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Using the example of the Monarchiens, a group of constitutional monarchists, Friedemann Pestel examines how émigrés moved from being on the defensive to political action in the 1790s. Their pan-European connections gave them extensive visibility. The study shows the interconnections between lands of origin and exile. It corrects the prevalent view of emigrants as historical losers.
Two volumes containing the annual bibliographies of 18th century scholarship published in the Philological Quarterly. "An excellent aid to the student of 18th century literature."—Saturday Review. Volume 2, 1939-1950, includes consolidated index for both volumes. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Fanny Burney (1752-1840) is best known as the author of EVELINA, one of the most engaging novels of the eighteenth century. But for much of her long life, she was also an incomparable diarist, witnessing both the madness of George III and the young Queen Victoria's coronation. To read the journals she kept from the age of sixteen is to step back into Georgian England, meeting Dr Johnson, Garrick and Reynolds, being chased round the gardens of Kew Palace by the King. . . She was lady-in-writing to Queen Charlotte; she married an aristocratic emigre from the French Revolution and had her first and only child when she was forty-two; she was in Paris as Napoleon's armies marshalled against England, and in Brussels she heard the muffled guns, and watched the wounded being carried back from Waterloo. Kate Chisholm's delightful biography, incorporating the latest research and illustrate with unusual portraits and drawings, is lively, funny, shocking, informative and deeply moving; it paints a vivid portrait of a woman of great talent, against the changing background of England and France, a culture and an age.
This is the first of two volumes of The Additional Letters and Journals of Frances Burney. Together the volumes will present material not included in the existing series of Burney's journals and letters. Frances Burney's earlier journals and letters have been edited by Lars E. Troide, Stewart Cooke, and Betty Rizzo as The Early Journals and Letters of Fanny Burney (5 volumes., Oxford: Clarendon; Montreal and Kingston: McGill-Queen's University Press, 1988-2012). The court journals and letters are being edited by Peter Sabor, Stewart Cooke, Lorna Clark, Geoffrey Sill, and Nancy Johnson as The Court Journals and Letters of Frances Burney (6 volumes, in progress, Oxford: Oxford University Press, 2011-), while the later journals and letters have been edited by Joyce Hemlow and others as The Journals and Letters of Fanny Burney (Madame d'Arblay), 1791-1840 (12 volumes, Oxford: Clarendon, 1972-84). Beginning with a letter to Burney's sister Susanna, dated 6-8 January 1784, and ending with a letter to Mary Hamilton Dickinson, dated 11 July 1786, this volume closes the gap between the The Early Journals and Letters of Fanny Burney, which covers the period 1768-1783 and the The Court Journals and Letters of Frances Burney, which covers the period 1786-1791. Written at the height of Burney's fame as a novelist, the journals and letters included in this volume detail the loss of her friendship with Hester Thrale upon the latter's marriage to Gabriel Piozzi and the growth of her friendship with William and Frederica Lock, who provide her with physical and emotional refuge at Norbury Park, and with Mary Delany, who connects her with eventual Royal privilege and a position as Keeper of the Robes. This volume also includes Burney's unique record of the final days of Samuel Johnson's life and an appreciation of his life and work; extended commentary, appreciative but often comic, on Burney's meetings with King George III and Queen Charlotte; and also revealing insight into the ambiguous nature of her relationship with the Cambridges of Twickenham Meadows, visits to whom offered alternating elements of happiness and misery. Much of the text is dedicated to Burney's frustrating relationship with George Cambridge, a Lord Orville with feet of clay. Volume 2 will consist of all the letters, and journal and diary entries, written between 1791 and 1840 that were not included in the series of later journals, thus completing the modern editing of Burney's surviving journals and letters from 1768 until her death in 1840.
This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interp

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