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It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world. White takes us into the halls of the RISD graduate program, where students learn critical lessons that go far beyond how to apply paint to canvases. In New York, we meet the neophytes who assist established artists--and who walk the fine line between "assistance" and "making the art." In Milwaukee, White trails a group of friends trying to create a viable scene where rent is cheap, but where the spotlight rarely shines. And he gives us an intimate perspective on three wildly different careers: that of Dana Schutz, an emerging star who is revitalizing painting; Mary Walling Blackburn, whose challenging art defies market forces; and Stephen Kaltenbach, a '70s wunderkind who is back on the critical radar, perhaps in spite of his own willful obscurity. From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.
Was Robert Altmans Film »Prêt-à-Porter« für die Modewelt war, ist Sarah Thorntons Buch für die Welt des riesigen Boom-Marktes der Gegenwartskunst: Nach welchen Regeln funktioniert sie? Wer entscheidet, welcher Künstler einer der ganz großen (und ganz teuren) wird? Was treibt die Sammler, die Galeristen – und was bedeutet all das für die Kunst und die Künstler selbst? Mit dem Handwerkszeug einer Ethnologin erkundet Sarah Thornton diese einzigartige Welt aus Kreativität, Geschmack und Macht, aus Status, Hoffnung, Geld und Intrigen. Sie hat mit über 250 Insidern, Künstlern, Galeristen, Kritikern, Kuratoren und Sammlern gesprochen und ist als kritische Beobachterin für eine Zeit selbst Teil der Kunstwelt geworden. Ihr Buch schildert lebensprall und gespickt mit intelligentem Klatsch und Tratsch die Menschen und Instituitionen, die die Kunstgeschichte der Zukunft schreiben.
WAS IST EIN KÜNSTLER? – Ein einzigartiger Blick hinter die Kulissen der Kunstwelt Was bedeutet es heute ein Künstler zu sein? Ist man mehr Unternehmer oder Unterhalter? Und wie bleibt man authentisch? Die Kunstexpertin und Soziologin Sarah Thornton nimmt uns mit zu den Superstars der internationalen Kunstszene – wie z.B. Ai Weiwei, Jeff Koons, Marina Abramovic – sowie zu den »rising stars«. In drei Akten – Politik, Verwandtschaft und Handwerk – begibt sie sich in die Welt von 33 Künstlern: sie blickt nicht nur in deren Ateliers, sondern auch in Wohnzimmer und auf Bankkonten. Sie führt Hunderte von Gesprächen, ist dabei, wenn Ideen entstehen und große Werke Gestalt annehmen. Mit scharfem Blick analysiert sie die vielfältigen Antworten auf die Frage: Was ist ein Künstler? Mit Jeff Koons, Ai Weiwei, Gabriel Orozco, Eugenio Dittborn, Lu Qing, Zeng Fanzhi, Wangechi Mutu, Kutlug Ataman, Tammy Rae Carland, Larry Gagosian, Martha Rosler, Elmgreen and Dragset, Maurizio Cattelan, Laurie Simmons, Carroll Dunham, Francis Alÿs, Cindy Sherman, Jennifer Dalton, William Powhida, Francesco Bonami, Massimiliano Gioni, Rashid Johnson, Damien Hirst, Andrea Fraser, Christian Marclay, Marina Abramovic, Grayson Perry, Yayoi Kusama, Cady Noland, Beatriz Milhazes und Isaac Julien.
In Talking Art, acclaimed ethnographer Gary Alan Fine gives us an eye-opening look at the contemporary university-based master's-level art program. Through an in-depth analysis of the practice of the critique and other aspects of the curriculum, Fine reveals how MFA programs have shifted the goal of creating art away from beauty and toward theory. Contemporary visual art, Fine argues, is no longer a calling or a passion--it's a discipline, with an academic culture that requires its practitioners to be verbally skilled in the presentation of their intentions. Talking Art offers a remarkable and disconcerting view into the crucial role that universities play in creating that culture.
Art Law provides a dynamic survey of topical legal and ethical issues that confront museums that acquire and display art, auction houses that sell art, libraries that exhibit art, foundations that support artists, and artists that create art. This concise book is written as a tool for art educators, museum studies students, art law and business programs, and artists looking for clear and readable descriptions and answers to the relevant legal issues facing the art world community.
The first book to explore the life and work of painter Cy Twombly, one of the most important and influential artists of the Twentieth Century Cy Twombly was a man obsessed with myth and history—including his own. Shuttling between stunning homes in Italy and the United States where he perfected his room-size canvases, he managed his public image carefully and rarely gave interviews. Upon first seeing Twombly’s remarkable paintings, writer Joshua Rivkin became obsessed himself with the mysterious artist, and began chasing every lead, big or small—anything that might illuminate those works, or who Twombly really was. Now, after unprecedented archival research and years of interviews, Rivkin has reconstructed Twombly’s life, from his time at the legendary Black Mountain College to his canonization in a 1994 MoMA retrospective; from his heady explorations of Rome in the 1950s with Robert Rauschenberg to the ongoing efforts to shape his legacy after his death. Including previously unpublished photographs, Chalk presents a more personal and searching type of biography than we’ve ever encountered, and brings to life a more complex Twombly than we’ve ever known.
Was bislang vor allen Dingen Grafikdesignern das Leben leichter machte, bestimmt nun auch zunehmend den Arbeitsalltag von Modedesignern: Programme wie »Photoshop« oder »Illustrator« werden zu unverzichtbaren Instrumenten bei der Erstellung von Entwürfen, Mustern und Schnitten. Die Autorinnen zeigen in mehr als zwanzig leicht nachvollziehbaren Kursen Schritt für Schritt denWeg zu den ersten eigenen Printmustern am Rechner auf, die dann sowohl für die traditionelle Textilproduktion als auch für den digitalen Druck geeignet sind. Zudem wird der derzeitige technische Status Quo in der Modebranche aufgezeigt und ein Einblick in die Möglichkeiten des Digitaldrucks gewährt.

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