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(Book). An essential item for the instrument builder, The Luthier's Handbook explores the secrets and science behind making good-sounding acoustic stringed instruments. Renowned author Roger H. Siminoff brings to the table more than four decades of luthiery experience and shares the time-tested philosophies, tips and technology of the craft. As the ideal complement to other books on building instruments, this text describes the structural and acoustical attributes of air chambers; what to listen for when tap-tuning; selecting a good piece of wood; placement of the braces and tone bars and how to tune them; how to select the right strings; what to consider in bridge design concepts; and much more. Includes a free String Gauge Calculator for determining the right set of strings.
(Book). Every guitarist dreams of owning a handmade instrument, but for most, the cost is likely to be prohibitive. The alternative building your own fine guitar is not as difficult as you might imagine, given some skill, patience, and the expert guidance of a master luthier. Every step of construction is fully covered, from choice, selection, and preparation of woods, to consideration of size, bracing, and tonal qualities. Each step of the building sequence is clearly photographed in color, with variations to the standard design shown to enable you to personalize your instrument as you make it. Briston, England-based Jonathan Kinkead has been building guitars for nearly 30 years. His craft is born out of experience and intuition rather than a strict following of technical detail. The resulting beauty of form and distinctive tone have earned him his reputation as one of the world's most respected independent luthiers.
(Book). Siminoff's Luthier Glossary is a first-edition compendium of more than 800 technical terms used in the design, construction, and production of string musical instruments. The handy 6"x9" softcover text is intended for all levels of builders from beginners to advanced, and features descriptions of parts, techniques, tools, adhesives, finishes, machinery, woods, stains, acoustics, and legal terms. The Appendix includes numerous valuable data tables along with two dozen color plates to help recognize the tonewoods and decorative woods used in luthierie.
Hailed by Guitar Player magazine as "perhaps the finest book on guitars ever produced," and by Booklist as "a Rolls Royce of construction guidebooks," this impressive volume is the first book of its kind to describe in depth how both steel-string and classical guitars are actually designed and built. Over 450 photographs, drawings, and diagrams reveal in exquisite detail the hows, whys, and how-to's of the traditional craft of guitarmaking, all accompanied by fascinating historical and technical notes. A comprehensive bibliography; a list of tools, materials, and supply sources; and a full index complete this uniquely authoritative reference -- and essential acquisition -- for guitar and craft enthusiasts, woodworkers, and students of instrument making everywhere.
In 1994, Eric Clapton came across a Wayne Henderson guitar in a recording studio and decided on the spot that he had to have one. Rarer than Stradivarius violins, these musical works of art are built from near-extinct Brazilian Rosewood, Appalachian spruce, black ebony, and fine mother-of-pearl. With Henderson's keen ear for the vibrations of each piece of wood he uses, each note that comes out of them has the power of a cannon and the sweetness of maple syrup. In Clapton's Guitar, Allen St. John recounts how a perfect acoustic guitar comes into the world and how an artist gauges perfection. Wayne Henderson, master luthier and genius in blue jeans, will tell you that he simply puts penknife to wood and carves away "everything that isn't a guitar." This is the story of a master artist, set deep in the mountains of southwestern Virginia in a brick, one-story guitar shop, as busy and chaotic inside as it is simple outside. The space is well-lighted, cluttered with power tools, air hoses, and guitar bodies in various stages of completion. It is in this modest shop that Wayne Henderson crafts some of the most highly coveted acoustic guitars on earth, including one very special instrument he built for Eric Clapton. Normally, there is a ten-year wait for a Henderson guitar, and St. John finds there are no exceptions even for an iconic figure like Clapton. But seeing it as a shortcut to getting his own guitar done, St. John jump-starts the process, and then takes readers with him on a mesmerizing journey into the heart of high-end instrument making with the man The Washington Post calls the "Mad Scientist of Mountain Music." Henderson, a small-town wise man, is not only the star of this book as a master guitar maker but also is the star of any stage he sets foot on as a master guitar player, equally at home at Carnegie Hall or the local VFW hall. Around this drolly humorous man circulates a small coterie of colorful characters and inspired musicians, who welcome you for an all-too-brief visit. By book's end, you too will want to be Wayne Henderson's friend. In a rich tapestry of folklore and folksiness, St. John tells the story of building the Clapton guitar in loving detail, from the centuries-old forests where great tonewood grows, to the auction floor of Christie's where one of Clapton's guitars commands over $700,000. It's also a loving look at Wayne's corner of the world, the Blue Ridge mountain hamlets where American traditional music was born, and of Wayne's hometown of Rugby, Virginia, population 7, where the winding roads have kept progress at bay. Whether you love old-time music, unplugged rock, traditional American craftsmanship, or simply gifted storytelling, Clapton's Guitar is an engaging work that you will want to savor and share with friends.
On the cusp of the Uke resurgence, this is teh first book to present the simple step-by-step process or building a ukulele. The ukulele's appeal among the young and enormous craft-nation of MAKErs makes this project a 'must-do.'
Twelve years ago, I asked, "Could I actually build a guitar?" I was 57 years old, hadn't built anything of wood since 1962 in 7th grade wood shop (a coat rack), and owned no woodworking tools. I didn't know people built guitars of their own! But I was intrigued by the possibility. I studied the Stewart-MacDonald catalog and ordered a kit, a 12-fret rosewood and spruce 000. A few months later, I was playing it! It was an amazing and memorable experience. I decided to do it again, and again ... Now twelve years later, many more guitars have come out of my little home shop-all from kits. Brazilian rosewood/Coastal Redwood...Indian rosewood/cedar ...mahogany/Sitka ... Indian rosewood/red spruce-all kinds of standard and exotic wood combinations and body styles. It has been a blast. And, it has produced this book about acoustic kits-the only book specifically dedicated to acoustic kits and their place in the guitar building world. Complete Guide to Building Kit Acoustic Guitars has helped hundreds, possibly thousands, of beginning guitar builders worldwide to begin to build their own quality acoustic guitars. Until now, it's only been available with spiral binding. With this revision, the perfect binding is also available. Here are a few highlights: Why a Kit? Why not? Tools you'll need and how to save on them Your space requirements (not much!) Where to get the right kit for you How to create a completely custom kit How long it will take to build Tools you can build Resources for guitar builders Detailed building logs for two guitars Complete Glossary of lutherie terms A complete build, step by step ... and a whole lot more, illustrated with over 450 pictures I love building guitars and playing them! I also enjoy writing, and this book has made possible both of those enjoyable pursuits. Completely revised and updated, the book reflects my continuing enthusiasm and learning about this "little brother to luthiery," the building of kit guitars by beginners and hobby builders. This is the only book dedicated to guitar making with guitar kits. It's a specialty, for sure. But does a kit end up being a real guitar? You can bet on it! Some of my guitars, made from choice woods, are the match of guitars created by the major companies in the world, both for playability and tone. And they look great, too! Please take a look into the book, follow a link from page 5 to hear and see a couple of my kits being played. They sound good, but I'm sure yours can sound and look even better! If you've thought about it, now find out about it too! Order your copy! (Hint, ladies: It makes a great gift for a husband looking for a new challenge!)

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