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Taking a multidimensional approach, this book emphasizes the interplay between power, inequality, multiple oppressions, and the state. This framework provides students with a unique focus on the structure of power and inequality in society today.
Political Sociology in a Global Era provides a critical analysis of the origins, nature, development, and transformation of the state and society historically and today, examining the class nature and social basis of politics and the state in different societal settings. The book emphasizes the centrality of class relations in explaining political power and the role of the state in class-divided societies by providing powerful theoretical and empirical analyses of themes in political sociology in an era of globalization. It examines in detail the major political issues and events of our time, and makes them relevant to the study of power and politics today. Some of the features of this text include: Introduces a global political sociology emphasizing the dynamics of power relations Provides a critical analysis of the role of politics and the state within the world-historical process Describes classical and contemporary theories of politics and the state Explains the origins and development of the state, discussing the nature of the state, its class basis, and contradictions in different types of societies Considers the dynamics of the capitalist state and traces its development in Europe and the United States from the 18th century to the present Details the role of the advanced capitalist state in the global political economy at the current, advanced stage of late capitalism Discusses the social movements that have been actively struggling against the capitalist state from earlier times to the present, including the Arab Spring, focusing on recent developments in both advanced capitalist and less-developed capitalist societies where mobilization of the masses has led to struggles against the capitalist state on a global scale Offers an original analysis of global capitalism and places it in the context of the current crisis of the global capitalist system
The SAGE Handbook of Political Sociology offers a comprehensive and contemporary look at this evolving field of study. The focus is on political life itself and the chapters, written by a highly-respected and international team of authors, cover the core themes which need to be understood in order to study political life from a sociological perspective, or simply to understand the political world. The two volumes are structured around five key areas: PART 1: TRADITIONS AND PERSPECTIVES PART 2: CORE CONCEPTS PART 03: POLITICAL IDEOLOGIES AND MOVEMENTS PART 04: TOPICS PART 05: WORLD REGIONS This future-oriented and cross-disciplinary handbook is a landmark text for students and scholars interested in the social investigation of politics.
This book engages broadly with the tradition of state theory, arguing that contemporary state theory must account for multiple sites of power. The authors build on and expand traditional state theory offering tools to rethink how we analyze the state.
A wrench in the gears of sexual politics--twenty authors challenege the social constructs of identity, ideology, and beyond.
Στην Κοινωνία του θεάματος- που κυκλοφόρησε το 1947-, ο Guy Debord εκθέτει συνεκτικά τους τρόπους λειτουργίας της σύγχρονης κοινωνίας όπως διαμορφώνεται από τα τέλη της δεκαετίας του 1920 και γιγαντώνεται, παροξυσμικά και παρανοϊκά, έως τις μέρες μας. Μισό αιώνα μετά την πρώτη του έκδοση, αυτό το μοναδικό βιβλίο παραμένει δυναμικά επίκαιρο. Γράφει ο Debord: «Το θέαμα δεν μπορεί να εννοηθεί ως κατάχρηση ενός κόσμους της όρασης, ως το προιόν των τεχνικών μαζικής διάχυσης εικόνων. Είναι μάλλον μια Weltanschauung [κοσμοθεώρηση] που έγινε πραγματική, που εκφράστηκε υλικά. Είναι μια θεώρηση του κόσμου που έγινε αντικειμενική». Όσον αφορά τον ίδιο τον συγγραφέα, ακολούθησε στη ζωή και έως τον εκούσιο θάνατό του έναν και μοναδικό κανόνα. Τον συνοψίζει στον πρόλογο της Τρίτης γαλλικής έκδοσης του ανά χείρας έργου: «Οφείλει κανείς να διαβάσει αυτό το βιβλίο έχοντας κατά νου ότι γράφτηκε με την πρόθεση να βλάψει την κοινωνία του θεάματος. Δεν είπα ποτέ τίποτα το εξωφρενικό».

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