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"Take Me to the River" explores four post-industrial rivers that flow into the Atlantic Ocean the Androscoggin (Maine/New Hampshire), Schulykill (Pennsylvania), James (Virginia), and Savannah (Georgia/South Carolina) as they emerge from two centuries of use and neglect. With vastly improved water quality in each river since enactment of the 1972 Clean Water Act, public affection has gradually increased as memories of foul smells and fetid water fade. Today, these rivers still carry the legacies of longstanding pollution in their currents and sediments, yet they have become waterways, renewed and rediscovered, that our grandparents never could have envisioned. "Take Me to the River" comprises four portfolios of ambrotypes of these rivers, from source to sea. Three extensive essays offer different perspectives on ways of seeing and thinking about these places: one by the photographer on the collodion process; a historical view by Alison Nordstrom, the former Senior Curator of Photography at the George Eastman House, on the importance of Kolster s work; and an environmental history of Atlantic rivers by the noted historian Matthew Klingle. Kolster s dramatic yet understated photographs were made in a portable darkroom set up along the banks of the rivers with the wet-plate photographic process, a nineteenth-century method famously used to document the battlefields of the Civil War and the great vistas of the far American West. The chemical slurries that develop and fix the image on the glass plate mimic the movements of a river s current, and the idiosyncratic qualities of the ambrotypes reference the historical coincidence of the dawn of photography and the industrialization of Europe and America. With consensus building about our changing climate and the extent humans are responsible, these four Atlantic rivers challenge us to set aside our usual blinders of seeing the landscape as either pure or despoiled. As the boundaries between the human and the natural are increasingly entangled, these rivers suggest how we might embrace, even cherish, places once degraded and ignored. REVIEWS Kolster s photographs are magical. To see them is to slip in time between past and present, to know rivers as products of natural and cultural forces, to reflect on the place of rivers in American culture, and to appreciate how photographs can transform understanding. Take Me to the River is required reading for all who care about photography, landscape, and the presence of history. Anne Whiston Spirn, Professor of Landscape Architecture and Planning at MIT and author of The Eye Is a Door: Landscape, Photography, and the Art of Discovery and The Language of Landscape The medium is perfectly suited to the message in this beautiful and thought-provoking book. The light-sensitive emulsions flowing over the polished glass of Kolster s gorgeous ambrotype plates evoke the river water he stops dead still with his camera. Images and rivers, both, possess a serenity that belies their complex industrial histories. By using a slow and laborious nineteenth-century process, Kolster makes us pause to wonder how we can find unexpected glimpses of beauty in our own lives and to think hard about historical change, never a one-way street. Martha A. Sandweiss, Professor of History at Princeton University and author of Laura Gilpin: An Enduring Grace and Print the Legend: Photography and the American West Kolster's ambrotype photos are like rivers. They testify to the past, present, and future here, a couple centuries of industrial history and the twenty-first century efforts to clean it all up while remaining irresistibly beautiful. Jenny Price, author of Flight Maps: Adventures with Nature in Modern America Michael Kolster s book is one of beautifully realized images and great writing by the artist, curator Alison Nordstrom, and historian Matthew Klingle. It is an unforgettable collection of downstream images, memories, and aspirations where the river will always be saved. Christopher James, author of The Book of Alternative Photographic Processes"
In Western Australia, the Swan River has been flowing the same course for some 60 million years. Take Me to the River traces the relationship of European-Australian culture to this ancient river system. This historical narrative is viewed through the lens of schemes proposed for Perth's foreshore, the city's symbolic front garden. The foreshore has been contentious since the first plan for Perth was drawn up, and has subsequently acted as a sinkhole for hundreds of proposals. An investigation of this archaeological stratum of foreshore drawings allows us to understand changing ideas of what Perth was, what it could have been, and indeed what it can be. "This fascinating book uncovers hundreds of 'lost' proposals for Perth's foreshore - and sets out a compelling vision for how the city should relate to its river in the 21st century. It is essential reading for those who have a stake in the future of Perth and the Swan River." -- Janet Holmes a Court AC *** Librarians: ebook available on ProQuest and EBSCO [Subject: Urban Design, Architecture, Australian Studies]
That one could “walk drishod on the backs” of schools of salmon, shad, and other fishes moving up Atlantic coast rivers was a not uncommon kind of description of their migratory runs during early Colonial times. Accounts tell of awe-inspiring numbers of spawners pushing their way upriver, the waters “running silver,” to complete life cycles that once replenished critical marine fisheries along the Eastern Seaboard. This is a hugely important, fascinating, and unique look at the fish of North America whose history and life-cycles and conservation challenges are poorly understood. Despite these primordial abundances, over the centuries these stocks were so stressed that virtually all are now severely depressed, with many biologically or commercially extinct and some simply forgotten. Running Silver will tell the story of the past, present and future of these sea-river fish. This important book will elevate public consciousness of the contrasts between the historical and the present to show the enormous legacy that has already been lost and to help inspire efforts to save what remains. Drawing on the author's thirty-year career as a scientist and educator with a passion for the native river fish of the North East, Running Silver tells the story of these endangered fish with a mix of research, historical accounts, anecdotes, personal experience, interviews, and images.
Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the single best writer on the subject of race in the United States” (The New York Observer) #1 NEW YORK TIMES BESTSELLER | NATIONAL BOOK AWARD WINNER | NAACP IMAGE AWARD WINNER | PULITZER PRIZE FINALIST | NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST | NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward. Praise for Between the World and Me “Powerful . . . a searing meditation on what it means to be black in America today.”—Michiko Kakutani, The New York Times “Eloquent . . . in the tradition of James Baldwin with echoes of Ralph Ellison’s Invisible Man . . . an autobiography of the black body in America.”—The Boston Globe “Brilliant . . . [Coates] is firing on all cylinders.”—The Washington Post “Urgent, lyrical, and devastating . . . a new classic of our time.”—Vogue “A crucial book during this moment of generational awakening.”—The New Yorker “Titanic and timely . . . essential reading.”—Entertainment Weekly
A toy Indian and his canoe travel from Lake Nipigon to the Atlantic Ocean.
Amateur or expert, every angler dreams of landing the big one, but that's only part of the appeal of fly fishing. Because even when hours pass without a bite, nothing beats the rugged beauty of the surroundings. For both armchair travelers and avid outdoorsmen who may have already started a checklist of their own, Fifty Places to Fly Fish Before You Die maps out the meccas of the fly-fishing world. Through in-depth interviews with the sport's acknowledged gurus, author Chris Santella goes beyond standard guides to convey the very essence of the recommended locations. Readers can vicariously cast mouse pattners to fifty-pound taimen in the wilds of Mongolia, wrangle with wily permit off the Florida Keys, and match the hatch on Montana's Armstrong's Spring Creek. Jardines de la Reina, Cuba (tarpon), the Zhupanova River, Kamchatka (rainbow trout), and the Rio Negro, Brazil (peacock bass) are also included. The essays include a cultural and natural history of each site, along with colorful anecdotes based on the author's and authorities' experiences. With breath-takingly-beautiful photos of the spots, many by celebrated fly-fishing photographer R. Valentine Atkinson, the book also provides adventurous anglers with enough travel-and-tackle information so that they, too, can start planning excursions to go fish around the globe.

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