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This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Wilde's poetry and prose short stories, plays, critical dialogues and his only novel - to give the essence of his work and thinking. Oscar Wilde's dramatic private life has sometimes threatened to overshadow his great literary achievements. His talent was prodigious: the author of brilliant social comedies, fairy stories, critical dialogues, poems, and a novel, The Picture of Dorian Gray. In addition to Dorian Gray, this volume represents all these genres, including such works as Lady Windermere's Fan and The Importance of Being Earnest, 'The Happy Prince', 'The Critic as Artist', and 'The Ballad of Reading Gaol'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Known for his poetic transformation of New England and nature, Robert Frost has retained his position through the years as one of the essential American poets of the 20th century. This book explores his classic works, including The Road Not Taken, Stopping by Woods on a Snowy Evening, and The Death of the Hired Man.
Oscar Wilde was a courageous individualist whose path-breaking life and work were shaped in the crucible of his time and place, deeply marked by the controversies of his era. This collection of concise and illuminating articles reveals the complex relationship between Wilde's work and ideas and contemporary contexts including Victorian feminism, aestheticism and socialism. Chapters investigate how Wilde's writing was both a resistance to and quotation of Victorian master narratives and genre codes. From performance history to film and operatic adaptations, the ongoing influence and reception of Wilde's story and work is explored, proposing not one but many Oscar Wildes. To approach the meaning of Wilde as an artist and historical figure, the book emphasises not only his ability to imagine new worlds, but also his bond to the turbulent cultural and historical landscape around him - the context within which his life and art took shape.
Oscar Wilde (1854-1900) hat keine Autobiografie hinterlassen, allerdings einen umfangreichen Brief aus dem Zuchthaus an seinen Freund und Geliebten Lord Alfred Douglas. Mit dem Schreiben wollte Wilde erklärtermaßen eine Art Lebensresümee ziehen und die Veränderungen deutlich machen, die sein Denken in der Gefangenschaft genommen hat. Der lateinische Titel des Briefs, »Epistola: in carcere et vinculis«, geht auf Wilde selbst zurück; der ebenfalls für den Brief benutzte Titel »de profundis« stammt hingegen vom ersten englischen Herausgeber des Briefs.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford s work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially "The Good Soldier," long considered a modernist masterpiece; and "Parade s End," which Anthony Burgess described as the finest novel about the First World War; and Samuel Hynes has called the greatest war novel ever written by an Englishman . In these, as in most of his books, Ford renders and analyses the crucial transformations in modern society and culture. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the "fin-de-siecle," he collaborated for a decade with Joseph Conrad, and befriended Henry James and H. G. Wells. In Edwardian London he founded the "English Review," publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the "transatlantic review" in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. Besides his role as contributor and enabler to various versions of Modernism, Ford was also one of its most entertaining chroniclers. This volume includes twelve new essays on Ford s engagement with the literary networks and cultural shifts of his era, by leading experts and younger scholars of Ford and Modernism. Two of the essays are by well-known creative writers: the novelist Colm Toibin, and the novelist and cultural commentator Zinovy Zinik."

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