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When Assistant District Attorney Alex Cooper is summoned to Tina Barr’s apartment on Manhattan’s Upper East Side, she finds a neighbor convinced that the young woman was assaulted. But the terrified victim, a conservator of rare books and maps, refuses to cooperate with investigators. Then another woman is found murdered in that same apartment with an extremely valuable book, believed to have been stolen. As Alex pursues the murderer, she is drawn into the strange and privileged world of the Hunt family, major benefactors of the New York Public Library and passionate rare book collectors who may be willing to kill for their treasures. Copy and paste the URL below into your browser to download a free pdf of Linda Fairstein's new novel, Hell Gate, available in hardcover March 2010: http://knopfdoubleday.com/marketing/Hell_Gate_Chapter_1.pdf From the Paperback edition.
When Assistant District Attorney Alexandra Cooper is summoned to Tina Barr's apartment on Manhattan's Upper East Side, she finds a neighbour convinced that the young woman has been assaulted. But the terrified victim, a conservator of rare books and maps, denies that and refuses to co-operate with Alex and the police investigators. Tina disappears, and then another woman is found murdered in the same apartment, with an extremely valuable book at her side. The book has probably been stolen, but from whom and how? Pursuing the murderer Alex is drawn into the strange and privileged world of rich and secretive book collectors, where avarice and greed is as strong an inheritance as wealth.. In a beguiling mix and history and suspense Linda Fairstein takes readers on a breath-taking ride through collections of beautiful first editions, supposedly 'lost' atlases, and deep into the hidden rooms and tunnels of the great New York Public Library.
Tea gowns, bleached damask, and yards of flannel and pillow-case lace, stereoscopes, books of gospel hymns and ballroom gems, the New Improved Singer Sewing Machine, side saddles, anti-freezing well pumps, Windsor Stoves, milk skimmers, straight-edged razors, high-button shoes, woven cane carpet beaters, spittoons, the Studebaker Road Cart, commodes and washstands, the "Fire Fly" single wheel hoe, cultivator, and plow combined, flat irons, and ice cream freezers. What man, woman, or child of the 1890s could resist these offerings of the Montgomery Ward catalogue, the one book that was read avidly, year after year, by millions of Americans on farms and in small towns across the nation? The Montgomery Ward catalogue provides one of the few irrefutably accurate pictures of what life was "really like" in the gay nineties, for it described and illustrated almost anything that anybody could possibly need or want in the way of "store-bought" goods. In fact, in that pre-department store era, it was usually the only source for such goods. Imagine if Montgomery Ward had issued an illustrated catalogue in the days of Louis XIV, or Elizabeth I, or Charlemagne: what insights would we have into the daily life of the "common folk," the farmers and shopkeeper, housewives and schoolchildren . . . what sources of information for historians and scholars, collectors and dealers, what models for artists and designers. In 1895, Montgomery Ward was the oldest, largest, and most representative mail-order house in the country. The brainchild of a former traveling salesman, it issued its first catalogue in 1872, a one-page listing of items. By 1895, the catalogue, reprinted here, had grown to 624 pages and listed some 25,000 items, almost all of them illustrated with live drawings. Montgomery Ward was by then a multi-million dollar business that profoundly affected the American economy; and since it reached the most isolated farms and backwoods cabins, its effect on American culture was almost as great. Now once again available, it is our truest, most unbiased record of the spirit of the 1890s. An introduction on the history of the Montgomery Ward Company and its catalogue has been prepared especially for this edition by Boris Emmet, Ph.D. (Johns Hopkins), a foremost expert on retail merchandising. His monumental work Catalogues and Counters has long been recognized as a landmark in the study of American economic history.

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