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A groundbreaking volume from Lamda Award-winning editors Naomi Holoch and Joan Nestle, The Vintage Book of International Lesbian Fiction presents a range of literary voices--from twenty-seven countries spanning six continents--and offers glimpses of lesbian life in unfamilar, often exotic climes. We follow an Irish woman as she travels through time in search of a wronged maiden, and anticipate the harrowing fate of a married Indian woman who pursues pleasure with her female lover under the shadow of her husbands suspicious rage. We meet a teacher in Barcelona who locks herself up in her grandmother's house with her young Columbian student, and witness a Slovenian woman's rendezvous with her long dead lover. This collection includes the work of familiar writers, as well as a number never before published in English. From the West Indies to Eastern Europe, the Middle East to Southeast Asia, Latin America to South Africa, the distinctive stories found in these pages evoke the diverse political, cultural, emotional, and sexual landscapes of each writer's life. A groundbreaking volume from the Lamda Award-winning editors Naomi Holoch and Joan Nestle, who also wrote the introduction, this collections evokes the universal urgency of persistent desire. Table of Contents: Mary Dorcey, Ireland from A Noise from the WoodshedMakeda Sivera, JamaicaCaribbean ChameleonMireille Best, FranceStéphanie's BookChristina Peri Rossi, UruguayFinal Judgement and Singing in the DesertShani Mootoo, India-Trinidad-CanadaLemon ScentMarguerite Yourcenar, BelgiumSappho or SuicideEmma Donoghue, IrelandLooking for PetronillaSylvia Molloy, Argentinafrom Certificate of AbsenceDale Gunthorp, South AfricaGypsophilaKaren Williams, South AfricaThe Came at DawnCynthia Price, South AfricaLesbian BedroomsAlifa Rifaat, EgyptMy World of the UnknownYasmin V. Tambiah, Sri LankaThe Civil War, Sandalwood, Transl(iter)ation I, and Transl(iter)ation II (for Aruna and Giti)Dionne Brand, TrinidadMadame Alaird's BreastsViolette Leduc, Francefrom L'AphyxieAnchee Min, ChinafromRed AzaleaGerd Brantenberg, Norwayfrom Four WindsEsther Tusquets, Spainfrom The Same Sea as Every SummerKaren-Susan Fessel, GermanyLost FacesMar$ía Eugenia Alegría Nuñez, CubaThe Girl Typist Who Worked for a Provincial Ministry of CultureNgahuia Te Awekatuku, Aotearoa/New ZealandParetipua, Old Man Tuna, andWatching the Big GirlsDacia Maraini, ItalyfromLetters to MarinaRosamaría Roffiel, MexicoForever Lasts Only a Full MoonAnna Blaman, Hollandfrom Lonely AdventureChrista Winsloe, Germanyfrom The Child ManuelaAchy Obejas, CubaWatersNicole Brossard, CanadafromMauve DesertGila Svirsky, IsraelMeeting NataliaMaureen Duffy, EnglandfromThe MicrocosmJeanne D'Arc Jutras, Canadafrom GeorgieSuzana Tratnik, SloveniaUnder the Ironwood TreesElena Georgiou, CyprusAphrodite's VisionEtel Adnan, Lebanonfrom In the Heart of the Heart of Another CountryGina Schein, AustraliaMinnie Gets Married From the Trade Paperback edition.
Around the world, when people think of vacation it's the beach they want-even when long distances must be traversed, the seashore is the place to escape the rigors of modern life. How did this come to be, and what does our ongoing love affair with the beach mean? How do shore vacations differ from traditional tourism, and what does this tell us about our dreams and fears? In At the Beach, Jean-Didier Urbain offers witty and insightful answers to these questions.
Peter Carey erzählt von der Zerbrechlichkeit des Lebens und unseren Versuchen, einmal Zerbrochenes wieder zusammenzusetzen. Eine verlassene Frau, ein einsamer Junge. Catherine ist Kuratorin im Londoner Museum für Kunsthandwerk, ein Haus voller Schätze, in dem sie Uhren und Spieldosen betreut. Und sie ist verlassen, denn ihr Geliebter ist tot. Wie betäubt wendet sie sich einem alten Wunderwerk zu, einem künstlichen Schwan, der vor über 100 Jahren im Schwarzwald erbaut wurde: für einen kleinen Jungen, im Auftrag seines Vaters. Der erhoffte sich von der Maschine das Weiterleben seines Sohnes, so wie Catherine ihre Liebe retten will. Am Ende gelingt es – um den Schwan bildet sich endlich die Familie, von der der Vater immer nur geträumt hatte. Bewegend und einfallsreich, voller Erfindungen, Schlichen und Charme erzählt Peter Carey einen mitreißenden Roman über die Liebe und ein trotziges Buch gegen den Tod.
"The most shocking fiction I have read in years. What is shocking about it is both the idea and the sheer imaginative brilliance with which Mr. Shute brings it off." THE SAN FRANCISCO CHRONICLE They are the last generation, the innocent victims of an accidental war, living out their last days, making do with what they have, hoping for a miracle. As the deadly rain moves ever closer, the world as we know it winds toward an inevitable end....
The connections between Myrtle Beach and Conway, South Carolina form an intricate tapestry of contrasting threads-from the neon glitz of the beach resort to the more reserved colonial town that spawned it. Conway citizens enjoyed the coastal town as a playground in the 19th century, and many even helped steer its evolution during the 20th century into a premier vacation destination by relocating to Myrtle Beach to shape and share in its future. Through more than 200 postcards, many dating from the early 1900s, readers witness a wide array of architecture, from the Ocean Forest Hotel and the early Myrtle Beach Pavilion to the local landmarks that were destroyed by Hurricane Hazel in October 1954. These images also tell the stories of other Grand Strand beaches, as well as of Conway, a quintessential Southern city with historic properties and live oak canopies.

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