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In the gripping sequel to the Philip K. Dick Award-winning novel The Book of the Unnamed Midwife, one woman undertakes a desperate journey to rescue the future. Etta comes from Nowhere, a village of survivors of the great plague that wiped away the world that was. In the world that is, women are scarce and childbearing is dangerous...yet desperately necessary for humankind's future. Mothers and midwives are sacred, but Etta has a different calling. As a scavenger. Loyal to the village but living on her own terms, Etta roams the desolate territory beyond: salvaging useful relics of the ruined past and braving the threat of brutal slave traders, who are seeking women and girls to sell and subjugate. When slavers seize those she loves, Etta vows to release and avenge them. But her mission will lead her to the stronghold of the Lion--a tyrant who dominates the innocent with terror and violence. There, with no allies and few weapons besides her wits and will, she will risk both body and spirit not only to save lives but also to liberate a new world's destiny.
On her fiftieth birthday, Dorrit Weger is checked into the Second Reserve Bank Unit for biological material: a state-of-the-art facility in Sweden where she will make new friends, enjoy generous recreational activities and live out her remaining days in comfort with people who are just like her. Here, women over the age of fifty and men over the age of sixty who are single and childless are saved from a life devoid of value and converted into productive members of society. The price? Their bodies, harvested piece by piece for the ‘necessary’ ones (those on whom children depend) and sometimes their minds, as they take part in social and psychological experiments, until the day comes when they make their Final Donation and complete their purpose in life. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others. Resigned to her fate as a ‘dispensable’, Dorrit finds her days there to be peaceful and consoling. For the first time in her life she no longer feels like an outsider – a single woman in a world of married couples with children. But when she meets a man inside the Unit and falls in love, everything changes…
Survival is the name of the game as the line blurs between reality TV and reality itself in Alexandra Oliva’s fast-paced novel of suspense. She wanted an adventure. She never imagined it would go this far. It begins with a reality TV show. Twelve contestants are sent into the woods to face challenges that will test the limits of their endurance. While they are out there, something terrible happens—but how widespread is the destruction, and has it occurred naturally or is it man-made? Cut off from society, the contestants know nothing of it. When one of them—a young woman the show’s producers call Zoo—stumbles across the devastation, she can imagine only that it is part of the game. Alone and disoriented, Zoo is heavy with doubt regarding the life—and husband—she left behind, but she refuses to quit. Staggering countless miles across unfamiliar territory, Zoo must summon all her survival skills—and learn new ones as she goes. But as her emotional and physical reserves dwindle, she grasps that the real world might have been altered in terrifying ways—and her ability to parse the charade will be either her triumph or her undoing. Sophisticated and provocative, The Last One is a novel that forces us to confront the role that media plays in our perception of what is real: how readily we cast our judgments, how easily we are manipulated. Praise for The Last One “[Alexandra] Oliva brilliantly scrutinizes the recorded (and heavily revised) narratives we believe, and the last one hundred pages will have the reader constantly guessing just what Zoo is capable of doing to find her way back home.”—Washington Post “A high-concept, high-octane affair . . . The conceit is undoubtedly clever and . . . well executed, but what makes The Last One such a page-turner is Zoo herself: practical, tough-minded and appealing.”—The Guardian “Oliva takes this (possibly) post-apocalyptic setting, grafts on a knowledgeable skewering of the inner workings of reality television and gives us a gripping story of survival. . . . This is the genius of Oliva’s storytelling. . . . [She] makes a stunning debut with this page turner, and becomes a writer to watch.”—Seattle Times “Oliva delivers a pulse-pounding psychological tale of survival. . . . [She] masterfully manipulates her characters and the setting, creating a mash-up of popular TV genres: Survivor meets The Walking Dead.”—Bookpage “The TV show Survivor meets Cormac McCarthy’s The Road in Oliva’s stellar debut. . . . Fueled by brilliantly intimate and insightful writing as well as an endearing and fully realized female lead, this apocalyptic novel draws its power from Zoo’s realizations about society and herself as she struggles to survive long enough to somehow make it back to her home.”—Publishers Weekly (starred review) “The Last One seamlessly melds two of our contemporary obsessions—the threat of global catastrophe and the staged drama of reality TV—into a fiercely imagined tale of the human psyche under stress. This is an uncompromising, thought-provoking debut.”—Justin Cronin “Like The Hunger Games, Alexandra Oliva’s novel is page-turning and deeply unsettling.”—Rosamund Lupton “Tense and gorgeous and so damn clever . . . I loved every second.”—Lauren Beukes From the Hardcover edition.
He was going to lose the house and everything in it. The rare pleasure of a bath, the copper pots hanging above the kitchen island, his family-again he would lose his family. He stood inside the house and took stock. Everything in it had been taken for granted. How had that happened again? He had promised himself not to take anything for granted and now he couldn't recall the moment that promise had given way to the everyday. Tim Farnsworth is a handsome, healthy man, aging with the grace of a matinee idol. His wife Jane still loves him, and for all its quiet trials, their marriage is still stronger than most. Despite long hours at the office, he remains passionate about his work, and his partnership at a prestigious Manhattan law firm means that the work he does is important. And, even as his daughter Becka retreats behind her guitar, her dreadlocks and her puppy fat, he offers her every one of a father's honest lies about her being the most beautiful girl in the world. He loves his wife, his family, his work, his home. He loves his kitchen. And then one day he stands up and walks out. And keeps walking. THE UNNAMED is a dazzling novel about a marriage and a family and the unseen forces of nature and desire that seem to threaten them both. It is the heartbreaking story of a life taken for granted and what happens when that life is abruptly and irrevocably taken away.
A Handmaid's Tale for our times, this exhilarating novel pits political oppression against the will to survive, in a nightmarishly believable vision of Britain in the near future. Following its union with the United States and a series of disastrous foreign wars, Britain is in the grip of a severe crisis; the country is now under the control of The Authority. But up in the far north of Cumbria, Jackie and a group of fellow rebel women have escaped The Authority's repressive regime and formed their own militia. Sister, brought to breaking point by the restrictions imposed on her own life, decides to join them. Though her journey is frightening and dangerous, she believes her struggle will soon be over. But Jackie's single-minded vision for the army means that Sister must decide all over again what freedom is, and whether she is willing to fight for it.
Taught to hunt, shoot, and survive in the remote wilds of a ravaged land by the man who adopted her after finding her wandering in the woods as a young child, Elka reflects on the catastrophic events that destroyed civilization more than a century earlier before gradually realizing that her father may be a serial killer.

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