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THE GIRL WITH THE DRAGON TATTOO LIVES ON. Lisbeth Salander is an unstoppable force: Sentenced to two months in Flodberga women's prison for saving a young boy's life by any means necessary, Salander refuses to say anything in her own defence. She has more important things on her mind. Mikael Blomkvist makes the long trip to visit every week - and receives a lead to follow for his pains. For him, it looks to be an important expose for Millennium. For her, it could unlock the facts of her childhood. Even from a corrupt prison system run largely by the inmates, Salander will stand up for what she believes in, whatever the cost. And she will seek the truth that is somehow connected with her childhood memory, of a woman with a blazing birthmark on her neck - that looked as if it had been burned by a dragon's fire . . . The tension, power and unstoppable force of The Girl Who Takes an Eye for an Eye are inspired by Stieg Larsson's Millennium trilogy, as Salander and Blomkvist continue the fight for justice that has thrilled millions of readers across the world. Translated from the Swedish by George Goulding
THE GIRL WITH THE DRAGON TATTOO IS BACK WITH A UK NUMBER ONE BESTSELLER Lisbeth Salander and Mikael Blomkvist have not been in touch for some time. Then Blomkvist is contacted by renowned Swedish scientist Professor Balder. Warned that his life is in danger, but more concerned for his son's well-being, Balder wants Millennium to publish his story - and it is a terrifying one. More interesting to Blomkvist than Balder's world-leading advances in Artificial Intelligence, is his connection with a certain female superhacker. It seems that Salander, like Balder, is a target of ruthless cyber gangsters - and a violent criminal conspiracy that will very soon bring terror to the snowbound streets of Stockholm, to the Millennium team, and to Blomkvist and Salander themselves. The Girl in the Spider's Web is book four in the Millennium series. Book five, The Girl Who Takes an Eye for an Eye, was published in September 2017. The Girl Who Lived Twice - the final novel in the series by David Lagercrantz - is available to preorder now.
Swedish journalist Stieg Larsson planned ten installments in his Millennium series before his untimely death. The three novels he did write, beginning with The Girl with the Dragon Tattoo, had energy, spectacular violence, and superb plotting. Larsson's weird, sometimes clunky prose style, forgotten because there was real chemistry, even empathy, between his two stars, the journalist Mikael Blomkvist and the computer hacker Lisbeth Salander. The series made a fortune and, as no good deed goes unpunished, it has become a franchise. The Girl Who Takes an Eye for an Eye is the second installment wrote by the Swedish biographer and novelist David Lagercrantz and translated by George Goulding. The Girl in the Spider's Web (2015) sold very well, and this new publication appeared with a full blockbuster treatment. Dysfunctional heroines are familiar in thrillers, as are also layers of gendered trauma, but Larsson's Salander was a fabulous, surprising character, who is a feminist superhero, an Amazonian queen, a pretty girl who fought back. Obsessive and antisocial, forged in the environment of violence she experienced as a child. She took the kind of revenge on rapists and pedophiles that most only fantasize about, taking on powerful, corrupt men with lawless violence. With Blomkvist, she was the charismatic half of one of the oddest but most useful and compelling crime fiction couples. Blomkvist, the old-school social justice fighter with a penchant for losers and a hatred of social hypocrisy, presented a perfect complement. The Girl Who Took an Eye for an Eye is the vision of the appalling things made to Salander when she was a child, but the story rambles between a bewildering collection of storylines that never come together. The novel starts with Salander in prison for unconvincing reasons. When she does wander onto the page, she gets banged up or does stuff on her computer, but continues ghostly and uninhabited. The writer commits the cardinal thriller sin of telling rather than revealing what she does. There are long, mansplaining sections about genetics and social research that made me pray to Elmore Leonard, the god of economic thriller writing, who famously disclosed that writers should "try to drop out the part that readers tend to jump." Lagercrantz has all the components of the Millennium series at his disposal, but the adrenaline is refraining Lagercrantz has turned Larsson's eccentric and feral feminism into a simple inversion. This time there are two female arch-villains after Salander. One is an aging, ailing Mad Scientist with a doctor's bag of syringes and lethal poisons determined that will reveal nothing of her social eugenics programme. The other is a ludicrously cartoonish gang boss who ends up hospitalized by Salander's quick hands working with a pair of dangerous brothers, Islamists, who have hired her to beat their jailed and silent sister. There are also, identity-switching twins who make the antics of Viola and Sebastian in Twelfth Night seem ordinary and many indications to Salander's evil twin. The reader observes that Salander and Blomkvist have a desire for equity, but because we employ so little time in the close description with the book's hero, it is not valid. There is a lethargy to the developing, and much of the balance relies on orchestrated interruptions and pauses, which irritate. Lagercrantz has all the components of the Millennium series at his disposal, but the adrenaline is not there.
