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We all have questions regarding God’s paradise in heaven; as Christians, there is nothing more disappointing as spending all your life on earth convinced that you will go to Paradise when you die only to arrive there and hear Jesus say to you, “You are not saved; you are going to hell.” There are more than 6,000 spoken languages in the world but one thing that sets heaven apart from the earth is the fact that there is only one language in Heaven. A good knowledge of the Language of Heaven will prepare you to better understand the Holy Bible, the teachings of Jesus Christ, his parables, and the miracles he performed. This book will introduce you to the Language of Heaven, answer your questions about heaven, prepare you for the struggles of this world, and ultimately help to prepare you for Jesus Christ. When you read this book, you will know without any doubts if indeed you are truly saved and ready to enter God’s paradise in Heaven. This book is Volume One of “Face to Face Meetings with Jesus Christ” trilogy and a must-read for every soul. Felix Wantang has been meeting face-to-face with Jesus Christ since October 1991. Contact him at: [email protected]
Today, no matter where you are in the world, you can turn on a radio and hear the echoes and influences of Chicago house music. Do You Remember House? tells a comprehensive story of the emergence, and contemporary memorialization of house in Chicago, tracing the development of Chicago house music culture from its beginnings in the late '70s to the present. Based on expansive research in archives and his extensive conversations with the makers of house in Chicago's parks, clubs, museums, and dance studios, author Micah Salkind argues that the remediation and adaptation of house music by crossover communities in its first decade shaped the ways that Chicago producers, DJs, dancers, and promoters today re-remember and mobilize the genre as an archive of collectivity and congregation. The book's engagement with musical, kinesthetic, and visual aspects of house music culture builds from a tradition of queer of color critique. As such, Do You Remember House? considers house music's liberatory potential in terms of its genre-defiant repertoire in motion. Ultimately, the book argues that even as house music culture has been appropriated and exploited, the music's porosity and flexibility have allowed it to remain what pioneering Chicago DJ Craig Cannon calls a "musical Stonewall" for queers and people of color in the Windy City and around the world.
This book gives the reader a realistic perspective of what management is and what managers really do. Management as a profession is dynamic, challenging and exciting for those who want to excel at it. Each day brings new and often unanticipated challenges despite the plans made by even the best managers and leaders. The relatively new challenges of sustainable development are integrated into every chapter of this book. The authors have included the most recent management thinking and research, as well as the contemporary application of management ideas in organisations. The combination of established scholarship, new ideas and real-life applications gives students a taste of the energy, challenge and adventure inherent in the dynamic field of management Along with current management theory and practice, the text integrates coverage of social media and new technology throughout This fifth edition includes new emphases on Entrepreneurship and Innovation, a growing area of importance and interest in management studies and the foregrounding of management as an Integrative Practice. There will be linkages of topics within and across chapters, reflective of management as it occurs.
The blockbuster bestselling series is back! #1 New York Times bestselling author of the House of Night series, P.C. Cast, brings us Sun Warrior, an epic fantasy set in a world where humans, their animal allies, and the earth itself has been drastically changed. A world filled with beauty and danger and cruelty... The battle lines have been drawn and Mari, an Earth Walker and Nik, a Companion, who were once from rival clans now find themselves fighting to save each other and their people from destruction. Thaddeus betrayed his own people, killing Nik’s father and destroying their entire clan. But he wants more. He wants the power he believes Mari has stolen from him and his people and he will do anything he must to get them back, even if it means destroying everything in his path. There is only way to stop Thaddeus, but it means a harrowing journey for Mari and Nik into the heart of darkness. Meanwhile, Dead Eye becomes a willing vessel for the newly awakened god, Death. Death has plans of his own and he, too, will use whatever and whomever he must, including the mad Thaddeus.
The title of Christine Schutt's second collection strikes the theme of swiftly passing time that runs through each of the stories. In "The Life of the Palm and the Breast" a woman watches her half-grown children running through the house and wonders: Whose boys are these? Whose life is this? The title story tells of a grandfather who has lived long enough to see his daughter's struggles echoed in his granddaughter and how her unhappiness leads him to unexpectedly feel the weight of his years. In "Darkest of All" a mother's relationship with her sons is wreaked by a repeated cycle of drugs and abusive relationships, the years pass and the pain-and its chosen remedy-remains the same. The narrator in "Winterreise" evokes Thoreau and strives to be heroic in the face of her longtime friend's imminent death, a harsh reminder of the time that is allotted to each of us. Schutt's indomitable, original talent is once again on full display in each of these deeply informed, intensely realized stories. Many of the narratives take place in a space as small as a house, where the doors are many and what is hidden behind these thin domestic barriers tends towards violence, abusive sex, and mental anguish. Schutt opens these doors in sudden, bold moments that also reveal how the characters are often hopeful, even optimistic. With a style that is at once sensual and spare, dreamlike and deliberate, she exposes the terrible intimacy of the rooms and corridors of our innermost lives.

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