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When Margaret Parsons disappears, Inspector Burden tries to reassure her frantic husband that she will be back by morning. Privately, though, he is certain Margaret has run off with another man. But then the missing woman's body is found, strangled and abandoned in a nearby wood. And when Mr. Parsons lets the police into his home, a startling discovery leads everyone to question just who Margaret Parsons really was . . .
Anita Margolis has vanished. There was no body, no crime - nothing more concrete than an anonymous letter and the intriguing name of Smith. According to headquarters, it wasn't to be considered a murder enquiry at all. Inspector Burden had no trouble in seeing a pattern in the Margolis case. Not only had Anita been wealthy and flighty, she had been thoroughly immoral as well. Decent women had clean, tidy homes, and were either married or had jobs, or both. They didn't live with eccentric artist brothers, or bring lovers home in the afternoon. They also knew enough to keep their money in the bank, not in their handbags. Burden could see exactly what had happened to Anita Margolis. Chief Inspector Wexford, however, had other ideas-
Inspector Wexford searches for answers after an elderly woman is murdered in this “spellbinder” from a New York Times–bestselling author (Publishers Weekly). When Chief Inspector Wexford enters the parking garage, the woman is already dead, slumped between two cars, concealed under a velvet shroud. The inspector doesn’t even notice her as he drives away. Only later, when he sees on the news that an old woman was garroted in the shopping mall garage, does he realize how close he was to discovering the body. In a case that starts with a hidden corpse, the truth will be dangerously elusive. Before Wexford can sink his teeth into the elderly woman’s murder, he is nearly killed himself—by a politically motivated car bombing targeting his daughter. With the inspector in the hospital, the case falls to his partner, the intrepid Mike Burden, who must solve both mysteries before the shopping mall killer strikes again. The winner of three Edgar Awards, Ruth Rendell was one of the finest mystery authors of the twentieth century. Inspector Wexford was one of her most beloved creations, and The Veiled One is another “stunning” entry in the series (Publishers Weekly).
In End in Tears, Edgar Award winning author Ruth Rendell's Inspector Wexford has his work cut out for him: When Mavis Ambrose is killed by a falling chunk of concrete, the police have no reason to suspect mischief. However, the bludgeoning of the young and gorgeous Amber Marshalson that follows is clearly murder. In the midst of the hottest summer on record, Inspector Wexford is called in to investigate. He discovers the two cases may be linked, and that Amber was at the scene of Mavis’s death. When a third body is found, the case takes a disturbing and unexpected turn. The deeper Wexford digs, the darker the realities become, and what he finds leaves him feeling lost in a world absent of morals.
Chief Inspector Wexford is in China, visiting ancient tombs and palaces with a group of British tourists. After their return to England, one of his fellow tourists is found murdered. As he questions other members of the group, Wexford finds secrets of greed, treachery, theft, and adultery, leading the distressed inspector to ask not who is innocent, but who is least guilty . . .
Who could have suspected that the exciting stag party for the groom would be the prelude to the murder of his close friend Charlie Hatton? And Charlie's death was only the first in a string of puzzling murders involving small-time gangsters, cheating husbands, and loose women. Now Chief Inspector Wexford and his assistant join forces with the groom to track down a killer . . .
The second book to feature the classic crime-solving detective, Chief Inspector Wexford. Some cases are impossible to bury. It's impossible to forget the violent bludgeoning to death of an elderly lady in her home. Even more so when it's your first murder case. Wexford believed he'd solved Mrs Primero's murder fifteen years ago. It was no real mystery. Everyone knew Painter, her odd-job man, had done it. There had never been any doubt in anyone's mind. Until now... Henry Archery's son is engaged to Painter's daughter. Only Archery can't let the past remain buried. He wants to prove Wexford wrong, and in probing into the lives of the witnesses questioned all those years ago, he stirs up more than old ghosts.
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