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The House of Night series is set in a world very much like our own, except in 16-year-old Zoey Redbird's world, vampyres have always existed. In this first book in the series, Zoey enters the House of Night, a school where, after having undergone the Change, she will train to become an adult vampire--that is, if she makes it through the Change. Not all of those who are chosen do. It's tough to begin a new life, away from her parents and friends, and on top of that, Zoey finds she is no average fledgling. She has been Marked as special by the vampyre Goddess, Nyx. But she is not the only fledgling at the House of Night with special powers. When she discovers that the leader of the Dark Daughters, the school's most elite club, is misusing her Goddess-given gifts, Zoey must look deep within herself for the courage to embrace her destiny--with a little help from her new vampyre friends.
Life sucks when your friends are pissed at you. Just ask Zoey Redbird – she's become an expert on suckiness. In one week she has gone from having three boyfriends to having none, and from having a close group of friends who trusted and supported her, to being an outcast. Speaking of friends, the only two Zoey has left are undead and unMarked. And Neferet has declared war on humans, which Zoey knows in her heart is wrong. But will anyone listen to her? Zoey's adventures at vampyre finishing school take a wild and dangerous turn as loyalties are tested, shocking true intentions come to light, and an ancient evil is awakened in PC and Kristin Cast's spellbinding fourth House of Night novel. (Recommended for readers age 13 and older)
Bloodlust and dark forces are at work at the House of Night. Fledgling vampyre Zoey Redbird's adventures at the school are about to take a mysterious turn. Those who appear to be friends are turning out to be enemies. And oddly enough, sworn enemies are also turning into friends. So begins the gripping third installment of this "highly addictive series" (Romantic Times), in which Zoey's mettle will be tested like never before. Her best friend, Stevie Rae, is undead and struggling to maintain a grip on her humanity. Zoey doesn't have a clue how to help her, but she does know that anything she and Stevie Rae discover must be kept secret from everyone else at the House of Night, where trust has become a rare commodity. Speaking of rare: Zoey finds herself in the very unexpected and rare position of having three boyfriends. Mix a little bloodlust into the equation and the situation has the potential to spell social disaster. Just when it seems things couldn't get any tougher, vampyres start turning up dead. Really dead. It looks like the People of Faith, and Zoey's horrid step-father in particular, are tired of living side-by-side with vampyres. But, as Zoey and her friends so often find out, how things appear rarely reflects the truth...
When friends stop trusting each other, Darkness is there to fan the flames.... Things have turned black at the House of Night. Zoey Redbird's soul has shattered. With everything she's ever stood for falling apart, and a broken heart making her want to stay in the Otherworld forever, Zoey's fading fast. It's seeming more and more doubtful that she will be able pull herself back together in time to rejoin her friends and set the world to rights. As the only living person who can reach her, Stark must find a way to get to her. But how? He will have to die to do so, the Vampyre High Council stipulates. And then Zoey will give up for sure. There are only 7 days left... Enter BFF Stevie Rae. She wants to help Z but she has massive problems of her own. The rogue Red Fledglings are acting up, and this time not even Stevie Rae can protect them from the consequences. Her kinda boyfriend, Dallas, is sweet but too nosy for his own good. The truth is, Stevie Rae's hiding a secret that might be the key to getting Zoey home but also threatens to explode her whole world. In the middle of the whole mess is Aphrodite: ex-Fledgling, trust-fund baby, total hag from Hell (and proud of it). She's always been blessed (if you could call it that) with visions that can reveal the future, but now it seems Nyx has decided to speak through her with the goddess's own voice, whether she wants it or not. Aphrodite's loyalty can swing a lot of different ways, but right now Zoey's fate hangs in the balance. Three girls... playing with fire... if they don't watch out, everyone will get Burned.
Special edition slipcase edition of John Green's Paper Towns, with pop-up paper town. From the bestselling author of The Fault in our Stars. Quentin Jacobsen has always loved Margo Roth Spiegelman, for Margo (and her adventures) are the stuff of legend at their high school. So when she one day climbs through his window and summons him on an all-night road trip of revenge he cannot help but follow. But the next day Margo doesn't come to school and a week later she is still missing. Q soon learns that there are clues in her disappearance . . . and they are for him. But as he gets deeper into the mystery - culminating in another awesome road trip across America - he becomes less sure of who and what he is looking for. Masterfully written by John Green, this is a thoughtful, insightful and hilarious coming-of-age story.
War is Peace. Freedom is Slavery. Ignorance is Strength. Winston Smith rewrites history for the Ministry of Truth, but when he’s handed a note that says simply ‘I love you’ by a woman he hardly knows, he decides to risk everything in a search for the real truth. In a world where cheap entertainment keeps the proles ignorant but content, where a war without end is always fought and the government is always watching, can Winston possibly hold onto what he feels inside? Or will he renounce everything, accept the Party’s reality and learn to love Big Brother? ‘Dunster – both in his faithful take on the story and in his sometimes extreme but always enthralling adaptation – gets close to the heart of Orwell’s warning, pointing up but not overemphasising its current political resonances.... Newspeak, Doublethink, Room 101 and Thought Police take on a chilling reality in this compelling production.’ – The Independent
Presents a dramatization of the tragic story of a friendship between two migrant workers, George and Lenny, and their dream of owning a farm.

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