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Journey to the Dark Goddess will lead you on a powerful, healing path. In the stories of ancient Goddesses you will hear your own soul, calling out to you. The Dark Goddess is the creatrix of healing, change and renewal. She offers connection with the core of yourself. If you have been unable to shake off depression, or fear its return; if you have inexplicable ‘blank patches’ in your life, if you know that something is missing, or something is calling to you, if you seek the source of women’s power – it’s time to journey to the Dark Goddess. The for this journey to the Dark Goddess exists in ancient myth. Weaving the stories of Inanna, Persephone and Psyche with self-enquiry and sacred ritual we learn to journey internally, creating maps in our darkest places and return enriched, integrating our deepest understandings. Meeting the Dark Goddess we see a mirror of our own soul.
Discover how to utilize the many faces of the dark goddess to navigate the process of deep and rewarding change. This empowering, practical guide looks at the misconceptions surrounding challenging deities and encourages you to draw on their power to work through aspects of yourself or your life that you wish to change. Organized into three sections—descent, challenge, and rebirth—Dark Goddess Craft guides you through your own shadow work and helps you emerge renewed. Every step on your path of transformation is connected to a different face of the dark goddess, and Stephanie Woodfield provides rituals, invocations, and offerings for eleven of them. You can mourn loss with the Washer at the Ford, learn to move past betrayal with Sedna, gain personal independence with Blodeuwedd, and become the champion of your own life with Sca?thach. Like a torch to light your way, this book helps you heal and transform into the best version of yourself.
Aspecting the Goddess is a memoir, a workbook and an exploration of twelve different Goddess myths. Aspecting, or drawing down a Goddess, is an invitation to share our bodies and our experience with the divine feminine. Step by step, this book unfolds different levels of this practice.
Learn the secrets of the inner self through the stories of a spiritual teacher. Frances shows how we block ourselves from accessing this inner body wisdom and then talks us through the ways we can reconnect with it. She has a wonderful sense of humour and, by the end of the book, she has become a trusted friend. Her end of chapter poems/meditations are a beautiful way of reflecting on what you have just read. They work as stand alone meditations or as aids to your path through life. Her exercises and suggestions are based on her wide experience of helping people (including herself) to overcome barriers in their lives. A fascinating insight into the life and work of a modern day spiritual teacher, her feet firmly on the ground, laughter and tears never far from the surface as she invites us to go deep into Innerbody Wisdom.
At the dawn of a new era we are drawn to modern Goddess spirituality. Rae Beth feels the world can change by sharing our personal spiritual experiences with each other.She has gone within herself for this book of recollections, inner guidance and ancient teachings (which was originally published as Reincarnation and the Dark Goddess). She explains individual reincarnation as a microcosm of Earth’s great cycles of existence and as a means of developing the love and wisdom needed to manifest the true beauty of the spirit realm.Along with instructions for recalling past lives and developing psychic skills, she gives descriptions of the Otherworld (where we go between lives) as the land of the Dark Goddess – the Queen of the Dead. This is not a fearsome place, but a joyful spirit land where healing flows, whether we approach it from its peripheries in dreams, in meditation, or between incarnations. Rae Beth also includes thoughtful interpretations of various myths of the Goddess in her many aspects – Isis, Kali, Mary Magdalene, Persephone and Tiamat – to name but a few. Lamp of the Goddess looks at reincarnation from the viewpoint of a present-day priestess who honours the Deep Feminine, or the Goddess, as Mother of Souls, as well as the Earth Mother of physical existence. This sharing vision is relevant to us all, in our process of discovery and rebirth.
