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Ken Bruen, the “Godfather of the modern Irish crime novel” (Irish Independent), is beloved for his black humor, verse-like prose, and irascible protagonist Jack Taylor, an ex-cop who is as addicted to trouble as he is to Jameson, pills, and pop culture. In The Emerald Lie, the latest terror to be visited upon the dark Galway streets arrives in a most unusual form: a Cambridge graduate who becomes murderous over split infinitives, dangling modifiers, and any other sign of bad grammar. Meanwhile, Jack is approached by a grieving father with a pocketful of cash on offer if Jack will help exact revenge on those responsible for his daughter’s brutal rape and murder. Though hesitant to get involved, Jack agrees to get a read on the likely perpetrators. But Jack is soon derailed by the reappearance of Emily (previous alias: Emerald), the chameleon-like young woman who joined forces with Jack to take down her pedophile father in Green Hell and who remains passionate, clever, and utterly homicidal. She will use any sort of coercion to get Jack to conspire with her against the serial killer the Garda have nicknamed “the Grammarian,” but her most destructive obsession just might be Jack himself.
The award-winning crime writer Ken Bruen, called “the best-kept literary secret in Ireland” by the Independent, is as joyously unapologetic in his writing as he is wickedly poetic, mixing high and low with hypnotic mastery. In the previous book in the series, Purgatory, ex-cop Jack Taylor had finally turned his life around, only to be taunted back into fighting Galway’s corruption by a twisted serial killer named C33. In the new novel Green Hell, Bruen’s dark angel of a protagonist has again hit rock bottom: one of his best friends is dead, the other has stopped speaking to him; he has given up battling his addiction to alcohol and pills; and his firing from the Irish national police, the Guards, is ancient history. But Jack isn’t about to embark on a self-improvement plan. Instead, he has taken up a vigilante case against a respected professor of literature at the University of Galway who has a violent habit his friends in high places are only too happy to ignore. And when Jack rescues a preppy American student on a Rhodes Scholarship from a couple of kid thugs, he also unexpectedly gains a new sidekick, who abandons his thesis on Beckett to write a biography of Galway’s most magnetic rogue. Between pub crawls and violent outbursts, Jack’s vengeful plot against the professor soon spirals toward chaos. Enter Emerald, an edgy young Goth who could either be the answer to Jack’s problems, or the last ripped stitch in his undoing. Ireland may be known as a “green Eden,” but in Jack Taylor’s world, the national color has a decidedly lethal sheen.
Ill-fated ex-cop Jack Taylor is broke and working nightshifts as a security guard when he receives an unexpected commission - find The Red Book, an infamous blasphemous text stolen from the Vatican archives. The thief, a rogue priest, is now believed to be hiding out in Galway. Despite Jack's distaste for priests of any stripe, the money is just too good to turn down. It won't be hard for a man with Jack's skills to track down the errant churchman, but Jack has underestimated The Red Book's toxic lure and will be powerless to stem the wave of violence unleashed in its wake - a wave that will engulf Jack and all those around him. 'Bruen has a surreal mind and an unusual writing style of short, sharp, often one-word sentences. It shouldn't work, but it does, delightfully' The Times, Books of the Year.
Recovering from the severe mental and physical wounds inflicted from his recent past, former cop Jack Taylor has finally found a modicum of peace. He has managed to kick the myriad substances that have had a stranglehold over his painful life, however tenuously. Yet this fragile existence is threatened when a vigilante killer begins targeting the scum of Galway, signing mysterious notes with the moniker 'C 33'. The killer addresses these cryptic letters to Jack, trying to goad him into joining the murderous spree. While Jack tries to unravel the mystery and motives of this demented killer, he is also brought into the fold of an enigmatic tech billionaire who has been buying up massive amounts of property in Galway, seemingly in the hopes of offering this downtrodden city a better future. Yet if Jack has learned one thing living in Ireland, it's that people who outwardly claim to be on the side of righteousness are likely harboring far more nefarious motives beneath the surface. With the help of his friends, former drug dealer-turned-zen master Stewart and dogged police sergeant Ridge, Jack is determined to track down C 33, even if it jeopardizes his livelihood, his friends, and the remaining shreds of his sanity. C 33 is Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.
America—the land of opportunity, a place where economic prosperity beckons: but not for PI Jack Taylor, who's just been refused entry. Disappointed and bitter, he thinks that an encounter with an overly friendly stranger in an airport bar is the least of his problems. Except that this stranger seems to know much more than he should about Jack. Jack thinks no more of their meeting and resumes his old life in Galway. But when he's called to investigate a student murder—connected to an elusive Mr. K—he remembers the man from the airport. Is the stranger really who he says he is? With the help of the Jameson, Jack struggles to make sense of it all. After several more murders and too many coincidental encounters, Jack believes he may have met his nemesis. But why has he been chosen? And could he really have taken on the devil himself? Suspenseful, haunting, and totally unique, The Devil is Bruen at his very best.
A dark, edgy novel from a master of Irish crime fiction who “is threatening to become a mass cult figure in the U.S. as well as a critical favorite” (The Atlantic). An elderly priest is nearly beaten to death. A special-needs boy is brutally attacked. Evil has many guises, and private investigator Jack Taylor has encountered most of them. But nothing before has ever truly terrified him until he confronts a group calling itself Headstone, responsible for a series of random violent crimes in Galway, Ireland. As Headstone barrels along its deadly path right to the center of Taylor’s life, he will need to call upon his own capacity for brutality in order to stop them, in this suspenseful novel from a writer called “a Celtic Dashiell Hammett” (The Philadelphia Inquirer). “A nonstop rampage of intrigue, mayhem, lunacy and dark-dark-dark humor.” —Shelf Awareness
The latest novel in Ireland's most distinctive crime fiction series, In the Galway Silence, finds former cop Jack Taylor up against a vigilante assassin who goes by the name "Silence"--and the consequences quickly become personal

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