The Girl Who Takes an Eye for an Eye by David Lagercrantz | Conversation Starters The Girl Who Takes an Eye for an Eye is the latest book in the Millennium series with the main character, Lisbeth Salander. This is the second book in the series that has been written by David Lagercrantz after the death of the original series creator, Stieg Larsson. In The Girl Who Takes an Eye for an Eye, Lisbeth finds herself in prison after defending a child with autism in the previous book, The Girl in the Spider’s Web. Lisbeth finally has the chance to uncover what happened to her in her childhood. With the help of Mikael Blomkvist and Holger Palmgren, Lisbeth begins researching the secrets of “The Registry,” which is believed to be a scientific experiment on eugenics. The Girl Who Takes an Eye for an Eye by David Lagercrantz is considered to be an excellent contribution to the Millennium series, according to Publisher’s Weekly. In the words of Patrick Ryan, writing for USA Today, Stieg Larsson would be proud of this latest installment to his series. A Brief Look Inside: EVERY GOOD BOOK CONTAINS A WORLD FAR DEEPER than the surface of its pages. The characters and their world come alive, and the characters and its world still live on. Conversation Starters is peppered with questions designed to bring us beneath the surface of the page and invite us into the world that lives on. These questions can be used to... Create Hours of Conversation: • Promote an atmosphere of discussion for groups • Foster a deeper understanding of the book • Assist in the study of the book, either individually or corporately • Explore unseen realms of the book as never seen before Disclaimer: This book you are about to enjoy is an independent resource meant to supplement the original book. If you have not yet read the original book, we encourage to do before purchasing this unofficial Conversation Starters.
*********************** The second book in the Millennium series featuring Lisbeth Salander - the global publishing phenomenon Lisbeth Salander is a wanted woman. Two Millennium journalists about to expose the truth about sex trafficking in Sweden are murdered, and Salander's prints are on the weapon. Her history of unpredictable and vengeful behaviour makes her an official danger to society - but no-one can find her. Mikael Blomkvist, Millennium magazine's legendary star reporter, does not believe the police. Using all his magazine staff and resources to prove Salander's innocence, Blomkvist also uncovers her terrible past, spent in criminally corrupt institutions. Yet Salander is more avenging angel than helpless victim. She may be an expert at staying out of sight - but she has ways of tracking down her most elusive enemies. Stieg Larsson's phenomenal trilogy is continued in The Girl in the Spider's Web and The Girl Who Takes an Eye for an Eye by David Lagercrantz.
Discover the books that changed the way the world reads crime. The Girl with the Dragon Tattoo: Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned by the powerful Vanger clan. Her uncle employs disgraced journalist Mikael Blomkvist and tattooed hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders, they begin to unravel a dark family history... The Girl Who Played With Fire: Lisbeth Salander is now a wanted woman, on the run from the police. Mikael Blomkvist, editor-in-chief of Millennium magazine, is trying to prove her innocence. Yet Salander is more avenging angel than helpless victim. She may be an expert at staying out of sight - but she has ways of tracking down her most elusive enemies. The Girl Who Kicked the Hornets' Nest: Salander is plotting her final revenge - against the man who tried to kill her, and against the government institutions that very nearly destroyed her life. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander is ready to fight to the end. Stieg Larsson's phenomenal trilogy is continued in The Girl in the Spider's Web and The Girl Who Takes an Eye for an Eye by David Lagercrantz.
The sixth DRAGON TATTOO story--more than 90 million copies sold worldwide--the crime-fiction phenomenon featuring Lisbeth Salander. Book four in the series, The Girl in the Spider's Web, is now a major film from Sony Pictures starring Claire Foy--out in November 2018. "Rest easy, Lisbeth Salander fans--our punk hacker heroine is in good hands." --Patrick Ryan, USA Today "Salander and Blomkvist are just as compelling as ever." --Michiko Kakutani, The New York Times "Not only do the matter-of-fact style and intricate plotting and sexy, chilling atmosphere feel very true to the original novels, but Lagercrantz transcends the source material." --Benjamin Percy, Esquire "Elegantly paced, slickly executed, and properly thrilling." --Alison Flood, The Observer

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