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The Fall of Buster Keaton assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses primarily on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and worldwide recognition before his death in 1966.
Lasting Stars examines the issue of stardom and longevity and investigates the many reasons for the persistence or disappearance of different star personas. Through a selection of chapters that look at issues such as inappropriate ageing, national identity and physical characteristics, this book will be the first volume to consider in depth and breadth the factors that affect the longevity of film stardom. The range of stars includes popular stars who are approached from fresh angles (Brando, Loren), less popular stars whose lower-profiles than their peers may be surprising (Taylor, Shearer) and stars whose national identity is integral to their perception as they age (Riva, Bachchan, Pavor). There are stars from the beginning of Hollywood (Valentino, Reid) to the present day (Jolie), and those who made uneasy transitions between countries (Mason), ages (Ringwald) and industrial eras (Keaton). The book examines the range of factors that affect how star images endure, including appropriate and inappropriate ageing (Griffith), race (Ice Cube) and digital technologies (Lee).
In Buster Keaton’s Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of Buster Keaton’s short films produced in the early 1920s. The authors discuss the significance of each short to the Keaton filmography, as well as each film’s importance to cinema. Offering a clear and in-depth perspective on 19 films, the authors explain what makes these shorts effective and why they’re funny.
Interviews from the beginning of Buster Keaton's career in the 1920s to the year before his death are brought together in a volume that provides a critical perspective on his acting and cinematic techniques and includes pieces by Studs Terkel and Rex Reed, among others. Simultaneous.
Examines sixteen Charlie Chaplin comedies produced at Essanay, showing Chaplin as an artist in transition from the knockabout Keystone farces to more refined, sometimes brilliant Mutual productions.
In Buster Keaton s Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of Buster Keaton s short films produced in the early 1920s. The authors discuss the significance of each short to the Keaton filmography, as well as each film s importance to cinema. Offering a clear and in-depth perspective on 19 films, the authors explain what makes these shorts effective and why they re funny."

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