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NEW YORK TIMES BESTSELLER • Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Pat Conroy’s great success as a writer has always been intimately linked with the exploration of his family history. As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the often cruel and violent behavior of his father, Marine Corps fighter pilot Donald Patrick Conroy. While the publication of The Great Santini brought Pat much acclaim, the rift it caused brought even more attention, fracturing an already battered family. But as Pat tenderly chronicles here, even the oldest of wounds can heal. In the final years of Don Conroy’s life, the Santini unexpectedly refocused his ire to defend his son’s honor. The Death of Santini is a heart-wrenching act of reckoning whose ultimate conclusion is that love can soften even the meanest of men, lending significance to the oft-quoted line from Pat’s novel The Prince of Tides: “In families there are no crimes beyond forgiveness.” Praise for The Death of Santini “A brilliant storyteller, a master of sarcasm, and a hallucinatory stylist whose obsession with the impress of the past on the present binds him to Southern literary tradition.”—The Boston Globe “A painful, lyrical, addictive read that [Pat Conroy’s] fans won’t want to miss.”—People “Conroy’s conviction pulls you fleetly through the book, as does the potency of his bond with his family, no matter their sins.”—The New York Times Book Review “Vital, large-hearted and often raucously funny.”—The Washington Post “Conroy writes athletically and beautifully, slicing through painful memories like a point guard splitting the defense.”—Minneapolis Star Tribune From the Trade Paperback edition.
Human Behavior and the Social Environment, Micro Level draws on a resilience model to explore the dynamics of human behavior across the life span. Biological, psychological, and spiritual dimensions are covered. Illustrations and vignettes from social work, psychology, literature, philosophy, and current events highlight the turning points in our lives. Critical thinking questions are provided. The result is an essential book that bridges theory and practice in accordance with the 2015 Council on Social Work Education (CSWE) standards.
Eighteen-year-old Ben's attempts to stand up for himself, his mother, and his sister are resisted by his intolerant father, a fighter pilot and inflexible disciplinarian
Frye Gaillard’s first encounters with books were disappointing. As a child he never cared much for fairy tales – “stories of cannibalism and mayhem in which giants and witches, tigers and wolves did their best to eat small children.” But at the age of nine, he discovered Johnny Tremain, a children’s novel of the Revolutionary War, which began a lifetime love affair with books, recounted here as a reader’s tribute to the writings that enriched and altered his life. In a series of carefully crafted, often deeply personal essays, Gaillard blends memoir, history and critical analysis to explore the works of Harper Lee, Anne Frank, James Baldwin, Robert Penn Warren, John Steinbeck, and many others. As this heartfelt reminiscence makes clear, the books that chose Frye Gaillard shaped him like an extended family. Reading The Books that Mattered: A Reader’s Memoir will make you study your own shelves to find clues into your own literary heart.
This collection of seven essays, like the carefully linked collection of vignettes within Tim O’Brien’s most popular book The Things They Carried, contains multiple critical and biographical angles with recurring threads of life events, themes, characters, creative techniques, and references to all of O’Brien’s books. Grounded in through research, Herzog’s work illustrates how O’Brien merges his life experiences with his creative production; he rarely misses an opportunity to introduce these critical life events into his writing.
Taking a closer look at teen film in the 1970s, New American Teenagers uncovers previously marginalized voices that rework the classically male, heterosexual American teenage story. While their parents' era defined the American teenager with the romantic male figure of James Dean, this generation of adolescents offers a dramatically altered picture of transformed gender dynamics, fluid and queered sexuality, and a chilling disregard for the authority of parent, or more specifically, patriarchal culture. Films like The Rocky Horror Picture Show, Halloween, and Badlands offer a reprieve from the 'straight' developmental narrative, including in the canon of study the changing definition of the American teenager. Barbara Brickman is the first to challenge the neglect of this decade in discussions of teen film by establishing the subversive potential and critical revision possible in the narratives of these new teenage voices, particularly in regards to changing notions of gender and sexuality.

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