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A book about golf that will appeal to both players and non players, by Scottish poet and novelist. Surely golf is a game for posh people, country clubs and networking businessmen, for unfortunate sweaters, politics and trousers? Andrew Greig grew up on the East coast of Scotland, where playing golf is as natural as breathing. He sees the game as the great leveller, and has played on the Old course at St Andrews as well as on the miners' courses of Yorkshire. He writes about the different cultural manifestations of the game, the history, the geography, the different social meanings, as well as the subjective experience, the reflections between shots. He plays alone, with friends and brothers, with ghosts. He is looking for the essence of golf, the pure heart of it, which can be found, Andrew Greig believes, on the free 9 hole course on North Ronaldsay.
This innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now. Starting out by exploring the characteristic features and definitions of autofiction from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism. By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up new avenues in life writing and authorship research.
The hunt for the crowning stone of the Dalriadic kings, the Stone of Scone, has begun. 'You could easily make a case that Andrew Greig has the greatest range of any living Scottish writer' - Scotsman A motorcyclist with a stolen ring walks into Rothiemurchus Forest and finds a quiet place to die. A woman with an eventful past has signed the Official Secrets Act and gone to Dumfries to forget a man and keep out of trouble. In comfortable Crieff, a retired historian publishes an obscure article on the survival of the Stone of Destiny then has his throat cut. A man with a long blade in a tan holster under his suit, a fondness for bird-watching, and memories of his short-lived Punk band Anger Management, has taken a commission to retrieve an object so valuable and mythic it might not exist. A rugby-playing half-Maori named Leo Nagotoa stands in the sleet by Romanno Bridge in the Scottish Borders, trying to thumb a lift when his Destiny slithers up alongside him. Some of the cast of The Return of John Macnab are back, but the times and the mood have changed. Romanno Bridge is a wintry thriller, an entertainment, a quest and an exploration of contemporary themes of fakes, frauds, copies, and a struggle to find the Real Thing, wherever and whatever it might be.

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