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Inspector Sejer is hard at work again, investigating the brutal murder of a woman who lived alone in the middle of the woods. The chief suspect is another loner, a schizophrenic recently escaped from a mental institution. The only witness is a twelve-year-old boy, overweight, obsessed with archery, and a resident at a home for delinquents. When a demented man robs a nearby bank and accidentally takes the suspect hostage, the three misfits are drawn into an uneasy alliance. Shrewdly, patiently, as is his way, Inspector Sejer confronts a case where the strangeness of the crime is matched only by the strangeness of the criminals, and where small-town prejudices warp every piece of information he tries to collect. Fossum once again provides extraordinary insight into marginalized lives and richly evokes the atmosphere she captured so brilliantly in Don't Look Back.
“No one can thoroughly chill the blood the way Karin Fossum can.” — Los Angeles Times Critically acclaimed across Europe, Karin Fossum’s Inspector Sejer novels are masterfully constructed, psychologically convincing, and compulsively readable. They evoke a world that is at once profoundly disturbing and terrifyingly familiar. The inaugural Inspector Sejer novels have been conveniently packaged together for your very own chilling reading experience. EVA’S EYE When the body of a man floats to the surface of a river, Inspector Sejer is called in. Sejer and his team determine that the man, Egil, died in a violent attack. But Egil has been missing for months, and the trail to his killer has gone cold. It’s as puzzling as another unsolved case on Sejer’s desk: the murder of a prostitute who was found dead just three days before Egil went missing. Sejer sets to work piecing together the fragments of these two impossible cases; soon enough he realizes that they might not be as separate as they had seemed. DON’T LOOK BACK At the foot of the imposing Kollen Mountain lies a small, idyllic village where neighbors know neighbors and children play happily in the streets. But when the body of a teenage girl is found by the lake at the mountaintop, the town’s tranquility is shattered forever. Annie was strong, intelligent, and loved by everyone. What went so terribly wrong? Doggedly, yet subtly, Inspector Sejer uncovers layer upon layer of distrust and lies beneath the town’s seemingly perfect façade. HE WHO FEARS THE WOLF Inspector Sejer is hard at work again, investigating the murder of a woman who lived alone in the middle of the woods. The chief suspect is another loner, a schizophrenic recently escaped from a mental institution. The only witness is a twelve-year-old boy, overweight, obsessed with archery, and a resident at a home for delinquents. Shrewdly, patiently, as is his way, Sejer confronts a case where the strangeness of the crime is matched only by the strangeness of the criminals, and where small-town prejudices warp every piece of information he tries to collect. “In spare, incisive prose, Fossum turns a conventional police procedural into a sensitive examination of troubled minds and a disturbing look at the way society views them . . . A superb writer of psychological suspense.” — New York Times
Pulling a handbag from a pushchair handle, two teenage trouble-makers, Zipp and Andreas, unwittingly commit murder when the baby inside is thrown to the ground. Unaware of what has happened, the pair move on to their next target. Having followed home Irma, an elderly lady who lives nearby, Andreas enters her house armed, with his trusty flick-knife. Zipp waits nervously outside, but his friend never reappears. He will never see him alive again. Fossum toys with the roles of victim and killer and pens the inner monologue of her characters to chilling effect. There are no red herrings in this narrative as the crime is played out on the page, but it is the mental processes behind the murderer's sinister act that are the real pieces of this puzzle. Gradually, they fall into place as Irma and Andreas talk to each other. We are forced to question the familiar stereotypes: people are not always what they seem and it is not always bad people who do bad things. There is no reason for Sejer and his colleague Skarre to see a connection between the infant's death and the reported disappearance of a town trouble-maker. With Zipp too frightened to come forward, the police must wait for the evidence to present itself before they can begin to comprehend the unsettling nature of the case on their hands.
“No one can thoroughly chill the blood the way Karin Fossum can.” —Los Angeles Times Eva Magnus and her daughter are out walking by the river when a man’s body floats to the water’s surface. Eva goes to call the police, but when she reaches the phone, she dials another number altogether. The police find the body anyway. Inspector Sejer and his team quickly determine that the man, Egil, died in a violent attack. But Egil has been missing for months and the trail to his killer is cold. It’s as puzzling as another unsolved case on Sejer’s desk: the murder of a prostitute, found dead just before Egil went missing. Sejer sets to work piecing together these two impossible cases; it's not long before he realizes that they aren’t as separate as they previously seemed.
Meet Inspector Sejer: smart and enigmatic, tough but fair. At the foot of the imposing Kollen Mountain lies a small, idyllic village, where neighbors know neighbors and children play happily in the streets. But when the body of a teenage girl is found by the lake at the mountaintop, the town's tranquility is shattered forever. Annie was strong, intelligent, and loved by everyone. What went so terribly wrong? Doggedly, yet subtly, Inspector Sejer uncovers layer upon layer of distrust and lies beneath the town's seemingly perfect façade. Critically acclaimed across Europe, Karin Fossum's Inspector Sejer novels are masterfully constructed, psychologically convincing, and compulsively readable. They evoke a world that is at once profoundly disturbing and terrifyingly familiar.
“A truly great writer and explorer of the human mind.” — Jo Nesbø “What grips readers is the enormous amount of emotion [Fossum] works up as we get closer and closer to reliving the murderous event in question . . . Hell Fire is close to heartbreaking, and there are not many novels, thrillers or otherwise, you can say that about.” — Los Angeles Times A gruesome tableau awaits Inspector Konrad Sejer in the oppressive summer heat: a woman and a young boy lay dead in a pool of blood near a dank trailer. The motivation behind the deaths of Bonnie Hayden and her five-year-old son, Simon, is mysterious—there is no sign of robbery. Who would brutally stab a defenseless woman and her child? In a parallel story, another mother, Mass Malthe, navigates life with her adult son, Eddie. It’s a relationship some would call too close, since Eddie’s father, a man he obsesses over, abandoned them many years ago. As Sejer searches for the truth behind the seemingly senseless killings, Hell Fire deftly probes why we lie to those closest to us, and what drives people to commit the most horrific of crimes. “There’s always something dark hovering on the edge of the page, something about getting what you wish for and the crushing irony when that gift proves your undoing.” — New York Times Book Review
“One of the standouts of the Nordic thriller boom.” —New York Magazine Riktor doesn’t like the way the policeman storms into his home without even knocking. He doesn’t like the arrogant way he walks around the house, taking note of its contents. The policeman doesn’t bother to explain why he’s there, and Riktor is too afraid to ask. He knows he’s guilty of a terrible crime and he’s sure the policeman has found him out. But when the policeman finally does arrest him, it’s for something totally unexpected. Riktor doesn’t have a clear conscience, but the crime he’s being accused of is one he certainly didn’t commit. Imprisoned and desperate to break out, he fights to clear his name without further incriminating himself, in a gripping standalone novel from “a truly great writer” (Jo Nesbø).

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