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A lively, spirited, and stirring critique of what is wrong with the Australian press — and how we might go about fixing it. As newspaper subscription-rates decline, and mastheads lament what appears to be a broken business model, the future of journalism is uncertain. Yet, in an age of spin and the sideshow syndrome, quality journalism is more essential than ever before. How do we resolve the contradictions, and map out a path forward? And what do we mean by ‘quality’? As we face new, digital models for journalism, what might be worth preserving about the old models? How can journalists embrace new forms of media and technology, and engage more directly with their readers? Can journalism continue to contribute to a vibrant and robust democracy? In Journalism at the Crossroads, journalist and media commentator Dr Margaret Simons explores the challenges and opportunities facing journalists as they confront the digital revolution and grapple with the changing role of journalism. Simons considers the role of the journalist in this new media landscape, why we still need quality news reporting, how new technologies can enhance traditional reporting, ways in which journalists and citizens can work together to break stories, and how media organisations can reinvigorate their newsrooms by engaging directly with the community. The imperative to think about new ways of journalism has arrived, and it is time for all of us — citizens and journalists alike — to become involved in this vital debate.
Ein großer Teil der öffentlich verfügbaren Kommunikation stammt mittlerweile nicht mehr von professionellen Kommunikatoren aus Journalismus und Öffentlichkeitsarbeit, sondern von Laien, die über das Social Web eine Fülle an Inhalten verbreiten. Braucht es vor diesem Hintergrund den professionellen Journalismus überhaupt noch? Um diese Frage zu beantworten, klärt Stefan Bosshart zunächst grundlegend, welche Leistungen Journalismus erbringt und anhand welcher Merkmale er sich – auch im Internet – identifizieren lässt. Im empirischen Teil untersucht die Arbeit mittels Inhaltsanalyse »Wikinews«, eine kollaborative Nachrichtenplattform von Laien, die aufgrund ihres Leitbilds und ihrer Nutzungsregeln einen journalistischen Anspruch erhebt.
Are newspapers faced with an existential threat or are they changing to meet the challenges of a digital world? With the newspaper's role in a state of fundamental redefinition, Newspaper Journalism offers a timely and up to the minute analysis of newspapers today, in the context of their historical importance to society. Drawing on their extensive experience in academia and also across local, national, mainstream and alternative newspapers, Cole and Harcup write clearly and engagingly from both industry and scholarly perspectives, and contend that, far from dying, newspapers are doing what they have always done: adapting to a changing environment. This text is essential reading for all students of the press, with comprehensive and critical coverage of the most important debates in the study of newspaper journalism - from ethics and investigative journalism to political economy and the future of the industry. Given the shifting boundaries and central importance of newspapers, it will be of interest to all students of journalism and the media. Praise for the Journalism Studies: Key Texts series: 'It is easy to describe a good textbook for a specific journalistic format... The ideal book has to satisfy a list of requirements that are also bullet-pointed in journalism assignment outlines. A text has to: synthesize the existing body of knowledge; explain concepts clearly; have a logical order of topics; and provide enough information and directions to pursue further study. One may also hope it would include real life examples and be lucid, vivid and a pleasure to read. Hard to find? Not anymore. The new SAGE series Journalism Studies: Key Texts satisfies the main requirements on the list. Carefully planned and meticulously edited by Martin Conboy, David Finkelstein and Bob Franklin, the textbook series is a welcome contribution to the literature of journalism studies... All three books follow the same structural template: an overview of historical development; explication of the political and economic frameworks within particular types of journalism; a review of contemporary practices; social demographics; a comparative analysis of practices around the world; a summary of main conceptual approaches; an indication of future directions; recommendations for further reading. This strong organization resembles a template for a course outline. This is intentional because the series is aimed both at students and their practice-based lecturers, who often come straight from industry and need time to adjust to the academic environment... [The series] achieves its aim to bridge the sometimes too evident dissonance between journalism theory and practice... They successfully situate discussions about journalism in social and historical contexts. We see the faces of individual journalists, the circumstances of news production, the relationship with owners, the battle between the public service and the profit nature of news, the relevance of journalism work. The detailed account of the conditions under which newspaper, radio and alternative journalism is produced and performed make the Journalism Studies: Key Texts series mandatory reading for both journalism students and their lecturers' - Verica Rupar, Journalism Studies
With the exception of a few iconic moments such as Rosa Parks’s 1955 refusal to move to the back of a Montgomery bus, we hear little about what black women activists did prior to 1960. Perhaps this gap is due to the severe repression that radicals of any color in America faced as early as the 1930s, and into the Red Scare of the 1950s. To be radical, and black and a woman was to be forced to the margins and consequently, these women’s stories have been deeply buried and all but forgotten by the general public and historians alike. In this exciting work of historical recovery, Dayo F. Gore unearths and examines a dynamic, extended network of black radical women during the early Cold War, including established Communist Party activists such as Claudia Jones, artists and writers such as Beulah Richardson, and lesser known organizers such as Vicki Garvin and Thelma Dale. These women were part of a black left that laid much of the groundwork for both the Civil Rights Movement of the 1960s and later strains of black radicalism. Radicalism at the Crossroads offers a sustained and in-depth analysis of the political thought and activism of black women radicals during the Cold War period and adds a new dimension to our understanding of this tumultuous time in United States history.
The future of newspapers is hotly contested. Pessimistic pundits predict their imminent demise while others envisage a new era of participatory journalism online, with yet others advocating increased investment "in quality journalism" rather than free gifts and DVDs, as the necessary cure for the current parlous state of newspapers. Globally, newspapers confront highly variable prospects reflecting their location in different market sectors, countries and journalism cultures. But despite this diversity, they face similar challenges in responding to the increased competition from expansive radio and 24 hour television news channels; the emergence of free "Metro" papers; the delivery of news services on billboards, pod casts and mobile telephony; the development of online editions, as well as the burgeoning of blogs, citizen journalists and User Generated Content. Newspapers’ revenue streams are also under attack as advertising increasingly migrates online. This authoritative collection of research based essays by distinguished scholars and journalists from around the globe, brings together a judicious mix of academic expertise and professional journalistic experience to analyse and report on the future of newspapers. This book was published as special issues of Journalism Practice and Journalism Studies.
Die berühmten Übungen und Spiele Boals liegen hier in einer auf den neuesten Stand gebrachten und stark erweiterten Ausgabe vor. Dabei geht es darum, Zuschauer in Handelnde zu verwandeln. Dieses in 25 Sprachen übersetzte Standardwerk richtet sich an jeden, der die Übungen beruflich oder im Alltag anwenden will – an Schauspieler wie an Laiendarsteller, Pädagogen, Lehrer und Therapeuten. Zugleich gibt der Band Einblick in die Arbeit »des wichtigsten Theatermachers Lateinamerikas« (The Guardian).
The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.

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