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Detective Aimee Leduc goes undercover inside a neo-Nazi group to ferret out a killer in the old Jewish quarter of Paris.
The second Aimée Leduc investigation set in Paris When Anaïs de Froissart calls Parisian private investigator Aimée begging for help, Aimée assumes the woman wants to hire her to do surveillance on her philandering politician husband again. Aimée is too busy right now to indulge her. But Anaïs insists Aimée must come, that she is in trouble and scared. Aimée tracks Anaïs down just in time to see a car bomb explode, injuring Anaïs and killing the woman she was with. Anaïs can’t explain what Aimée just witnessed. The dead woman, Anaïs says, is Sylvie Coudray, her cheating husband’s long-time mistress, but she has no idea who wanted her dead, and Anaïs officially hires Aimée to investigate. As she digs into Sylvie Coudray’s murky past, Aimée finds that the dead woman may not be who Anaïs thought she was. Her Belleville neighborhood, full of North African immigrants, may be hiding clues to Sylvie’s identity. As a prominent Algerian rights activist stages a hunger protest against new immigration laws, Aimée begins to wonder whether Sylvie’s death was an act of terrorism, and who else may be at risk. From the Trade Paperback edition.
The third Aimée Leduc Investigation set in Paris When Parisian private investigator Aimée Leduc picks up the phone one hot July afternoon, the call turns her life upside-down. The voice on the other end, with its heavy German accent, belongs to a woman named Jutta Hald. Jutta claims to have shared a jail cell with Aimée’s long-lost mother, a suspected terrorist on Interpol’s most wanted list. If Aimée wants to learn the truth about her mother, she is to meet Jutta at a rendezvous point in an ancient tower in the Sentier. But when Aimée arrives, Jutta is dead, shot in the head at close range. Aimée realizes she has stumbled into something bigger than Jutta let on, and that her own life is in danger. She has a lot of unsolved mysteries in front of her: Jutta Hald’s murder, resurfaced materials from Sydney Leduc’s terrorist activities in the 1970s, police suppression of important information. The question is, can Aimée put the pieces together before someone else ends up dead? From the Trade Paperback edition.
When a woman wearing an identical jacket to Aimée Leduc's leaves her cell phone on a restaurant table, Aimee follows her to return it, only to be attacked and left blind, discovering that the other woman had been murdered. Reprint
A long-lost Modigliani portrait, a grieving brother’s blood vendetta, a Soviet secret that’s been buried for 80 years—Parisian private investigator Aimée Leduc’s current case is her most exciting one yet. The cobbled streets of Montparnasse might have been boho-chic in the 1920s, when artists, writers, and their muses drank absinthe and danced on cafe tables. But to Parisian private investigator Aimée Leduc, these streets hold darker secrets. When an old Russian man named Yuri hires Aimée to protect a priceless painting that just might be a Modigliani, she learns how deadly art theft can be. Yuri is found tortured to death in his atelier, and the painting is missing. Every time Aimée thinks she's found a new witness, the body count rises. What exactly is so special about this painting that so many people are willing to kill—and die—for it? From the Hardcover edition.
Aimee's childhood friend Laure is a policewoman. Her partner, Jacques, has set up a meeting in Montmartre with an informer. When Laure goes along as a backup, Jacques is lured to an icy rooftop where he is shot to death. Laure's gun has been fired, gunpowder residue is on her hands and she is charged with her partner's murder. When the police close ranks against the alleged cop killer, Aimee is determined to clear Laure. |If you've always wanted to visit Paris, skip the air fare and read Cara Black instead.| - Val McDermid
Parisian P.I. Aimée Leduc finds herself caring for an abandoned infant while trying to track down the child’s missing mother Aimée Leduc is on a tight work deadline when an anonymous call leads her to an abandoned infant in her building's courtyard. Aimée's search for little Stella's mother that will soon have her on the run from a cold-hearted killer and embroiled in a conflict between oil tycoons and environmental protesters. Parisian private investigator Aimée Leduc is working on a tight deadline for a cybersecurity contract when she gets a phone call that disrupts all her progress. The female voice on the other end begs Aimée to go out into her courtyard, insists that her life is in danger, that Aimée must not call the police, then hangs up. Aimée’s project is in jeopardy, and her partner, René, will be furious if she botches this assignment, but she can’t ignore the distress in the mysterious caller’s voice. That doesn’t mean she’s prepared for what she finds in the courtyard, though: a newborn baby, wrapped in a blood-stained beaded jacket. Aimée wants to track down the baby’s mother, but when a young woman’s body washes up in the Seine on the shores of the Ile Saint-Louis, the little island where Aimée herself lives, she realizes the situation is very dangerous. Paris has been rife with bomb threats linked to protesting environmental groups, and with a little investigating Aimée becomes convinced the baby, the body in the Seine, and the protests are somehow linked. Not that Aimée can afford distraction from her paying work right now--Leduc Detective is in bad financial straits. But despite themselves, Aimée and René have both fallen in love with the baby girl, whom Aimee nicknames Stella. Taking care of Stella’s needs—and protecting her from whoever hurt or killed her missing mother—must take priority over their computer security contract with a big publicity firm. Meanwhile, she’s following leads to the infant’s mother that take her to a radical dispossessed Polish prince, a community of homeless people who live in the sewer caves of the Seine, and a sexy documentary film maker. Can Aimée finish her security job, figure out who Stella belongs to, track down the missing mother, and protect herself and her friends from the danger that is circling them, all while juggling a newborn infant? From the Trade Paperback edition.

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