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One of our greatest philosophers and scientists of the mind asks, where does the self come from--and how our selves can exist in the minds of others. Can thought arise out of matter? Can self, soul, consciousness, "I" arise out of mere matter? If it cannot, then how can you or I be here? I Am a Strange Loop argues that the key to understanding selves and consciousness is the "strange loop"-a special kind of abstract feedback loop inhabiting our brains. The most central and complex symbol in your brain is the one called "I." The "I" is the nexus in our brain, one of many symbols seeming to have free will and to have gained the paradoxical ability to push particles around, rather than the reverse. How can a mysterious abstraction be real-or is our "I" merely a convenient fiction? Does an "I" exert genuine power over the particles in our brain, or is it helplessly pushed around by the laws of physics? These are the mysteries tackled in I Am a Strange Loop, Douglas Hofstadter's first book-length journey into philosophy since Gödel, Escher, Bach. Compulsively readable and endlessly thought-provoking, this is a moving and profound inquiry into the nature of mind.
A philosophical look at the movie Inception and itsbrilliant metaphysical puzzles Is the top still spinning? Was it all a dream? In the world ofChristopher Nolan's four-time Academy Award-winning movie, peoplecan share one another's dreams and alter their beliefs andthoughts. Inception is a metaphysical heist film that raisesmore questions than it answers: Can we know what is real? Can yoube held morally responsible for what you do in dreams? What is thenature of dreams, and what do they tell us about the boundaries of"self" and "other"? From Plato to Aristotle and from Descartes toHume, Inception and Philosophy draws from importantphilosophical minds to shed new light on the movie's captivatingthemes, including the one that everyone talks about: did the topfall down (and does it even matter)? Explores the movie's key questions and themes, including how wecan tell if we're dreaming or awake, how to make sense of aparadox, and whether or not inception is possible Gives new insights into the nature of free will, time, dreams,and the unconscious mind Discusses different interpretations of the film, and whether ornot philosophy can help shed light on which is the "right one" Deepens your understanding of the movie's multi-layered plotand dream-infiltrating characters, including Dom Cobb, Arthur, Mal,Ariadne, Eames, Saito, and Yusuf An essential companion for every dedicated Inception fan, thisbook will enrich your experience of the Inception universeand its complex dreamscape.
The Second Coming takes a fresh look at the Gospel of Matthew through the unconditioned eyes of a truth-seeker. The book reinterprets the Gospel of Matthew from a non-dualistic perspective and brings out spiritual insights totally unexpected. The book also brings to the forefront the forgotten character of Joseph as the 'tekton' of the Gospel. The distinctive feature of the book is that it redefines abstruse or undefined biblical terms such as, the Father, the Son, the Holy Spirit, God, heaven, hell, Serpent, Satan, sin, etc., in a new light that makes the interpretation internally consistent, and also consistent with the external reality. According to the book, the message of the Gospel is straightforward: "The human body is the Savior. Therefore, turn to the body." The book goes beneath the literal content of the Gospel of Matthew to discover its soul.
Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.
Shows how analogy-making pervades human thought at all levels, influencing the choice of words and phrases in speech, providing guidance in unfamiliar situations, and giving rise to great acts of imagination.
Scholars and policymakers alike agree that innovation in the biosciences is key to future growth. The field continues to shift and expand, and it is certainly changing the way people live their lives in a variety of ways. With a large share of federal research dollars devoted to the biosciences, the field is just beginning to live up to its billing as a source of innovation, economic productivity and growth. Vast untapped potential to imagine and innovate exists in the biosciences given new tools now widely available. In The Biologist's Imagination, William Hoffman and Leo Furcht examine the history of innovation in the biosciences, tracing technological innovation from the late eighteenth century to the present and placing special emphasis on how and where technology evolves. Place is often key to innovation, from the early industrial age to the rise of the biotechnology industry in the second half of the twentieth century. The book uses the distinct history of bioinnovation to discuss current trends as they relate to medicine, agriculture, energy, industry, ecosystems, and climate. Fast-moving research fields like genomics, synthetic biology, stem cell research, neuroscience, bioautomation and bioprinting are accelerating these trends. Hoffman and Furcht argue that our system of bioscience innovation is itself in need of innovation. It needs to adapt to the massive changes brought about by converging technologies and the globalization of higher education, workforce skills, and entrepreneurship. The Biologist's Imagination is both a review of past models for bioscience innovation and a forward-looking, original argument for what future models should take into account.

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