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"This pictorial book for lovers of New Zealand scenery showcases the principal movie-set locations around the country as seen in all six films. For everyone enchanted by the beautiful locations in the film trilogies, this book provides stunning original landscape photography, valuable background information and exclusive contributions by Sir Peter Jackson, Sir Richard Taylor, Alan Lee, Barrie M. Osborne, John Howe, Andy Serkis, Dan Hennah, and Chris Winitana."--Publisher information.
The definitive and authroised location guidebook for THE HOBBIT trilogy of movies. Since the incredible global success of The Lord of the Rings films and now The Hobbit Trilogy, New Zealand has become the embodiment of Middle-earth to millions of moviegoers and readers the world over. This definitive full-colour guidebook showcases the principal movie set locations around New Zealand as seen in The Hobbit trilogy. For everyone enchanted by the beautiful locations in the film trilogy, this book provides stunning original landscape photography, valuable background information and exclusive contributions by Sir Peter Jackson, Andy Serkis and other cast and crew members. Official behind-the-scenes movie photos are complemented by more than 100 of award-winning photographer Ian Brodie's gorgeous vistas of the New Zealand landscape, making this the perfect book for film fans and armchair travellers, as well as those planning to visit the country for themselves. Includes: • Exclusive maps and location directions • Touring information and itineraries • Useful internet addresses • GPS references to location sites • Accommodation, food and entertainment suggestions
The definitive and authorised location guidebook for The Hobbit trilogy of movies. Since the incredible global success of The Lord of the Rings films and now The Hobbit Trilogy, New Zealand has become the embodiment of Middle-earth to millions of moviegoers and readers the world over. This definitive full-colour guidebook showcases the principal movie set locations around New Zealand as seen in The Hobbit trilogy. For everyone enchanted by the beautiful locations in the film trilogy, this book provides stunning original landscape photography, valuable background information and exclusive contributions by Sir Peter Jackson, Andy Serkis and other cast and crew members. Official behind-the-scenes movie photos are complemented by more than 100 of award-winning photographer Ian Brodie's gorgeous vistas of the New Zealand landscape, making this the perfect book for film fans and armchair travellers, as well as those planning to visit the country for themselves. Includes: Exclusive maps and location directions Touring information and itineraries Useful internet addresses GPS references to location sites Accommodation, food and entertainment suggestions
In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and other film industry workers, Chung traces how the rhetorical and visual emphasis on seamlessness masks the social, political, and economic realities of global filmmaking and digital labor. In films such as Avatar (2009), Interstellar (2014), and The Host (2006)—which combine live action footage with CGI to create new hybrid environments—filmmaking techniques and "seamless" digital effects allow the globally dispersed labor involved to go unnoticed by audiences. Chung adapts Foucault's notion of heterotopic spaces to foreground this labor and to theorize cinematic space as a textured, multilayered assemblage in which filmmaking occurs in transnational collaborations that depend upon the global movement of bodies, resources, images, and commodities. Acknowledging cinema's increasingly digitized and globalized workflow, Chung reconnects digitally constructed and composited imagery with the reality of production spaces and laboring bodies to highlight the political, social, ethical, and aesthetic stakes in recognizing the materiality of collaborative filmmaking.
Over the past three decades, “landscape” has become an umbrella term to describe many different strands of archaeology. From the processualist study of settlement patterns to the phenomenologist’s experience of the natural world, from human impact on past environments to the environment’s impact on human thought, action, and interaction, the term has been used. In this volume, for the first time, over 80 archaeologists from three continents attempt a comprehensive definition of the ideas and practices of landscape archaeology, covering the theoretical and the practical, the research and conservation, and encasing the term in a global framework. As a basic reference volume for landscape archaeology, this volume will be the benchmark for decades to come. All royalties on this Handbook are donated to the World Archaeological Congress.

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