?uses consumerism, privatization, and mass media to neutralize and control the public's participation in its own affairs. The consequence, they argue, is a "mode of existence that encourages us all to become voyeurs of suffering, while denying us the ability of connecting subjugation and willful oppression to wider systemic forces." Brimming with ideas and insights, Disposable Futures offers a sweeping, big-picture critique of consumption-driven society and how state and corporate power use and abuse violence to redefine citizenship, national security, and economics in order to enrich the few. From movies and entertainment to extreme weather and acts of terror, Evans and Giroux take readers on a fascinating exploration of politics, culture, and power to expose how the production of spectacle shapes and controls social realities while diminishing meaningful civic life and community. Centered on the power of public education, Evans's and Giroux's critique is rooted in a deep sense of hope in humanity and the emancipatory possibilities for dignified and nonviolent forms of living, learning, and resisting. Brad Evans and Henry A. Giroux are internationally renowned educators, authors, and intellectuals. Together, they curate a forum for Truthout.com that explores the theme of "Disposable Futures." Evans is director of histories of violence project at the University of Bristol, United Kingdom. Giroux holds the global TV network chair professorship at McMaster University.
Inequality has dramatically increased in America, with few solutions on the horizon. Serious social inequalities persist. For example, the 14 richest Americans earned enough money from their investments in 2015 to hire two million preschool teachers (while the USA ranks low among developed countries in preschool enrollment). Following the Great Recession, the richest one percent took 116 percent of the new income gains, a statistic caused by so many middle-class Americans moving backward, many losing investments in property and experiencing interruptions in work. Author Paul Buchheit looks hopefully to solutions in a book that vividly portrays the rapidly changing inequality of American society. More Americans have become "disposable" as middle-class jobs have disappeared at an alarming rate. Buchheit presents innovative proposals that could quickly begin to reverse these trends, including a guaranteed basic income drawn from new revenues, such as a Financial Speculation Tax and a Carbon Tax. Discussing the challenges and obstacles to such measures, he finds optimism in past successes in American history. Ideal for classroom assignment, the book uniquely pairs historical events with current, real-life struggles faced by citizens, pointing to measures that can improve personal and social well-being and trust in government.
This publication celebrates the 50th anniversary of the "Journal of Documentation". It reviews the progress of documentation and information provision.
Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.
This book of interdisciplinary essays explores how youth has been represented in American culture. The book focuses on familiar literary, film and television texts set within a framework of ideas drawn from cultural and social theory, presenting innovative and challenging analyses of new and classic texts from the 1890s to the 1990s. The collection contributes to the necessary and important debate over the meanings of youth representation within American culture, emphasising the ideological nature of youth and its centrality to a complex reading of popular culture. In particular, the book examines issues of gender, race and sexuality as central to the construction of youth identity and to the other significant relationships between youth and authority. It deliberately asserts the contradictions in youth representations and denies any easy definitions that might serve to compound stereotypes or sustain vested interests.
Drei Dinge wissen wir: Der Kapitalismus hat den Feudalismus abgelöst; seither durchlief er zyklische Tiefs, spätestens seit 2008 stottert der Motor. Was wir nicht wissen: Erleben wir eine der üblichen Krisen oder den Anbruch einer postkapitalistischen Ordnung? Paul Mason blickt auf die Daten, sichtet Krisentheorien – und sagt: Wir stehen am Anfang von etwas Neuem. Er nimmt dabei Überlegungen auf, die vor über 150 Jahren in einer Londoner Bibliothek entwickelt wurden und laut denen Wissen und intelligente Maschinen den Kapitalismus eines Tages »in die Luft sprengen« könnten. Im Zeitalter des Stahls und der Schrauben, der Hierarchien und der Knappheit war diese Vision so radikal, dass Marx sie schnell in der Schublade verschwinden ließ. In der Welt der Netzwerke, der Kooperation und des digitalen Überflusses ist sie aktueller denn je. In seinem atemberaubenden Buch führt Paul Mason durch Schreibstuben, Gefängniszellen, Flugzeugfabriken und an die Orte, an denen sich der Widerstand Bahn bricht. Mason verknüpft das Abstrakte mit dem Konkreten, bündelt die Überlegungen von Autoren wie Thomas Piketty, David Graeber, Jeremy Rifkin und Antonio Negri und zeigt, wie wir aus den Trümmern des Neoliberalismus eine gerechtere und nachhaltigere Gesellschaft errichten können.

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