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An original and approachable account of how archaeology can tell the story of the English village. Shapwick lies in the middle of Somerset, next to the important monastic centre of Glastonbury: the abbey owned the manor for 800 years from the 8th to the 16th century and its abbots and officials had a great influence on the lives of the peasants who lived there. It is possible that abbot Dunstan, one of the great reformers of tenth century monasticism directed the planning of the village. The Shapwick Project examined the development and history of an English parish and village over a ten thousand-year period. This was a truly multi-disciplinary project. Not only were a battery of archaeological and historical techniques explored - such as field walking, test-pitting, archaeological excavation, aerial reconnaissance, documentary research and cartographic analysis - but numerous other techniques such as building analysis, dendrochronological dating and soil analysis were undertaken on a large scale. The result is a fascinating study about how the community lived and prospered in Shapwick. In addition we learn how a group of enthusiastic and dedicated scholars unravelled this story. As such there is much here to inspire and enthuse others who might want to embark on a landscape study of a parish or village area. Seven of the ten chapters begin with a fictional vignette to bring the story of the village to life. Text-boxes elucidate re-occurring themes and techniques. Extensively illustrated in colour including 100 full page images.
In the Middle Ages monasteries were among the greatest owners of land in Britain; today their influence on the landscape can be seen not only in the magnificent monastic ruins, but also in earthworks, patterns of landholding and even industrial remains.
The Archaeology of the 11th Century addresses many key questions surrounding this formative period of English history and considers conditions before 1066 and how these changed. The impact of the Conquest of England by the Normans is the central focus of the book, which not only assesses the destruction and upheaval caused by the invading forces, but also examines how the Normans contributed to local culture, religion, and society. The volume explores a range of topics including food culture, funerary practices, the development of castles and their impact, and how both urban and rural life evolved during the 11th century. Through its nuanced approach to the complex relationships and regional identities which characterised the period, this collection stimulates renewed debate and challenges some of the long-standing myths surrounding the Conquest. Presenting new discoveries and fresh ideas in a readable style with numerous illustrations, this interdisciplinary book is an invaluable resource for those interested in the archaeology, history, geography, art, and literature of the 11th century.
Obituaries of performers and filmmakers, musicians and producers, dancers and composers, writers and others associated with the performing arts who died in 2013 can be found in this comprehensive reference work. For each, the date, place, and cause of death are provided, along with a career recap. Filmographies are given for film and television performers, and many photographs are included. Books in this annual series are available dating to 1994, and a subscription plan is available for future issues.
First Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.
The landscape history of North-East England has not been studied as much as other parts of the country. This book begins to fill this gap by utilizing Actor-Network Theory (ANT) to re-assess the familiar topics of enclosure and improvement. It reveals the contribution of local 'actors' – including landowners, tenants and the landscape itself – to these 'processes'. In so doing it transforms our understanding of the way in which the landscape of Northumberland was created during the eighteenth and nineteenth centuries and carries wider implications for how we might approach enclosure in other parts of the country.
Most places in Britain have had a local history written about them. Up until this century these histories have addressed more parochial issues, such as the life of the manor, rather than explaining the features and changes in the landscape in a factual manner. Much of what is visible today in Britain's landscape is the result of a chain of social and natural processes, and can be interpreted through fieldwork as well as from old maps and documents. Michael Aston uses a wide range of source material to study the complex and dynamic history of the countryside, illustrating his points with aerial photographs, maps, plans and charts. He shows how to understand the surviving remains as well as offering his own explanations for how our landscape has evolved.

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