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'The older the zombie, the bigger the death needed to raise it.' After a few centuries, the only death 'big enough' is a human sacrifice. I know because I'm an animator. My name is Anita Blake. Working for Animators, Inc. is just a job - like selling insurance. But all the money in the world wasn't enough for me to take on the particular job Harold Gaynor was offering. Somebody else did, though - a rogue animator. Now he's not just raising the dead... he's raising Hell. And it's up to me to stop it.
Anita must fight for her reputation when a mob boss offers her a million dollars to resurrect a corpse and a powerful zombie begins to leave a trail of mayhem and murder across the city.
My name is Anita Blake but Vampires call me The Executioner. GUILTY PLEASURES: Ever since the Supreme Court granted the undead equal rights, most people think vampires are just ordinary folks with fangs. I know better. But now a serial killer is murdering vampires - and the most powerful bloodsucker in town wants me to find the killer ... THE LAUGHING CORPSE: The only death 'big enough' to raise the ancient dead is a human sacrifice. I know, because I'm an animator. A rogue animator took on the job - now he's not just raising the dead ... he's raising Hell. And it's up to me to stop it. CIRCUS OF THE DAMNED: I've being wooed by the Master Vampire of the City but now a new vampire also wants me for his human servant. A war of the undead has begun. Over me. I would be flattered - if my life weren't at stake.
A collection of the first five novels in Laurell K. Hamilton's New York Times bestselling Anita Blake, Vampire Hunter series. • Guilty Pleasures • The Laughing Corpse • Circus of the Damned • The Lunatic Cafe • Bloody Bones
When innocent vampires are found murdered, the city's most powerful vampire hires Anita Blake, a vampire hunter known as "The Executioner," to investigate the crimes.
Laurell K. Hamilton’s Anita Blake, Vampire Hunter series is a literary sensation, thanks to its strong female hero, well-fleshed (both literally and literarily) characters and unabashed attitude toward sex. The world Hamilton has created is powerfully compelling and stunningly complex—and it gets deeper, richer and more perilous, with every book. Straddling the series’ dominant themes of sex and power, Ardeur gives Anita fans a deeper look into the dynamics, both personal political, that have kept readers fascinated throughout the run of the series. Why is the ardeur the very best thing that could have happened to Anita, personally (aside from all the sex it requires her to have with hot men)? How is Anita’s alternate United States a logical legal extension of our own? And as the series continues, what other bargains might Anita have to make with herself and others in order to keep the people she loves safe from harm? The collection includes essay introductions by Hamilton, giving context and extra insight into each essay’s subject.

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