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Seed magazine brings together a unique collection of conversations between prominent scientists, artists, and other thinkers, with dialogue designed to tear down the wall between science and society. In this one-of-a-kind-experiment, Science Is Culture offers insights from the Steven Pinker, Tom Wolfe, Noam Chomsky, David Byrne, Errol Morris, Jonathan Lethem, and many more of the world’s brightest burning minds.
The subject of Christology has been a struggle for the church from the very beginning. It has resulted in divisions, crusades, inquisitions, persecutions, and a wide range of creeds. Each group claims it possesses the truth-a truth revealed to them, a particular turn on belief they alone rightly proclaim. In "And Jacob Digged a Well," author Pastor Theodore M. Snider provides a commentary on religion-where it's been, where it's headed, and how it fits in the modern world. He seeks to answer this question: why do we believe what we believe? Snider discusses how scientific and technological discoveries have changed not only our worldviews but also our Godviews and how consciousness and brain research are altering the way we understand each other and how beliefs are formed. He compiles a diverse amount of information on topics relevant to both secular and religious audiences, including creationism, evolution, intelligent design, and artificial intelligence through historical, scientific, cognitive, and psychological avenues. And Jacob Digged a Well reminds us that "natural" may not be as clear as we once thought. Faith in the twenty-first century needs to look quite different from the past century.
What if structures could build themselves or adapt to fluctuating environments? Skylar Tibbits, Director of the Self-Assembly Lab in the Department of Architecture at MIT, Cambridge, MA, crosses the boundaries between architecture, biology, materials science and the arts, to envision a world where material components can self-assemble to provide adapting structures and optimized fabrication solutions. The book examines the three main ingredients for self-assembly, includes interviews with practitioners involved in the work and presents research projects related to these topics to provide a complete first look at exciting future technologies in construction and self-transforming material products.
This book explores – at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies – theories, policies and practices about the contributions of artistic research and innovations towards defining new forms of knowledge, knowledge production, as well as knowledge diffusion, absorption and use. Artistic research, artistic innovations and arts-based innovations have been major transformers, as well as disruptors, of the ways in which societies, economies, and political systems perform. Ramifications here refer to the epistemic socio-economic, socio-political and socio-technical base and aesthetic considerations on the one hand, as well as to strategies, policies, and practices on the other, including sustainable enterprise excellence, considerations in the context of knowledge economies, societies and democracies. Creativity in general, and the arts in particular, are increasingly recognized as drivers of cultural, economic, political, social, and scientific innovation and development. This book examines how one could derive and develop insights in these areas from the four vantage points of Arts, Research, Innovation and Society. Among the principal questions that are examined include: - Could and should artists be researchers? - How are the systems of the Arts and Sciences connected and/or disconnected? - What is the impact of the arts in societal development? - How are the Arts interrelated with the mechanisms of generating social, scientific and economic innovation? As the inaugural book in the Arts, Research, Innovation and Society series, this book uses a thematically wide spectrum that serves as a general frame of reference for the entire series of books to come.
From Maria Winkelman's discovery of the comet of 1702 to the Nobel Prize-winning work of twentieth-century scientist Barbara McClintock, women have played a central role in modern science. Their successes have not come easily, nor have they been consistently recognized. This book examines the challenges and barriers women scientists have faced and chronicles their achievements as they struggled to attain recognition for their work in the male-dominated world of modern science.
This trio of volumes contains essays that explore vital existential, moral, or metaphysical issues surrounding the relationship between the sciences and the world's religions.
The importance of science and technology and future of education and research are just some of the subjects discussed here.

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