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The controversial journalistic analysis of the mentality that fostered the Holocaust, from the author of The Origins of Totalitarianism Sparking a flurry of heated debate, Hannah Arendt’s authoritative and stunning report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling (and unsettled) issues of the twentieth century.
A wide-ranging study of Tarantino's controversial 2009 film, written by a luminous line-up of international scholars.
The Anthem Companion to Hannah Arendt offers a unique collection of essays on one of the twentieth century’s greatest thinkers. The companion encompasses Arendt’s most salient arguments and major works – The Origins of Totalitarianism, The Human Condition, Eichmann in Jerusalem, On Revolution and The Life of the Mind. The volume also examines Arendt’s intellectual relationships with Max Weber, Karl Mannheim and other key social scientists. Although written principally for students new to Arendt’s work, The Anthem Companion to Hannah Arendt also engages the most avid Arendt scholar.
This book reevaluates the historical, political, and artistic legacies of twentieth-century France and the French-speaking world, proposing new formulations of the relationships between fiction, aesthetics, and politics for the present century.
In a novella which remains highly controversial to this day, Conrad explores the relations between Africa and Europe. On the surface, this is a horrifying tale of colonial exploitation. The narrator, Marlowe journeys on business deep into the heart of Africa. But there he encounters Kurtz, an idealist apparently crazed and depraved by his power over the natives, and the meeting prompts Marlowe to reflect on the darkness at the heart of all men. This short but complex and often ambiguous story, which has been the basis of several films and plays, continues to provoke interpretation and discussion. Heart of Darkness grew out of a journey Joseph Conrad took up the Congo River; the verisimilitude that the great novelist thereby brought to his most famous tale everywhere enhances its dense and shattering power. Apparently a sailor’s yarn, it is in fact a grim parody of the adventure story, in which the narrator, Marlow, travels deep into the heart of the Congo where he encounters the crazed idealist Kurtz and discovers that the relative values of the civilized and the primitive are not what they seem. Heart of Darkness is a model of economic storytelling, an indictment of the inner and outer turmoil caused by the European imperial misadventure, and a piercing account of the fragility of the human soul. (Book Jacket Status: Jacketed)
On August 3rd, 1976, in Córdoba, Argentina's second largest city, Fr. James Week and five seminarians from the Missionaries of La Salette were kidnapped. A mob burst into the house they shared, claiming to be police looking for "subversive fighters." The seminarians were jailed and tortured for two months before eventually being exiled to the United States. The perpetrators were part of the Argentine military government that took power under President General Jorge Videla in 1976, ostensibly to fight Communism in the name of Christian Civilization. Videla claimed to lead a Catholic government, yet the government killed and persecuted many Catholics as part of Argentina's infamous Dirty War. Critics claim that the Church did nothing to alleviate the situation, even serving as an accomplice to the dictators. Leaders of the Church have claimed they did not fully know what was going on, and that they tried to help when they could. Gustavo Morello draws on interviews with victims of forced disappearance, documents from the state and the Church, field observation, and participant observation in order to provide a deeper view of the relationship between Catholicism and state terrorism during Argentina's Dirty War. Morello uses the case of the seminarians to explore the complex relationship between Catholic faith and political violence during the Dirty War-a relationship that has received renewed attention since Argentina's own Jorge Mario Bergoglio became Pope Francis. Unlike in countries such as Chile and Brazil, Argentina's political violence was seen as an acceptable tool in propagating political involvement; both the guerrillas and the military government were able to gain popular support. Morello examines how the Argentine government deployed a discourse of Catholicism to justify the violence that it imposed on Catholics and how the official Catholic hierarchy in Argentina rationalized their silence in the face of this violence. Most interestingly, Morello investigates how Catholic victims of state violence and their supporters understood their own faith in this complicated context: what it meant to be Catholic under Argentina's dictatorship.
"The meaning of life is the most urgent of questions," said the existentiallist thinker Albert Camus. And no less a philosopher than Woody Allen has wondered:"How is it possible to find meaning in a finite world, given my waist and shirt size?" "Movies and the Meaning of Life" looks at popular and cult movies, examining their assumptions and insights on meaning-of-life questions: What is reality and how can I know it? (The Truman Show, Contact, Waking Life); How do I find myself and my true identity? (Fight Club, Being John Malkovich, Boys Don't Cry, Memento); How do I find meaning from my interactions with others? (Pulp Fiction, Shadowlands, Chasing Amy); What is the chief purpose in life? (American Beauty, Life is Beautiful, The Shawshank Redemption); and How ought I live my life? (Pleasantville, Spiderman, Minority Report, Groundhog Day).

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