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Its a question asked by many budding textile artists: how can I be more creative? Youve got a few ideas and know some techniques, but youre not sure how to get started or make your work hang together. This book shows you how. It explains the creative process from the very beginning: where to find inspiration and how to harness those ideas; how to gather source material; how to pull together what you have. The authors then take you on a journey to develop a design. Learn how to put elements together to make a cohesive whole and develop a theme, learning established design rules along the way. Part Three, Moving into Stitch, gives you a range of techniques and easy experiments with which to turn your design into stitched-textile work. From choosing what fabrics to use, to layering, creating texture and adding embellishment, it covers the key techniques to try. This is a terrific book for those starting out in textiles who really do want to be as creative as they can possibly be.
This is a general introduction for readers of all levels, to craft projects using textile techniques. Basic techniques are introduced, and the reader is then encouraged to experiment with the chosen medium, creating their own piece of work. Works by featured artists and designers will provide inspiration, with tips on how similar styles and effects can be achieved. Each section will also include plenty of stimulating ideas for source and reference material. There will be design sketches, working drawings and storyboards to help the reader investigate, develop and execute their work. Topics covered include: images on fabric; creating fabrics; wireframe construction; 3D wire construction; using a heat tool; materials manipulation; adapting traditional techniques; joining, seaming, bonding, layering; mould-making, casting and forming.
Appliqué is a classic embroidery technique that has recently been experiencing a revival. Appearing in the most cutting-edge contemporary textile work, it can be interpreted in many different ways - layering, patching, applying, overlaying - and offers endless creative possibilities. Each technical variation of appliqué has traditionally had its own set boundaries, but nowadays all the rules are being broken and the technique has become relevant, up-to-date and suitable for all varieties of textile art. This impressive book takes a fresh look at the world of appliqué and surface embellishment, showing you how to develop distinctive and individual designs, create exciting compositions and use unusual combinations of materials. It covers the traditional variations, including bonded appliqué, broderie perse, cut-away appliqué and Mola work, and explains how the standard techniques can be developed to give exciting results in your own textile work, in both hand and machine embroidery. Accompanying the techniques is a wealth of examples of contemporary appliqué to inspire you. The authors are renowned for their thoughtful, creative but practical approach to teaching textiles, making this book suitable for beginners and established textile artists alike.
Designed for textile artists and quilters seeking innovative ways to advance their craft, the 30 short, structured exercises presented here will spur creativity and instill confidence. Each carefully photographed exercise is split into three components: experimenting with fine art techniques and various mediums, including sculpture, painting, and photography; developing skills through use of a sketchbook, collage, or mixed media; and turning the concept into a usable stitch. Scattered throughout the book are "Art Masterclasses,” which focus on such subjects as landscape, nature, the human form, and architecture.
At its very essence, textile art is about mark-making. As an artist would use a pencil, an embroiderer or quilter can use stitch to make marks on fabric – a fundamental creative act. The making of marks often starts and underpins the entire design process, and a textile artwork is usually made up of repeated stitched marks. This fascinating book shows how marks can be used in textile work, both simple and complex, and explores the crossover between stitch and drawing. Author Helen Parrott is well known for her strongly graphic textile art, which uses marks to stunning visual effect. The book is divided into the types of marks that can be made on fabric, varying in complexity, arrangement and 'feel' – single, grouped, massed, regular, irregular, calligraphic, permanent, transient, and so on. It covers both hand and machine stitch, which make very different types of mark and between them offer limitless potential for mark-making, used both separately and together. It aims to help you take inspiration from the world around you to create marks, develop your own mark-making skills and strengthen your personal creative voice, and is an essential book for any textile artist.
Art-making with fabrics and fibers is a natural and creative method of self-expression and can enrich the healing process. This book is a complete guide to using textiles in therapy with female clients. Reviewing the role of textile-based handcrafts in the lives of women today, and integrating the life issues they face with the therapeutic making of fiber art, the book covers everything from the psychology of this therapeutic approach to how to carry it out effectively with a wide range of clients. Specific techniques and suggestions for practice are provided, alongside chapters on expressive writing, guided imagery, and cross-cultural applications of therapy. This innovative book will be a useful tool for therapists, students, artists looking to build on self-exploration, and anybody else interested in the therapeutic benefits that art-making with textiles can bring about.
The use of text is currently very popular in textile art, and its creative potential is unlimited. Text can engage directly with the viewer to express personal concerns, social and political issues and even humour. In this exciting new book, Sara Impey, one of the world's best-known textile artists and an innovator in using text in her work, presents the definitive guide to text in textiles. She aims to inspire makers with the confidence to use text, to illustrate how it can be used as a means of self-expression, and to provide advice on where to look for sources of inspiration. The book includes a brief discussion of stitched lettering in history, and examines the current scene, including contemporary artists such as Tracey Emin. It then goes on to explore how to find inspiration for your work, whether personal or political, with exercises on how to get your thoughts organized. Finally, a wealth of practical tips are given on how to get text into your work, including hand-stitching techniques, computers and the new generation of sewing machines, photo transfer, found objects and the use of newsprint and other printed materials. It also contains valuable information on copyright. This fascinating book is perfect for any textile artist who wants to add an extra dimension to their work by incorporating text.

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