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A major new narrative account of the long struggle of Northern activists-both black and white, famous and obscure-to establish African Americans as free citizens, from abolitionism through the Civil War, Reconstruction, and its demise Abraham Lincoln's Emancipation Proclamation is generally understood as the moment African Americans became free, and Reconstruction as the ultimately unsuccessful effort to extend that victory by establishing equal citizenship. In More Than Freedom, award-winning historian Stephen Kantrowitz boldly redefines our understanding of this entire era by showing that the fight to abolish slavery was always part of a much broader campaign to establish full citizenship for African Americans and find a place to belong in a white republic. More Than Freedom chronicles this epic struggle through the lived experiences of black and white activists in and around Boston, including both famous reformers such as Frederick Douglass and Charles Sumner and lesser-known but equally important figures like the journalist William Cooper Nell and the ex-slaves Lewis and Harriet Hayden. While these freedom fighters have traditionally been called abolitionists, their goals and achievements went far beyond emancipation. They mobilized long before they had white allies to rely on and remained militant long after the Civil War ended. These black freedmen called themselves "colored citizens" and fought to establish themselves in American public life, both by building their own networks and institutions and by fiercely, often violently, challenging proslavery and inegalitarian laws and prejudice. But as Kantrowitz explains, they also knew that until the white majority recognized them as equal participants in common projects they would remain a suspect class. Equal citizenship meant something far beyond freedom: not only full legal and political rights, but also acceptance, inclusion and respect across the color line. Even though these reformers ultimately failed to remake the nation in the way they hoped, their struggle catalyzed the arrival of Civil War and left the social and political landscape of the Union forever altered. Without their efforts, war and Reconstruction could hardly have begun. Bringing a bold new perspective to one of our nation's defining moments, More Than Freedom helps to explain the extent and the limits of the so-called freedom achieved in 1865 and the legacy that endures today.
The Journal of the Civil War Era Volume 3, Number 4 December 2013 TABLE OF CONTENTS SPECIAL ISSUE: PROCLAIMING EMANCIPATION AT 150 Articles Introduction Martha S. Jones, Guest Editor History and Commemoration: The Emancipation Proclamation at 150 James Oakes Reluctant to Emancipate? Another Look at the First Confiscation Act Stephen Sawyer & William J. Novak Emancipation and the Creation of Modern Liberal States in America and France Thavolia Glymph Rose's War and the Gendered Politics of a Slave Insurgency in the Civil War Martha Jones Emancipation Encounters: The Meaning of Freedom from the Pages of Civil War Sketchbooks Book Reviews Books Received Notes on Contributors
In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.
Though Massachusetts banned slavery in 1780, prior to the Civil War a law prohibiting marriage between whites and blacks reinforced the state’s racial caste system. Amber Moulton recreates an unlikely collaboration of reformers who sought to rectify what they saw as an indefensible injustice, leading to the legalization of interracial marriage.
The dramatic story of fugitive slaves and the antislavery activists who defied the law to help them reach freedom. More than any other scholar, Eric Foner has influenced our understanding of America's history. Now, making brilliant use of extraordinary evidence, the Pulitzer Prize–winning historian once again reconfigures the national saga of American slavery and freedom. A deeply entrenched institution, slavery lived on legally and commercially even in the northern states that had abolished it after the American Revolution. Slaves could be found in the streets of New York well after abolition, traveling with owners doing business with the city's major banks, merchants, and manufacturers. New York was also home to the North’s largest free black community, making it a magnet for fugitive slaves seeking refuge. Slave catchers and gangs of kidnappers roamed the city, seizing free blacks, often children, and sending them south to slavery. To protect fugitives and fight kidnappings, the city's free blacks worked with white abolitionists to organize the New York Vigilance Committee in 1835. In the 1840s vigilance committees proliferated throughout the North and began collaborating to dispatch fugitive slaves from the upper South, Washington, and Baltimore, through Philadelphia and New York, to Albany, Syracuse, and Canada. These networks of antislavery resistance, centered on New York City, became known as the underground railroad. Forced to operate in secrecy by hostile laws, courts, and politicians, the city’s underground-railroad agents helped more than 3,000 fugitive slaves reach freedom between 1830 and 1860. Until now, their stories have remained largely unknown, their significance little understood. Building on fresh evidence—including a detailed record of slave escapes secretly kept by Sydney Howard Gay, one of the key organizers in New York—Foner elevates the underground railroad from folklore to sweeping history. The story is inspiring—full of memorable characters making their first appearance on the historical stage—and significant—the controversy over fugitive slaves inflamed the sectional crisis of the 1850s. It eventually took a civil war to destroy American slavery, but here at last is the story of the courageous effort to fight slavery by "practical abolition," person by person, family by family.
In 1912 James Reese Europe made history by conducting his 125-member Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the esteemed venue was more than just a concert--it was a political act of desegregation, a defiant challenge to the status quo in American music. In this book, David Gilbert explores how Europe and other African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as "black music." Gilbert shows how Europe and others used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging many of the nation's preconceived ideas about race, culture, and modernity and setting off a musical craze in the process. Gilbert sheds new light on the little-known era of African American music and culture between the heyday of minstrelsy and the Harlem Renaissance. He demonstrates how black performers played a pioneering role in establishing New York City as the center of American popular music, from Tin Pan Alley to Broadway, and shows how African Americans shaped American mass culture in their own image.
The news of Abraham Lincoln’s assassination on April 15, 1865, just days after Confederate surrender, astounded the war-weary nation. Massive crowds turned out for services and ceremonies. Countless expressions of grief and dismay were printed in newspapers and preached in sermons. Public responses to the assassination have been well chronicled, but this book is the first to delve into the personal and intimate responses of everyday people—northerners and southerners, soldiers and civilians, black people and white, men and women, rich and poor. Through deep and thoughtful exploration of diaries, letters, and other personal writings penned during the spring and summer of 1865, Martha Hodes, one of our finest historians, captures the full range of reactions to the president’s death—far more diverse than public expressions would suggest. She tells a story of shock, glee, sorrow, anger, blame, and fear. “’Tis the saddest day in our history,” wrote a mournful man. It was “an electric shock to my soul,” wrote a woman who had escaped from slavery. “Glorious News!” a Lincoln enemy exulted. “Old Lincoln is dead, and I will kill the goddamned Negroes now,” an angry white southerner ranted. For the black soldiers of the Fifty-Fourth Massachusetts, it was all “too overwhelming, too lamentable, too distressing” to absorb. There are many surprises in the story Hodes tells, not least the way in which even those utterly devastated by Lincoln’s demise easily interrupted their mourning rituals to attend to the most mundane aspects of everyday life. There is also the unexpected and unabated virulence of Lincoln’s northern critics, and the way Confederates simultaneously celebrated Lincoln’s death and instantly—on the very day he died—cast him as a fallen friend to the defeated white South. Hodes brings to life a key moment of national uncertainty and confusion, when competing visions of America’s future proved irreconcilable and hopes for racial justice in the aftermath of the Civil War slipped from the nation’s grasp. Hodes masterfully brings the tragedy of Lincoln’s assassination alive in human terms—terms that continue to stagger and rivet us one hundred and fifty years after the event they so strikingly describe.

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