The Abduction Prince Aiden and Princess Ariana were busy making preparations to celebrate the wonder of their first anniversary. The year had flown by, fulfilling their every dream. Aiden had adapted well to the expectations and demands of royalty, along with fatherhood. Angus, two months old, was the pride and joy of the monarchy. The marriage and parenthood brought out the softer side of the blacksmith. His son looked much like him and he held his legacy as often as possible. Princess Camille loved being a first time aunt, spending as much time as she could with Ariana and the baby. The king and Gideon reflected their approval, but usually at a distance. Aiden had relocated his blacksmith trade inside the perimeter of the castle walls, training his two replacements, while using the forge from time to time, to satisfy a more creative nature. His travels had shown him a wide array of artistic applications for his craft and a use that had yet to be satisfied in the kingdom. Aiden designed plates, bowls, mugs and a variety of hand tools, most of which were given away after fulfilling the needs of the royal family. Surprisingly, hed given his cottage to a village family, whose child had told the best story at one of his weekly gatherings. The prince had become a farmer, as well, having recently harvested his first crop of corn. Hed dried kernels for the evenings anniversary festivities in the courtyard. It would be his first presentation of pop corn since his return from the quest. He could hardly wait to see the reaction his new treat would have on the children and the prince planned to hand kernels out to the villagers for the next years planting. Times were good and spirits high, in the realm, where the future looked promising for all. King Darian commissioned the kingdoms first ship. The vessel was built of the finest wood, with help from the Egyptian carpenters. It was a beauty to behold, equal in size to the Argo and the ship would open the island up to trade with countries in the inland sea. Jib supervised the raising of the ship and became the kingdoms first captain, through kings decree. The ship was christened the Phoenix, to honor Aidens quest and his daughters royal marriage. It was the first of six vessels commissioned by the king, with shipbuilding and global trade escalating the rapid growth of the small, inadequate anchorage. Scota sailed back to Egypt aboard the Phoenix on its maiden voyage at her fathers request and having lost any other reason to stay. Everything changed for her with the emotional loss of her husband at the hands of the Nordics. The princess carried the phoenix feather on the return to her homeland, fulfilling Aidens commitment to Queen Nefertiti. King Darian opened her old settlement up for villagers to recolonize and also began construction of a larger seaport capable of handling the increased demands of the realm. The new harbors location was near the mouth of a small river, less than a mile from the castle. While plans for the anniversary celebration were being finalized, Aiden went to the gatehouse to pay the wizard a visit. He hadnt seen Edric since just after his son was born. He took dried corn kernels, from the crop the wizard had helped him plant, to show the magician some of his own magic. Edric hadnt been as preoccupied with his magic mirror since the quest had concluded, spending much of his time grooming his own garden. When there was no answer at the door, the prince walked to the backside of the gatehouse, finding the wizard clipping roses from his prized bushes.
Key imperial and royal courts--in Han, Tang, and Song dynasty China; medieval and renaissance Europe; and Heian and Muromachi Japan--are examined in this comparative and interdisciplinary volume as loci of power and as entities that establish, influence, or counter the norms of a larger society. Contributions by twelve scholars are organized into sections on the rhetoric of persuasion, taste, communication, gender, and natural nobility. Writing from the perspectives of literature, history, and philosophy, the authors examine the use and purpose of rhetoric in their respective areas. In Rhetoric of Persuasion, we see that in both the third-century court of the last Han emperor and the fourteenth-century court of Edward II, rhetoric served to justify the deposition of a ruler and the establishment of a new regime. Rhetoric of Taste examines the court�s influence on aesthetic values in China and Japan, specifically literary tastes in ninth-century China, the melding of literary and historical texts into a sort of national history in fifteenth-century Japan, and the embrace of literati painting innovations in twelfth-century China during a time when the literati themselves were out of favor. Rhetoric of Communication considers official communications to the throne in third-century China, the importance of secret communications in Charlemagne�s court, and the implications of the use of classical Chinese in the Japanese court during the eighth and ninth centuries. Rhetoric of Gender offers the biography of a former Han emperor�s favorite consort and studies the metaphorical possibilities of Tang palace plaints. Rhetoric of Natural Nobility focuses on Dante�s efforts to confirm his nobility of soul as a poet, surmounting his non-noble ancestry, and the development of the texts that supported the political ideologies of the fifteenth-century Burgundian dukes Philip the Good and Charles the Bold.

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