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Why, having generated so many early and influential constitutional statements and exported Bills of Rights, has the United Kingdom entered into the twenty-first century without a constitution of its own? In Taking Stock of Taking Liberties, eminent historian Linda Colley attempts to investigate this question and offers an evocative interpretation of the major British Library exhibition of the same name. Discussing some of the extraordinary and moving documents and images on display—all of which illuminate struggles over rights and liberties, from the Magna Carta to the present—the author traces the evolution of the cult of British freedom, demonstrating how in the past it was often at odds with issues like actual access to the vote, disparities of geographical experience, and modes of rule throughout the British empire.
Securitizing Islam shows how views of Muslims have changed in Britain since 9/11, following debates over terrorism, identity and multiculturalism.
The United Kingdom; Great Britain; the British Isles; the Home Nations: such a wealth of different names implies uncertainty and contention - and an ability to invent and adjust. In a year that sees a Scottish referendum on independence, Linda Colley analyses some of the forces that have unified Britain in the past. She examines the mythology of Britishness, and how far - and why - it has faded. She discusses the Acts of Union with Wales, Scotland and Ireland, and their limitations, while scrutinizing England's own fractures. And she demonstrates how the UK has been shaped by movement: of British people to other countries and continents, and of people, ideas and influences arriving from elsewhere. As acts of union and disunion again become increasingly relevant to our daily lives and politics, Colley considers how - if at all - the pieces might be put together anew, and what this might mean. Based on a 15-part BBC Radio 4 series.
This book provides a detailed application of identity theory to contemporary questions of extremism, radicalization and security. The analysis considers how identity forms a central aspect of notions of extremism and security in Western societies, as articulated both by political leaders, the media and the government. It also takes a close and critical look at counter-extremism policy in contemporary Western society. With its detailed and empirical approach to these questions, this book is an accessible and invaluable resource for academics, practitioners, policy-makers and general readers keen to establish a deeper understanding of the key societal security threats of the day.
The essays in Nationalizing Empires challenge the dichotomy between empire and nation state that for decades has dominated historiography. The authors center their attention on nation-building in the imperial core and maintain that the nineteenth century, rather than the age of nation-states, was the age of empires and nationalism. They identify a number of instances where nation building projects in the imperial metropolis aimed at the preservation and extension of empires rather than at their dissolution or the transformation of entire empires into nation states. Such observations have until recently largely escaped theoretical reflection.
``````هملت```` .. مسرحية تراجيدية، تعد أحد روائع الكلاسيكيات العالمية، وهي تجسد مأساة تمزق الروابط الأخوية من أجل الوثوب إلى العروش الملكية، وقد اعتمد شكسبير في هذه المسرحية على عنصر المفارقة التي تجلت في شخصية ````هملت```` بطل هذه المسرحية، فقد جمع فيها بين الشخص المحب لحبيبته ````أوفيليا```` وبين الشخص الثائر لدماء أبيه الذي اغتيل بسيف شقيقه ````كلوديوس```` والد ````أوفيليا````. وقد أقام شكسبير مسرحيته على دعامتين إحداهما نثرية قصصية، والثانية مسرحية حوارية، أيضا اعتمد على العنصر الرمزي، وقد تجلى ذلك في استخدامه لشجرة الصفصاف التي تسلقتها ````أوفيليا````، لتعلق على أحد أغصانها تاجا من الأزهار تخليدا لذكرى أبيها الذي قتله ````هملت````، وقد اختار شكسبير هذه الشجرة خصيصا لدلالتها الحزينة. ``

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