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Floyd Toole, a leading expert in the field of sound reproduction, explains how to design the best possible listening experience for recording control rooms and home entertainment systems. This comprehensive work considers the whole sound reproduction chain from multi channel audio configurations and the loudspeaker/room system to acoustics and psychoacoustics and the evaluation process. Part 1 shows the reader how to create the best listening experience, offering practical approaches to the sound reproduction chain. Parts 2 and 3 are an in-depth consideration of acoustics and psychoacoustics - the science behind Part 1. * How to design a great audio system - for a home entertainment system or a professional recording control room * Offers a comprehensive look at the sound reproduction chain offering practical advice and helpful graphics throughout * Learn from a leading expert in sound reproduction - Floyd Toole provides essential knowledge in a highly readable and entertaining style
Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website ( is the perfect companion to this necessary resource.
First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
Much time is spent working out how to optimize the acoustics of large rooms, such as auditoria, but the acoustics of small rooms and environments can be just as vital. The expensive sound equipment of a recording studio or the stereo in a car or living room is likewise rendered useless if the acoustic environment is not right for them. Changes in wavelength to room size ratio and the time difference between the direct and reflected sound at the listening location mean that the acoustics of small spaces are quite different to those of large spaces. Tackling these specific aspects of physics, sound perception, and applications for small spaces, Acoustics of Small Rooms brings together important facets of small room acoustics. Divided into clear sections, it covers: Sound propagation—the effects of boundaries, sound absorbers, and time conditions Physiology and psychoacoustics Methods and techniques of room and sound field optimization Examples of how these principles apply in real situations Measurement and modeling techniques
Providing vital reading for audio students and trainee engineers, this guide is ideal for anyone who wants a solid grounding in both theory and industry practices in audio, sound and recording. There are many books on the market covering "how to work it" when it comes to audio equipment—but Sound and Recording isn’t one of them. Instead, you’ll gain an understanding of "how it works" with this approachable guide to audio systems. New to this edition: Digital audio section revised substantially to include the latest developments in audio networking (e.g. RAVENNA, AES X-192, AVB), high-resolution surround and parametric audio coding, workstation processing technology, mastering for iTunes, and loudness normalization Coverage of immersive audio systems such as Dolby Atmos, Auro 3D and WFS along with recent developments in audio object coding Sections on digital radio microphones, loudspeaker sensitivity issues and development, and highly directional loudspeaker systems Substantial new sections on recent developments in audio network device discovery and control and the Open Control Architecture
Acoustics and Psychoacoustics is ideal for students of music technology, sound recording, traditional music and acoustics, as well as engineers studying audio, multimedia and communications systems. Gain a practical understanding of how real musical sounds behave and are perceived in real spaces with this accessible and interesting read. This third edition offers a CD of audio examples, crucial for a clear understanding of the concepts discussed. Visit the book's supporting website at for additional resources such as: * Questions and exercises to test your knowledge * Web links for further resources and research * Audio clips * Calculation facilities (eg. adding decibel values and converting between frequency ratio and cents/semitones) This website can also be reached via
This book aims to convey to engineering students and researchers alike the relevant knowledge about the nature of acoustics, sound and hearing that will enable them to develop new technologies in this area through acquiring a thorough understanding of how sound and hearing works. There is currently no technical book available covering the communication path from sound sources through medium to the formation of auditory events in the brain – this book will fill this gap in the current book literature. It discusses the multidisciplinary area of acoustics, hearing, psychoacoustics, signal processing, speech and sound quality and is suitable for use as a main course textbook for senior undergraduate and graduate courses related to audio communication systems. It covers the basics of signal processing, traditional acoustics as well as the human hearing system and how to build audio techniques based on human hearing resolution. It discusses the technologies and applications for sound synthesis and reproduction, and for speech and audio quality evaluation.

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