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White Wolf Publishing presents, for the first time in unlimited edition trade paperback, the unrevised, unadulterated version of Harlan Ellison's award-winning Star Trek script, The City on the Edge of Forever - the spark that incited Ellison's vehement and long-lived feud with late TV producer Gene Roddenberry! The City on the Edge of Forever is, at its most basic, a poignant love story. Ellison takes the reader on a breathtaking trip through space and time, from the future, all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe - or his one true love. White Wolf's Borealis Legends imprint makes available this astonishing teleplay as Ellison intended it to be aired. The author's introductory essay (expanded by 15,000 words from the limited edition) reveals all of the details of what Ellison describes as a "fatally inept treatment" of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?
The award-winning original teleplay that produced the most beloved episode of the classic Star Trek series—with an introductory essay by the author. USS Enterprise Starfleet officers Capt. James T. Kirk and Mr. Spock escort a renegade criminal to a nearby planet for capital punishment, and they discover the remains of a city. This ancient civilization is inhabited by the alien Guardians of Forever, who are tasked with protecting a time machine. When the criminal escapes through the portal into the past, he alters Earth’s timeline, damaging humanity’s future role among the stars. Pursuing their prisoner, Kirk and Spock are transported to 1930s Depression-era New York City—where they meet pacifist Edith Koestler, a woman whose fate is entwined with the aftermath of the most devastating war in human history. A woman whom Kirk has grown to love—and has to sacrifice to restore order to the universe. In its original form, The City on the Edge of Forever won the Writers Guild of America Award for best teleplay. As aired, it won the Hugo Award. But as Harlan Ellison recounts in his expanded introductory essay, “Perils of the ‘City,’” the televised episode was a rewrite of his creative vision perpetrated by Star Trek creator Gene Roddenberry and the show’s producers. In his trademark visceral, no-holds-barred style, the legendary author broke a thirty-year silence to set the record straight about the mythologized controversy surrounding the celebrated episode, revealing what occurred behind-the-scenes during the production. Presented here as Ellison originally intended it to be filmed, this published teleplay of The City on the Edge of Forever remains a masterpiece of speculative fiction, and a prime example of his uncanny ability to present humanity with all its virtues and faults.
For the first time ever, a visual presentation of the much-discussed, unrevised, unadulterated version of Harlan Ellison's award-winning Star Trek teleplay script, ''The City on the Edge of Forever!'' See the story as Mr. Ellison originally intended!
"Includes a new introduction and afterword by Harlan Ellison"--Page 4 of cover.
A Grand Master of Science Fiction and the multiple-award-winning author of A Boy and His Dog presents seven stunning stories of speculative fiction. Hugo Award winner I Have No Mouth and I Must Scream is living legend Harlan Ellison’s masterpiece of future warfare. In a post-apocalyptic world, four men and one woman are all that remain of the human race, brought to near extinction by an artificial intelligence. Programmed to wage war on behalf of its creators, the AI became self-aware and turned against all humanity. The five survivors are prisoners, kept alive and subjected to brutal torture by the hateful and sadistic machine in an endless cycle of violence. Presented here with six more groundbreaking and inventive tales that probe the depths of mortal experience, this collection proves why Ellison has earned the many accolades he’s received and remains one of the most original voices in American literature. I Have No Mouth and I Must Scream also includes “Big Sam Was My Friend,” “Eyes of Dust,” “World of the Myth,” “Lonelyache,” Hugo Award finalist “Delusion for a Dragon Slayer,” and Hugo and Nebula Award finalist “Pretty Maggie Moneyeyes.”

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