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It was January 1, 2000, when author Catherine Kominos received a call from God—an invitation to set sail on an odyssey of discovery, remembrance, and inner growth. Easily seduced by the divine’s transcendent gifts, she accepted the invitation. Only after the ship had sailed did the perils of the journey and the sacrifices demanded by it become evident. In this personal narrative, Kominos shares her personal odyssey of spiritual growth and transformation from a Pentagon engineer to guru. Accustomed to looking outside of herself for fulfillment, her experiences showed her nothing external is permanent, nor can the external fulfill the deep longing within for something more. A hero’s journey through love, loss, and rebirth, Swimming in the Ocean of the Divine spans adventures through unconceivable calamities, misfortunes, pilgrimages, and moments of unforgettable spiritual bliss. Kominos discovers the power of love, forgiveness, and the courage to face life’s challenges with grace.
When New York–based graphic designers and long-time friends Timothy Goodman and Jessica Walsh found themselves single at the same time, they decided to try an experiment. The old adage says that it takes 40 days to change a habit—could the same be said for love? So they agreed to date each other for 40 days, record their experiences in questionnaires, photographs, videos, texts, and artworks, and post the material on a website they would create for this purpose. What began as a small experiment between two friends became an Internet sensation, drawing 5 million unique (and obsessed) visitors from around the globe to their site and their story since it was launched in July 2013. 40 Days of Dating: An Experiment is a beautifully designed, expanded look at the experiment and the results, including a great deal of material that never made it onto the site, such as who they were as friends and individuals before the 40 days and who they have become since. Note: 40 Days of Dating has a special binding that allows it to open very flat by attaching the endpapers to the inside covers.
Renowned through four award-winning books for his gritty and revelatory visions of the Caribbean, Bob Shacochis returns to occupied Haiti in The Woman Who Lost Her Soul before sweeping across time and continents to unravel tangled knots of romance, espionage, and vengeance. In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world. Set over fifty years and in four countries backdropped by different wars, The Woman Who Lost Her Soul is National Book Award winner Bob Shacochis’ magnum opus that brings to life, through the mystique and allure of history, an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.
Somalia Seaton's Red is an unflinching and bold exploration of the internal lives of young women. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books, aimed at addressing gender imbalance in theatre.
Possessing encyclopedia-like intelligence, unusual zookeeper's son Pi Patel sets sail for America, but when the ship sinks, he escapes on a life boat and is lost at sea with a dwindling number of animals until only he and a hungry Bengal tiger remain. 40,000 first printing.
From Darren Aronofsky - the acclaimed director behind such critically acclaimed films as Pi, Requiem for a Dream, Black Swan and Noah. The Fountain follows Thomas as he feverishly travels through three distinct eras: as a 16th century conquistador battling a fierce Mayan army, as a present-day scientist searching for a cure for his wife's mortal disease and as a future explorer seeking to uncover the secrets of a dying star. The Fountain graphic novel is a sister-project to the film, which is released by Warner Bros. Pictures and Regency Enterprises and stars Tony-Award-winner Hugh Jackman (The Boy from Oz, X-Men) and Oscar-winner Rachel Weisz (The Constant Gardener, The Mummy). Using the same story as its seed but stretched instead upon the limitless canvas of the comics medium, the graphic novel provides an insider's accompaniment to the movie, providing perhaps the ultimate "director's cut."
Eve of the Festival is a study of Homeric myth-making in the first and longest dialogue between Penelope and Odysseus (Odyssey 19). The author makes a case for seeing virtuoso myth-making as an essential part of this conversation, a register of communication which provides the speakers with a coded way of exchanging their thoughts. At the core of the book is a detailed examination of several myths in the dialogue to understand what is being said and to what effect. The dialogue is interpreted as an exchange of performances which have for their occasion the eve of Apollo's festival and which amount to activating, and even enacting, the myth corresponding within the Odyssey to this ritual event. --Book Jacket.

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