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Energetic and lively pieces to appeal to students who like fast and sparkling music. The selections are from such masters as C.P.E. Bach, Schubert, Schumann and Kabalevsky. All pieces are in their original form and are for the Late intermediate player.
Energetic and lively pieces to appeal to students who like fast and sparkling music. The selections are from such masters as C.P.E. Bach, Schubert, Schumann and Kabalevsky. All pieces are in their original form. Late intermediate.
A combination of rewarding sonatina favorites and less frequently heard sonatinas for the "sonatina enthusiast." The fresh balance of works will be welcomed by teachers and students alike.
This book offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents appropriate teaching literature by 14 composers who wrote inspirationally for the intermediate student. The pieces in this book are primarily from Levels 7 and 8, according to Jane Magrath’s The Pianist’s Guide to Standard Teaching and Performance Literature. Titles include: Prelude in D Minor, BWV 926 (J. S. Bach) *Prelude in D Minor, BWV 940 (J. S. Bach) *Sonata in F Major, K. 78 (Scarlatti) *Sonata in G Major, K. 391 (Scarlatti) *Sonata in C Major, K. 309 (Scarlatti) *Sonata in A Minor, K. 149 (Scarlatti) *Viennese Sonatina No. 1 in C Major (1st movement) (Mozart) *Viennese Sonatina No. 2 in A Major (1st movement) (Mozart) *Viennese Sonatina No. 6 in C Major (1st and 3rd movements) (Mozart) * Sonatina in G Major, Hob. XVI: 8 (1st movement) (Haydn) *Sonatina in F Major, Hob. XVI: 9 (1st movement) (Haydn) *Sonatina in C Major, Hob. XVI: 10 (1st movement) (Haydn) *Bagatelle in G Minor, Op. 119, No. 1 (Beethoven) *Bagatelle in D Major, Op. 119, No. 3 (Beethoven) * Bagatelle in A Minor, Op. 119, No. 9 (Beethoven) *German Dance in D Major, D. 783, No. 2 (Schubert) *Waltz in B Minor, D. 145, No. 6 (Schubert) *Waltz in A-flat Major, D. 365, No. 2 (Schubert) *Two Ecossaises, D. 421, Nos. 1 and 2 (Schubert) *Album leaf in F-sharp Minor, Op. 99, No. 4 (Schumann) *From Foreign Lands and Places, Op. 15, No. 1 (Schumann) *Mignon, Op. 68, No. 35 (Schumann) *Important Event, Op. 15, No. 6 (Schumann) *Prelude in A Major, Op. 28, No. 7 (Chopin) *Mazurka in F Major, Op. 68, No. 3 (Chopin) *Mazurka in G Minor, Op. 67, No. 2 (Chopin) *Mazurka in G Major, Op. Post (Chopin) *Mazurka in B-flat Major, Op. Post (Chopin) *Song of the Cowherd, Op. 17, No. 22 (Grieg) *Waltz, Op. 38, No. 7 (Grieg) *Norwegian Melody, Op. 12, No. 6 (Grieg) *The Little Shepherd (Debussy) *Album Leaf (Debussy) *Braul (Bartok) *Buciumeana (Bartok) *The Farewell, Op. 21, No. 3 (Borkiewicz) *Venice, Op. 21, No. 7 (Borkiewicz) *Pierrot's Serenade (Martinu) *Columbine Remembers (Martinu) *Prelude (Fragment) (Gershwin) *Merry Andrew (Gershwin) *Promenade (Walking the Dog) (Gershwin).
Classics Alive Book 1 offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents 72 pieces of standard teaching literature by 12 composers----familiar and not so familiar---who wrote exceptionally well for the late-elementary/early-intermediate student. Studying these works will give students a solid foundation in the best literature available at their level, and will prepare them to proceed to more advanced music. The pieces are easy to learn, rewarding to play and sound great!
(Schott). 12 Little Preludes: C-Dur (BWV 924) * C-Dur (BWV 939) * c-Moll (BWV 999) * D-Dur (BWV 925) * d-Moll (BWV 926) * d-Moll (BWV 940) * e-Moll (BWV 941) * F-Dur (BWV 927) * F-Dur (BWV 928) * g-Moll (BWV 929) * g-Moll (BWV 930) * a-Moll (BWV 942) * 6 Little Preludes: C-Dur (BWV 933) * c-Moll (BWV 934) * d-Moll (BWV 935) * D-Dur (BWV 936) * E-Dur (BWV 937) * e-Moll (BWV 938) * Appendix: Praeludium I C-Dur (The Well-Tempered Piano I) (BWV 846) * Praeludium C-Dur (Piano Book for W.F. Bach, No. 26) (BWV 924a) * Applicatio C-Dur (Piano Book for W.F. Bach, No. 1) (BWV 994)
Die Analyse des kulturellen Konsums ist für alle von Interesse, die geneigt sind, ihre eigenen, meist als selbstverständlich aufgefassten kulturellen Vorlieben und Praktiken zu prüfen. Der Reiz und das Verdienst des Buches liegen darin, dass der Autor immer im Kontakt zum konkreten Alltag bleibt. Die Lektüre der Feinen Unterschiede wird ein spannender Selbsterfahrungsprozess.

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