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Two terrifying classics by “the best kept secret in contemporary horror fiction” (The Washington Post) Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels. Ligotti’s stories take on decaying cities and lurid dreamscapes in a style ranging from rich, ornamental prose to cold, clinical detachment. His raw and experimental work lays bare the unimportance of our world and the sickening madness of the human condition. Like the greatest writers of cosmic horror, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness of the abyss below. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. • Describes horror literature during different periods, thus helping readers understand the roots of modern horror literature, how works of horror have engaged social issues, and how horror has evolved over time • Connects horror literature to popular culture through sidebars on film adaptations, television shows, video games, and other nonliterary, popular culture topics • Includes excerpts from selected literary works that exemplify topics discussed in the entries that support English language arts standards by enabling students to read these excerpts critically in light of the entries • Prompts students to consider the nature of horror as a genre, the relationship of horror literature and social issues, and how horror literature intersects with mainstream supernatural concerns, such as religion
Lauded by critics yet largely unappreciated by fans of horror and "weird fiction," T.E.D. Klein is considered one of the great horror writers, despite his scant body of work. His prose blends the mundane and the supernatural, conjuring the monstrous and the malign with accessible but charged discourse that breaks with the formulaic entries in the genre. Exploring a range of topics from religious fundamentalism and right wing extremism to fashionable pessimism and the rise of "digital humanities," the author argues that Klein's work is a prime example of what he terms "critical horror," a distinct subgenre that entertains while questioning individual and cultural complacency.
Seeking deadly justice when she and her invalid father receive next to nothing in a lawsuit settlement, nurse Hester Jones targets the defense attorney's daughter, hematologist Liz Broward. By the author of Blood Work. Original.

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