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Offering a fresh way to look at one of the best-selling hip hop artists of the early 21st century, this book presents Eminem's words, images, and music alongside comments from those who love and hate him, documenting why Eminem remains a cultural, spiritual, and economic icon in global popular culture. • Includes never before conducted analysis of 200 of Eminem's most popular lyrics, presented visually with tables and charts • Provides an up-to-date, combined discography, videography, and bibliography of the rapper's work
Eminem is the best-selling musical artist of the 21st century. He is also one of the most contentious and most complex artists of our time. His verbal dexterity ranks him among the greatest technical rappers ever. The content of his songs combines the grotesque and the comical with the sincere and the profound, all told through the sophisticated layering of multiple personae. However one finally assesses his contribution to popular culture, there's no denying his central place in it. This collection of essays gives his work the critical attention it has long deserved. Drawing from history, philosophy, sociology, musicology, and other fields, the writers gathered here consider Eminem's place in Hip Hop, the intellectual underpinnings of his work, and the roles of race, gender and privilege in his career, among various other topics. This original treatment will be appreciated by Eminem fans and cultural scholars alike.
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. • Includes contributors from a range of fields, including musicology, theater, and anthropology, giving readers a broad perspective on the genre • Covers hip hop in virtually every country, including countries with severely restricted hip hop activity • Contains comprehensive lists of record labels, films, editor-recommended videos, and more • Shows the influence hip hop has on many aspects of life, such as politics, fashion, dance, and art
In der kulturphilosophischen Verschränkung von Pragmatismus, Hermeneutik und Rezeptionsästhetik will diese Studie zeigen, dass gerade der ästhetische Erfahrungsgegenstand durch die Aufkündigung starrer Gegenstands- und Verweisdichotomien die Rezipierenden wesentlich dazwischen sein lässt. Anhand verschiedener Werke der US-amerikanischen Kunst, Populärkultur und Literatur des 20. und 21. Jahrhunderts, von der Malerei Edward Hoppers und der Konzeptkunst Sol LeWitts über die Photographie Catherine Opies und die Rapdichtung Eminems bis hin zu Siri Hustvedts Roman The Blazing World, untersucht diese Studie zum einen, was sich zwischen ästhetischem Gegenstand und Rezipierenden abspielt. Zum anderen will sie klären, in welchem Rückwirkungsverhältnis dieser Raum des Dazwischen zu unserer gegenwärtigen, wesentlich dezentralisierten Selbstpositionierung innerhalb der diversen sozialen und kulturellen Spannungsfelder der Moderne steht.

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